Thank you for posting all these wonderful pictures and descriptions!
Scarves ........The Hermès Fall/Winter 2019 Scarves...........
- Thread starter Angelian
- Start date
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140 CSGM
OP'H (REISSUE) BY BUCOL
REF: H242423S
05
06 orange/rose/blanc
07 bleu nuit/curry/blanc
08
09
OP'H (REISSUE) BY BUCOL
REF: H242423S
05
06 orange/rose/blanc
07 bleu nuit/curry/blanc
08
09
The story behind
Op'H is a composition of Hs in an Op Art design. Playing with scale and lines this concentric composition seeks to disconcert the gaze. This piece was specially made for Hermès in 1971 by Bucol, a leading silk manufacturer established in the outskirts of Lyon since the 1920s that has built up a rich decorative legacy over the decades.
Op'H is a composition of Hs in an Op Art design. Playing with scale and lines this concentric composition seeks to disconcert the gaze. This piece was specially made for Hermès in 1971 by Bucol, a leading silk manufacturer established in the outskirts of Lyon since the 1920s that has built up a rich decorative legacy over the decades.
Attachments
140 CSGM
OP'H (REISSUE) BY BUCOL
REF: H242423S
11
12
13
The story behind
Op'H is a composition of Hs in an Op Art design. Playing with scale and lines this concentric composition seeks to disconcert the gaze. This piece was specially made for Hermès in 1971 by Bucol, a leading silk manufacturer established in the outskirts of Lyon since the 1920s that has built up a rich decorative legacy over the decades.
Op'H is a composition of Hs in an Op Art design. Playing with scale and lines this concentric composition seeks to disconcert the gaze. This piece was specially made for Hermès in 1971 by Bucol, a leading silk manufacturer established in the outskirts of Lyon since the 1920s that has built up a rich decorative legacy over the decades.
140 CSGM
PEUPLE DU VENT (REISSUE) BY CHRISTINE HENRY
REF: H242502S
28 orange/rose/gris
32 bleu nuit/ocre/vert
37 CA blanc/rose/multicolore
39 bleu ciel/parme/rose vif
41 noir/vert/rose vif
44 naturel/rose vif/multicolore
PEUPLE DU VENT (REISSUE) BY CHRISTINE HENRY
REF: H242502S
28 orange/rose/gris
32 bleu nuit/ocre/vert
37 CA blanc/rose/multicolore
39 bleu ciel/parme/rose vif
41 noir/vert/rose vif
44 naturel/rose vif/multicolore
The story behind
Tziganes, Gypsies, Bohemians: these eternal travellers are known as the People of the Wind. The carré pays tribute to their myths, to their beliefs and to their creeds.
The story behind
The Roma or Romany people are eternal travelers, as free as the wind. Their legends celebrate nature and magic powers of talking to animals and reading palms. This scarf evokes the myths, beliefs and symbols of the Roma people. Musicians, tightrope walkers and animals come together under a tree of life surrounded by Roma dancers. The wheel is an omnipresent emblem – in caravan wheels and the wheel of fortune. A detail at the bottom of the scarf depicts the legend of Sara, the Black Madonna of the Roma people.
Tziganes, Gypsies, Bohemians: these eternal travellers are known as the People of the Wind. The carré pays tribute to their myths, to their beliefs and to their creeds.
The story behind
The Roma or Romany people are eternal travelers, as free as the wind. Their legends celebrate nature and magic powers of talking to animals and reading palms. This scarf evokes the myths, beliefs and symbols of the Roma people. Musicians, tightrope walkers and animals come together under a tree of life surrounded by Roma dancers. The wheel is an omnipresent emblem – in caravan wheels and the wheel of fortune. A detail at the bottom of the scarf depicts the legend of Sara, the Black Madonna of the Roma people.
140 CSGM
PEUPLE DU VENT (REISSUE) BY CHRISTINE HENRY
REF: H242502S
45 naturel/bordeaux
46 gris chiné/marine
47 blanc/orange/rose
48 rouge/noir/gris
The story behind
Tziganes, Gypsies, Bohemians: these eternal travellers are known as the People of the Wind. The carré pays tribute to their myths, to their beliefs and to their creeds.
