Michael Fassbender

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Your accurate list is depressing me -- especially the Taxi Driver, Cazale, Malick, and Oldman omissions. Looks like Malick and Oldman's snubbing trend might continue this year too :shocked: (crossing my fingers that they get nominated)



Accurate list is accurate, sadly.
You can see why I don't expect anything from them anymore.



How many members of the Academy does it take to screw in a light bulb?
Depends on when the light bulb was released. If it was before November, none. They won’t even give it a chance to shine.
 
Anyone had a look at the Vogue Italia spread? Pretty cool, great clothes. Someone else will have to post photos because my internet talents are limited to ctrl+C :)

Here's the accompanying text:

http://www.vogue.it/en/uomo-vogue/cover-story/2012/01/michael-fassbender

The email arrives suddenly, naming the location «Downtown photo studio, 6th Street and the Los Angeles River, made infamous by the Red Hot Chili Peppers’ song Under the Bridge» and time of the photo shoot. I pick him up at the Sunset Marquis and he looks tall, trim and elegant in simple jeans and t-shirt. His first words: “Do you have a cigarette? No? Please find me one”. We begin the ride charged with testosterone, real men, totally unconcerned with being politically correct, armed with cigarettes, whisky and club soda, talking about football, cars and his recent motorcycle trip. “I’m a Liverpool fan and You’ll Never Walk Alone is the best anthem in the world. The Reds have been my team since I was five. I played as a right winger, I was fact and a pretty decent dribbler, my left foot was crap, zero technique. I never could have gone professional. Viggo Mortensen, a great friend of mine, plays really well. He supports the Argentine side San Lorenzo and adores Messi”. The 34-year-old actor looks out the window, not minding the frustrating Hollywood traffic. “I’ve always loved cars, especially classics like the speedster, roadster and spyder models of the Porsche 550. At 4 years old I was already itching for my driver’s license, at 7 I was driving tractors and at 12 my father’s car. I have to admit that my love of motorcycles came later, though it overtook me with total, devastating intensity. I’ve just returned from a 6,000 kilometer trip with my father. He rode a Triumph Tiger and I was on my trusty BMW GS. We started from London and crossed Holland, Germany, Austria, Slovenia, Bosnia, Croatia and Montenegro, then took a ferry to Taormina and did the whole Amalfi coast. I was surprised because in Italy you leave space for motorcycles on the road. You drive a bit fast but you’re cool, you share the road, not like here in America where they’d just as soon run you over”.



Fassbender never stops smoking, one after the other, nor does he stop smiling when I ask if his love of speed is one of the most immediate ways to feel free. “An excellent match, freedom and power. Horses and horsepower. Riding a horse at a full gallop is exhilarating, but a motorcycle lets you go where you want. You’re not closed in a box, everything around you is alive, the trees, the mountains, the sea. You’re in tune, you’re one with your surroundings and your machine, enjoying all five senses like you’ve never experienced in your life. For the trip with my father, I had two saddlebags for a wardrobe stripped down to the basics – two pairs of jeans, two pairs of shoes, flip-flops and a few t-shirts”. If he hadn’t become an actor, Michael would have opened a bar-trattoria, like his parents who for years ran a restaurant in Killarney, Ireland. “I’ve had some rough moments as an actor, though I’ve always had the support of my family. I lost a lot of gigs because I seemed desperate at the auditions. When you’re not working, you totally lose your self-esteem. It’s a frustrating trade if it doesn’t go your way. I have to thank my father, who always pushed me to do more; he was never satisfied with my achievements. Thanks to him I learned two very useful things for this kind of work: German, and discipline. I’ll always be grateful to François Ozon, who gave me my first starring role «in Angel, ed.«. He believed in me, and thanks to him I can now do what I’ve always dreamed of. Then came Steve McQueen, first with Hunger and then with Shame «not forgetting Tarantino with Lieutenant Hicox in Inglourious Basterds, ed.«. Working with Steve is always a unique experience because he doesn’t play by any book of rules about how a film should be made”.



