That's why I used the word "appropriated" in my post.I don't think that is her concern. She is afraid the Hermes won't return her bag to her since their policy and French law requires them to destroy fakes.
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That's why I used the word "appropriated" in my post.I don't think that is her concern. She is afraid the Hermes won't return her bag to her since their policy and French law requires them to destroy fakes.
I looked at the picture of your bag and found it beautiful. The brique color is more of, say, a weathered brick than the orangey red of the brique B I turned down. I love yours. It also looks like it has zero wear. I didn't read the info on the mou leather.
So, I'm a bit out of the loop in terms of reading all the posts on this thread. Ceeyahd, I must have overlooked the reasons you wanted the bag authenticated. Did the bag actually go to Paris and has H "appropriated" it so to speak? The reason I am curious about your quest is that the bag is so da*m beautiful and the color so exquisite (according to the photo) that I wonder if I'd ever question the authenticity of this bag if I'd had a chance to purchase it. Which is not to say you shouldn't have, by no means, we're different people. I also have not paid for the bag as you have.
IMHO, that bag is so striking -- here goes -- that in my opinion it's not a fake. Of course that and $2.00 will get you a Starbucks coffee. However, I wonder what would make a counterfeiter duplicate a bag that has some unusual features. A potential customer for that kind of bag might know all about the features, look and feel of it. Wouldn't it be easier to knock-off a bag that is more mainstream?
I have fretted over pieces of H silver on the bay -- were they genuine or not especially as sellers don't always post the H signature and bracelet size. So I have appreciation for your concerns.
Could you live with the bag knowing that an H artisan doubted its authenticity?
What I learned was that the letter and number stamp on the kelly identity its artisan so that when the kelly is sent back to Paris for repair or refurbishing, they will try to have the same artisan working on the same bag. So it makes sense to me that if the artisan does not identify the bag or have no record of it or same artisan is unavailable, then the bag maybe deemed fake by others with less knowledge. However, I honestly have my doubt who or if there is a mistake here. We know that superfakes were discovered with international chain of criminals in Asia and France, and at least 2 former Hermes artisans were arrested. And that is why I think even if you buy vintage, it’s important to ask for any proof of purchase, service receipt, etc., because even though those can be faked, they help to see if the entire situation adds up.
That's pretty much what I was saying.The odds of one of the pro counterfeiters deciding to fake a Sellier Mou is pretty d*** low. That said, buyers can request any bag to be copied. The majority of fakes, even superfakes, out there, are bags the market demands (Togo, Epsom, Clemence, even Box, in straight retourne and sellier). Not to suggest anyone should assume a rare style is real but the odds here - even without the photos that show zero sign of inauthenticity - these make it very likely H is in the wrong. Add in bababebi and seems to me it's an infinitesimal chance this is a counterfeit and an overwhelming chance some amateur at H could not understand a sellier missing its lining.
Q1 ans is buying for own usageSorry if its a silly question, but I would like to know for future reference:
Does third party authenticators determine authenticity via photos?
And does Hermes determine authenticity with the actual bag in hand?
TIA!![]()
Thank you bagidiotic!Q1 ans is buying for own usage
Safe peace of mind
Q2 ans is sending in for touching up and repairing services
The odds of one of the pro counterfeiters deciding to fake a Sellier Mou is pretty d*** low. That said, buyers can request any bag to be copied. The majority of fakes, even superfakes, out there, are bags the market demands (Togo, Epsom, Clemence, even Box, in straight retourne and sellier). Not to suggest anyone should assume a rare style is real but the odds here - even without the photos that show zero sign of inauthenticity - these make it very likely H is in the wrong. Add in bababebi and seems to me it's an infinitesimal chance this is a counterfeit and an overwhelming chance some amateur at H could not understand a sellier missing its lining.