The story behind
The Roma or Romany people are eternal travelers, as free as the wind. Their legends celebrate nature and magic powers of talking to animals and reading palms. This scarf evokes the myths, beliefs and symbols of the Roma people. Musicians, tightrope walkers and animals come together under a tree of life surrounded by Roma dancers. The wheel is an omnipresent emblem – in caravan wheels and the wheel of fortune. A detail at the bottom of the scarf depicts the legend of Sara, the Black Madonna of the Roma people.
Tziganes, Gypsies, Bohemians: these eternal travellers are known as the People of the Wind. The carré pays tribute to their myths, to their beliefs and to their creeds.
The story behind
The Roma or Romany people are eternal travelers, as free as the wind. Their legends celebrate nature and magic powers of talking to animals and reading palms. This scarf evokes the myths, beliefs and symbols of the Roma people. Musicians, tightrope walkers and animals come together under a tree of life surrounded by Roma dancers. The wheel is an omnipresent emblem – in caravan wheels and the wheel of fortune. A detail at the bottom of the scarf depicts the legend of Sara, the Black Madonna of the Roma people.
140 CSGM
LA MAISON DES CARRES (REISSUE) BY PIERRE MARIE
REF: H242941S
03 BF bleu nuit/ciel/orange
04 gris chiné/ciel/marine
07 orange/rose/soleil
10 blanc/orange/brun
12 rouge/blanc/multicolore
13 noir/blanc/multicolore
LA MAISON DES CARRES (REISSUE) BY PIERRE MARIE
REF: H242941S
03 BF bleu nuit/ciel/orange
04 gris chiné/ciel/marine
07 orange/rose/soleil
10 blanc/orange/brun
12 rouge/blanc/multicolore
13 noir/blanc/multicolore
The story behind
In a joyful burst of color, La Maison des Carrés tells the story of an adventure: how a silk scarf is made from the initial inspiration, through the dyeing and printing processes, to its arrival in store. Also to be spotted here is the cabinet of curiosities museum, the design studio – an incubator for talent that has inspired so many designs – and a whole host of people from this epic. Then there’s the nerve centers: the final destinations of the legendary scarves destined to grace the necks, shoulders, waists or heads of their new owners!
In a joyful burst of color, La Maison des Carrés tells the story of an adventure: how a silk scarf is made from the initial inspiration, through the dyeing and printing processes, to its arrival in store. Also to be spotted here is the cabinet of curiosities museum, the design studio – an incubator for talent that has inspired so many designs – and a whole host of people from this epic. Then there’s the nerve centers: the final destinations of the legendary scarves destined to grace the necks, shoulders, waists or heads of their new owners!
140 CSGM
LA MAISON DES CARRES (REISSUE) BY PIERRE MARIE
REF: H242941S
14
15 naturel/rouge/multicolore
The story behind
In a joyful burst of color, La Maison des Carrés tells the story of an adventure: how a silk scarf is made from the initial inspiration, through the dyeing and printing processes, to its arrival in store. Also to be spotted here is the cabinet of curiosities museum, the design studio – an incubator for talent that has inspired so many designs – and a whole host of people from this epic. Then there’s the nerve centers: the final destinations of the legendary scarves destined to grace the necks, shoulders, waists or heads of their new owners!
In a joyful burst of color, La Maison des Carrés tells the story of an adventure: how a silk scarf is made from the initial inspiration, through the dyeing and printing processes, to its arrival in store. Also to be spotted here is the cabinet of curiosities museum, the design studio – an incubator for talent that has inspired so many designs – and a whole host of people from this epic. Then there’s the nerve centers: the final destinations of the legendary scarves destined to grace the necks, shoulders, waists or heads of their new owners!