With Shame Fassbender won the Volpi Cup at the Venice Film Festival as Best Actor, while in the States the film has an NC-17 rating. “I don’t understand the problem with the nudity in the film. What’s the difference between male and female nudity? All men have penises, all women have sex, both accept masturbation as a natural need, yet despite all this people are scandalized by sex, while violence is accepted no problem. What are the criteria of judgment here? Is it possible that we can’t do anything to challenge this censorship? The real problem of the main character in Shame isn’t his obsession with sex, but rather his dependency on a certain mental scheme, an addiction that damages his own life as well as those of the people around him. Sex is a primitive instinct, an often amazing physical experience. Falling in love is something else entirely – you establish a deeper and more complex connection with the other person. Sex can be a thousand things: serious, playful, strange, thrilling. Having sex on the set is stressful, because you need to establish rules and limits. I generally ask my partner if I can kiss her, or caress her back, breasts, crotch, in order to understand how far I can push things without looking like a maniac. On the screen, female nudity is not only accepted but encouraged. My mother complains that men always have their pants on”. He hears a song on the radio and hums along, then talks about the important role that music has played in his life. “It was my dream. I started acting at age 17 because I realized I would have failed as a musician. My favorite band back then was Nirvana, now I listen to a bit of everything – blues, country, rock and hip-hop, especially from the ’90s: 2Pac, Notorious B.I.G., Dr. Dre, Public Enemy, Jay-Z. One of the most interesting musicians of the moment, and I would dare say of all time, is Jack White. I also love Muddy Waters, Tom Waits, The Chieftains”.



His love of film was inherited from his mother, Adele. “She’s a fan of the American school of the ’60s and ’70s – Coppola, Lumet, Scorsese, Cassavetes, Kazan, Brando, Montgomery Clift and obviously Paul Newman, although her favorite director is Rainer Fassbinder, perhaps because of the stories my father tells about an alleged family relation. My hero as a kid was Chevy Chase. I loved The Six-Million-Dollar Man, Superman and will always have Kim Basinger in 9 ½ Weeks burned into my memory. Still chatting, we arrive at the Downtown photo studio, where I continue my interrogation, moving from his favorite part of his wardrobe – “I love scarves and hats – my grandfather’s cap is still my most prized accessory, I always bring it with me” – to the place he keeps the plaques and statues of the 16 international awards he’s won «including the British Independent Film Award, Irish Film and Television Award, the Volpi Cup, the Screen Actors Guild Award». “I keep them at home, in the bathroom. That way when I sit on the toilet I can contemplate them. Don’t get me wrong, it’s really great receiving awards, an honor. But I try not to live in the past, preferring to think about the future, what I’ll do next”.



In the end we talk about exactly that: Prometheus, the prequel to Alien, directed by Ridley Scott; Twelve Years a Slave with Brad Pitt, once again with Steve McQueen; At Swim-Two-Birds, directed by his friend Brendan Gleeson, who stars along with Colin Farrell and Cillian Murphy. The first to hit the theaters will be Haywire by Soderbergh, co-starring Ewan McGregor, Channing Tatum and Mathieu Kassovitz. He says goodbye reminding me of the motto of Eric Cantona – his second-favorite footballer – who refuses to keep any memorabilia around because he finds it sad to be mired in memories: “Move forward”, he says.

-----

Caress crotch -- well there's the answer to those who thought the threesome scene looked too authentic for make-belief ;) (but am quite sure there was no penetration).

This is OT but still related: I saw Fincher's Girl with the Dragon Tattoo the other day, and while I enjoyed it, I don't understand how it this was classified as R (PG-13 in my corner of the woods) because there's frontal (female) nudity, rape and anal penetratation (x2), violence and dismemberment, and whatever else I'm still forgetting. Oh, but Craig's penis is nowhere to be seen onscreen...perhaps that was its saving grace?
 
