I would really love to play a game where three bags of competing designers are laid side by side with the emblems and any branding detail removed to see what would we would all pick in terms of quality. And then again lay those 3 bags side by side with the branding in place to see what happens.
When Karl was designing, I loved his work and creativity. Thats also what made the difference to me. With Virginie, Im not seeing anywhere near the creativity.
@bagsaremyjam, playing devils advocate here, what are the main differences you see? Im talking about other designers including TB who are priced in the 1k range. The ones who disclose materials used etc. Because some of these look pretty nice to me, but you can order on a website and obviously not as exclusive.
I would love to see this. Someone call Jeffrey Star and his hot knife!
There is so much info out there about luxury goods and why they are priced as they are. The psychology of it all is very interesting. So little is about quality. Its about the strength of the brand, the image they project and the image people want themselves to have. I have bought into quite a bit of it myself. But as I educate myself and look at some of the things out there now-actually most of it, its like fast fashion. Prices on past collections rising and falling quickly in about a 6 week time frame-I know because I tracked it. It is very seldom that an item retains its value after that.
I do not think most people would buy luxury goods for their quality if the brand name wasn't on it. If the bag or sweater was so well made and the design was great but it did not have a Hermes, Chanel etc name on it but it was one of those brands, it would not sell for half the price. These brands have gotten so rich because we are such good consumers and buy into it all.
I mean realistically we see this even with kids. One day they no longer want the blue dinosaur they want the blue Nike or adidas. We use brands to be a visual shorthand for our personality and values.
This is most obvious in brands like Telfar and Stella McCartney. If we just discount all their more complex designs and look at a plain branded oblong tote in black (which is probably among their best sellers) obviously they are faux leather bags- so it’s not the appeal of leather, obviously you can get a similar design anywhere- so it’s not originality, and obviously you can buy a vegan bag made ethically for way less money but that’s not the point, the point is it conveys both the individual’s relative wealth and their interest in supporting black business or animal rights and makes them part of a group the bushwick Birkin hipsters or the Sloane rangers. Same with Chanel it’s meant to be feminine, understated elegance etc etc.
I think you might be mistaken here. This is the original Chanel flap from 1955. The classic flap, as we know it, came along later, in the 80s I believe. Then the 2.55 was "reissued" and we had the choice of either the classic flap with the CC or the reissue (but with different chains than the original) and more demure turnlock.
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I find it so funny that Coco’s bag would probably be clocked as a dupe today
The 2.55 was (I know I’m going to likely lambasted for this but facts are facts) based off of the military bags that the SS soldiers carried. Keep in mind the herstory of Coco & the SS
Alas, we can’t argue those Nazis had some stylish uniforms.
Logo heavy RTW was
solely introduced by Lagerfeld. According to Vogue he created the CC logo.
In the 1990s the multitasking designer Karl Lagerfeld transformed the house of Chanel, the industry, and himself.
www.vogue.com
Beach balls, life preservers, flasks — the works.
www.thecut.com
Wider context of course is KL is doing this during the birth and inexorable rise of logo mania and streetwear.
It’s the heyday of dapper Dan and the matching LV logo suit, hat, bag and car.
I would say I’ve had over the years about 40-45 severely defective Chanel bags… so about 7%?
Which is what I did. Of course haha. But I wanted that one so badly! My SA didn’t tell me until after it was returned that Chanel had identified them all as defective. I guess they want to see who will keep them first. It was an odd sort of “wet”.
Whats disgraceful about this is they just sent it out - where is the quality control? it probably wasn’t tanned properly and they should have multiple points to notice those kinds of production errors- especially if it’s meant to be artisanal/hand finished production.
The refund policy sounds really bad too as a ‘VIP’ loyal client they should respect your reasoning especially when the flaws are obvious.
Ok so one thing that comes to mind when I read both of these comments is the Marc Jacobs Collection handbags back when it was considered a "Premier" designer here on TPF.... like 2006-2010ish. There was also his lower contemporary Marc by Marc Jacobs line that I am not referring to here. He was producing his MJ Collection while the creative director at LV (hence the similarities in some designs like the LV Alma vs. MJ Elise.. and the MJ Venetia has an LV twin that I can't recall). It wasn't until like 2013 that he left LV to focus on his own line, which ironically hasn't been as successful as his earlier Collection bags (IMO). Since then quality and design have gone downhill. I'd have to argue that the quality of his MJ Collection bags with the iconic pushlock pocket closures, 100% calfskin, and interior suede lining were made with waaaaay better quality than the 22 and 19 tote (disclaimer: I have not examined either IRL). I also don't recall frequent QC issues on MJ Collection bags the way we've seen throughout the Chanel forum. No, I do not consider the MJ Collection bags to be "luxe" but I think this is a pretty good example of higher quality contemporary brands vs. the current quality of some Chanel bags, yet at the same time these MJ classics have not retained their RV.
I read somewhere that diffusion lines are often catastrophic for brands as provided they are visually similar enough, hyped and branded enough like the high end people won’t buy the high end and I think this is what happened for MJ and Michael Kors.
I think a lot of this comes into play as well because a lot of people are buying these bags just to buy the bag for the name, status, etc. If you’re buying it for all the things above but you also love the design most would spend time looking at them in person or other brands for comparison and educating themselves. I think sometimes SA’s expect more from people purchasing and don’t have time to give a 30 minute overview, but I also think a 5 to 10 minute discussion on things to look for is necessary. I think if there’s a love for the brand many assume you’ve done your homework, but there’s so many who go in and buy a bag blindly because of perceived status.
I think one of the best points
@TraceySH has made on this thread is that there’s lots of people who want to do their research before buying and ask questions about the supply chain like ‘is this pure lambskin? Where was it slaughtered? How was it dyed? Is it handsewn? We’re the workers paid a living wage? Etc’
The problem is this information is inconsistently available at best and I *personally* feel that a heritage, luxury brand should have this kind of info available on their website or helpline at least. As others have pointed out, lots of other brands at various price points have far more information on their website.