Out of curiosity & thoughts from others, is it me or the global recession but I feel like I haven't really seen anyone with pieces out and about? And also, as much money as LV poured into the marketing, store decor, Yayoi Animatronics at some stores, shopping bags, packaging, etc. I feel like they went all out with this collaboration. I do wonder if this Kusama drop is a flop for LV? Cause is it me but at least here in the US website, a lot of stuff seems to still be available from Drop 1 & Drop 2 seems to be crickets (AKA things are available to Place in cart? Even on Social media, I do see unboxing but again but Im not seeing as much traction with this 2023 Kusama Drop. Just curious to know others thoughts, and I do wonder if the recession and people just aren't spending (or post-pandemic where people are traveling again and spending less on Lux?).
Again, this isn't meant to be shade by any means. I love LV and I did pick up things I liked as for me personally, I like to collect Pocket Organizers. But I feel like a lot of past Collaborations have sold out faster?
But I did place an order for a few things as I do appreciate the art behind this collaboration along with the fun pumpkin print on the reverse eclipse pieces & JT makes that Denim jacket look amazing!
I think it’s the price point, for most people. This collection is pricey, even when compared to their usual percent increase on limited collection pricing. On price alone, it is definitely more for collectors, whether LV or Kusama fans.
As for not wearing it out, I think it’s simply because the items are such attention-grabbers, that you have to style the right outfit for it.
I love the pumpkin screenprints for drop 2, but after going to a launch event last night and seeing so many people with their drop 2 items, I think I’ll pass on the screenprinted pumpkins. As beautiful as they are, the pumpkins won’t actually fit with my wardrobe and how I like to dress.
I do think LV produced too many pieces for this collection, though. They oversaturated their own market.
The other issue is that writings, interviews, and videos of Kusama speaking about her work have resurfaced and have been re-explored. She has made some questionable racial comments in the past. I don’t speak, read, or write Japanese, so I’m at the mercy of translations.
That being said, I think it’s important to remember “context,” and how omission of facts, and additions of opinion and bias, can influence our understanding.
Regardless, the majority of the world prefers to separate artists and their work from their character. Meaning if you get a hold of a Kusama piece and keep it in new or excellent condition, expect to break even, or even make a profit, down the line, especially when she kicks the bucket.