Here are the photos
 

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Fassbender never stops smoking, one after the other, nor does he stop smiling when I ask if his love of speed is one of the most immediate ways to feel free. “An excellent match, freedom and power. Horses and horsepower. Riding a horse at a full gallop is exhilarating, but a motorcycle lets you go where you want. You’re not closed in a box, everything around you is alive, the trees, the mountains, the sea. You’re in tune, you’re one with your surroundings and your machine, enjoying all five senses like you’ve never experienced in your life. For the trip with my father, I had two saddlebags for a wardrobe stripped down to the basics – two pairs of jeans, two pairs of shoes, flip-flops and a few t-shirts”. If he hadn’t become an actor, Michael would have opened a bar-trattoria, like his parents who for years ran a restaurant in Killarney, Ireland. “I’ve had some rough moments as an actor, though I’ve always had the support of my family. I lost a lot of gigs because I seemed desperate at the auditions. When you’re not working, you totally lose your self-esteem. It’s a frustrating trade if it doesn’t go your way. I have to thank my father, who always pushed me to do more; he was never satisfied with my achievements. Thanks to him I learned two very useful things for this kind of work: German, and discipline. I’ll always be grateful to François Ozon, who gave me my first starring role «in Angel, ed.«. He believed in me, and thanks to him I can now do what I’ve always dreamed of. Then came Steve McQueen, first with Hunger and then with Shame «not forgetting Tarantino with Lieutenant Hicox in Inglourious Basterds, ed.«. Working with Steve is always a unique experience because he doesn’t play by any book of rules about how a film should be made”.


You know, I'm almost inclined to not give a damn about the smoking anymore (and I'm allergic to ciggie smoke!:laugh:). I fall harder for this man with each passing day. And articles like this only make it worse. It was an enjoyable read as it was mostly quotes from Michael and not a whole lot of paraphrasing from the reporter. I only wish it were longer. Nice job, though.
 
I'll have an occasional cigarette every now and then so I don't really have an à priori judgment towards smoking, but when I read about passages of his chain-smoking, I can sometimes almost feel the tar stifling me. Yech. I'm surprised that he seemingly doesn't give off any such scent from people who met and sniffed him (hahaha!) because nicotine addicts REEK of it most of the time. Chewing gum does nothing to hide it, since it's imbibed in the skin.
 
I swear he says the strangest things in interviews he keeps surprising me (listening to 2pac and Biggie, fantasizing about Bassinger's striptease, contemplating his awards while takin' a sh*t, supporting the Reds, idolizing Chevy Chase :laugh:)...
Didn't he said once that his favorite comedy was 'Fletch' (1985) [along with 'The Big Lebowski']?

New interview (in Company magazine)

Michael Fassbender went “doolally” when shooting his latest movie but he didn’t mind as he thinks everyone is crazy. The actor stars as a sex addict called Brandon Sullivan in his new film 'Shame'. The character was intense to play and Michael worries it had a long-lasting effect on him.

“I’m not sure I did,” he replied, when asked how he coped with all the emotion in the movie. “I think I went a bit doolally at some points during the shooting. But that’s OK. I have a theory that everyone’s crazy anyway. And those who think they aren’t, are the ones who are even crazier – because they’re in denial.”

Michael had to shoot many nude scenes for 'Shame' but it wasn’t something he found that hard. The 34-year-old has always looked different to other people so started to accept his looks from an early age.

“When I first came to Los Angeles to look for work, I was 24 and everyone thought I was 35” he laughed. “The first agent who took me on actually didn’t believe me when I told her my age. She made me show her my driver’s license to prove it! I’m 34 now, so I’m sort of catching up with myself. I actually quite enjoy having lines on my face because that’s my history. This wrinkle here is from some girl who broke my heart, or whatever. I quite like that.”
 
http://www.interviewmagazine.com/film/michael-fassbender/#_


Interview magazine article/interview


Anyone who has seen Michael Fassbender’s performance in Steve McQueen’s new film Shame has likely walked away with two images permanently burned into his or her brain. One arrives early in the film as Fassbender’s character, Brandon, a moneyed Manhattanite with a raging sex addiction whose life is upended when his equally damaged sister (Carey Mulligan) moves in with him, awakes naked in his stark white apartment and begins to amble toward the camera. His full manhood is on display in the bright morning light—the first of numerous artfully orchestrated shots of Fassbender’s package that spring up throughout the film (and that helped earn it an NC-17 rating). The second image comes later, as Brandon, after a long night drifting and hunting and a little unexpected foreplay in the back room of a gay club, finds himself knotted in an intense threesome with two women, his face twisted in a mix of animalistic delirium and sheer hopelessness. The first image, with its nudity, is the one that became the central talking point amongst both critics and audiences when the film premiered at the Venice Film Festival this past September—another predictable, if unconventional, case of a leading man seemingly upstaged by his scene-stealing co-star. But it’s what the dark, complicated ferocity of the second image represents—a potent snapshot of Fassbender’s tragically human rendering of Shame’s lost-soul protagonist throughout the entire film—that helped earn the 34-year-old German-born actor top honors at both Venice and the British Independent Film Awards as well as a Golden Globe nomination. But perhaps more significantly, Fassbender’s work in Shame has helped radically expand his growing reputation as one of the film world’s new, idiosyncratic shape-shifters.


Fassbender’s ascent, though, has been far from swift. He grew up in Ireland, and moved to London at 19 to enroll in drama school. In the years following, he managed to score a small part in the 2001 HBO mini-series Band of Brothers, as well as some British TV work and a role in Zack Snyder’s Spartan fantasy film, 300 (2007). But it wasn’t until he was cast in McQueen’s directorial debut, Hunger (2008), as Bobby Sands, the imprisoned IRA activist whose death in 1981 following a 66-day hunger strike sparked riots in nationalist quarters of Northern Ireland, that things began to take off. To play Sands, the six-foot Fassbender dropped down to a paltry 125 pounds, surviving for a time on a diet of only 600 calories a day, and for his efforts, was awarded his first best-actor BIFA. The following year, he portrayed a wry British spy who gets whacked in Quentin Tarantino’s Inglourious Basterds (2009), and since then has worked virtually nonstop, inhabiting a succession of roles that have given him ample space to showcase his ability to slip his skin. In fact, the release of Shame in December capped a banner year for Fassbender in which he played a slippery 19th-century English master (the elusive Mr. Rochester in Jane Eyre), a megalomaniac comic-book mutant (Magneto in X-Men: First Class), and one of the fathers of psychoanalysis (Carl Jung in David Cronenberg’s A Dangerous Method). He is one of those actors who, through the subtlest adjustments in their physical appearance or demeanor, can appear younger, older, meeker, or more intimidating. And while Fassbender’s ability to morph, change, and disappear into characters may have been at least in part responsible for the early slow-burn of his career, it’s now one of the driving forces behind his newfound success.

“What’s most compelling about Michael is his femininity,” says McQueen, who is set to reteam with Fassbender for a third time later this year for 12 Years a Slave, unwittingly echoing Fassbender’s own assessment of him (see interview below). “Michael is a very masculine person. One could say he’s a man’s man. But what elevates him for me—and I think what draws audiences to him—is his understanding that when you play the character, that person is somehow related to the audience. A lot of movie stars are not human—they’re more than human in a way, so there’s a barrier that exists between them and the audience. But Michael has a fragility that allows him to have a relationship with an audience that has no barrier.”

“You can forgive Michael anything,” says Keira Knightley, who costarred with Fassbender in A Dangerous Method. “It doesn’t matter what kind of character he plays. He can always put an audience on his side, which makes his work fascinating because it continually makes you, the viewer, question the situation.”

This month, Fassbender stars alongside mixed martial arts star Gina Carano, Channing Tatum, Ewan McGregor, Antonio Banderas, and Michael Douglas in Steven Soderbergh’s Haywire, about a covert operative (Carano) who takes on a succession of armed alpha men and other tough guys. He is also set to work with one of Hollywood’s most iconic sci-fi directors as one of the leads in Ridley Scott’s upcoming Alien tie-in, Prometheus, due out this summer. Josh Brolin, who worked with Fassbender on the 2010 action-fantasy Jonah Hex, recently spoke with him by phone from Los Angeles.
 
This guy's a fabulous modeling subject because the camera really loves him (the Mondino one for W is also a great shoot). He's a walking, breathing Bond, for chrissakes -- think his talent go beyond that franchise, but it's so easy to see why certain people can only picture him take the reign after Craig steps down.

Which is why I find that séances where the photographer shoots him in his civilian clothes are a waste of opportunity! ;) There's too many pictures of him in crinkled grey Hane t-shirt and jacket whereas he smokes up the page in these dandy clothes.
 
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