140 CSGM
ACTE III, SCENE I, LA CLAIRIERE (REISSUE) BY EDOUARD BARIBEAUD
REF: H243228S
01 BF bleu nuit/jaune/vert
04 rouge/blanc/beige
09 orange/vieux rose/blanc
13 blanc/rose/corail
14 CA orange/vert/multicolore (note: may be mixed up with CW 24)
15 RD marine/rose vif/bleu jean
ACTE III, SCENE I, LA CLAIRIERE (REISSUE) BY EDOUARD BARIBEAUD
REF: H243228S
01 BF bleu nuit/jaune/vert
04 rouge/blanc/beige
09 orange/vieux rose/blanc
13 blanc/rose/corail
14 CA orange/vert/multicolore (note: may be mixed up with CW 24)
15 RD marine/rose vif/bleu jean
The story behind
The name of this design is taken straight from Shakespeare’s A Midsummer Night’s Dream. Written in the late 16th century, this enchanting comedy of errors draws its humour from the confusion caused by falling in love. In a magical forest, young lovers, a theatrical troupe, fairies and elves cross paths and commingle in endless plot twists. In the moonlight, Titania, queen of the fairies, her eyelids impregnated with a love potion, falls madly in love with Bottom, an actor metamorphosed into an ass. In this illustration of the scene, Édouard Baribeaud pays homage to Baroque theatre, Indian miniatures and early cinema.
The name of this design is taken straight from Shakespeare’s A Midsummer Night’s Dream. Written in the late 16th century, this enchanting comedy of errors draws its humour from the confusion caused by falling in love. In a magical forest, young lovers, a theatrical troupe, fairies and elves cross paths and commingle in endless plot twists. In the moonlight, Titania, queen of the fairies, her eyelids impregnated with a love potion, falls madly in love with Bottom, an actor metamorphosed into an ass. In this illustration of the scene, Édouard Baribeaud pays homage to Baroque theatre, Indian miniatures and early cinema.
140 CSGM
ACTE III, SCENE I, LA CLAIRIERE (REISSUE) BY EDOUARD BARIBEAUD
REF: H243228S
17 gris chiné/ciel/anthracite
22 CT naturel/marron/noisette
24 rouge/vert/multicolore (may be mixed up with CW 14)
The story behind
The name of this design is taken straight from Shakespeare’s A Midsummer Night’s Dream. Written in the late 16th century, this enchanting comedy of errors draws its humour from the confusion caused by falling in love. In a magical forest, young lovers, a theatrical troupe, fairies and elves cross paths and commingle in endless plot twists. In the moonlight, Titania, queen of the fairies, her eyelids impregnated with a love potion, falls madly in love with Bottom, an actor metamorphosed into an ass. In this illustration of the scene, Édouard Baribeaud pays homage to Baroque theatre, Indian miniatures and early cinema.
The name of this design is taken straight from Shakespeare’s A Midsummer Night’s Dream. Written in the late 16th century, this enchanting comedy of errors draws its humour from the confusion caused by falling in love. In a magical forest, young lovers, a theatrical troupe, fairies and elves cross paths and commingle in endless plot twists. In the moonlight, Titania, queen of the fairies, her eyelids impregnated with a love potion, falls madly in love with Bottom, an actor metamorphosed into an ass. In this illustration of the scene, Édouard Baribeaud pays homage to Baroque theatre, Indian miniatures and early cinema.
140 CSGM
PEGASE PAYSAGE BY CHRISTIAN RENONCIAT
REF: H243334S
01
02 RD gris chiné/rose/bleu
07 orange/blanc/gris
08 natural/caramel/noir
09 VR rouge/gris chiné/noir
10
PEGASE PAYSAGE BY CHRISTIAN RENONCIAT
REF: H243334S
01
02 RD gris chiné/rose/bleu
07 orange/blanc/gris
08 natural/caramel/noir
09 VR rouge/gris chiné/noir
10
The story behind
This horse is not a creature but a construction: it is designed and assembled. Its head is shown in profile, like a Renaissance portrait. Composed of a series of cut-out panels, it presents a complex, curvaceous, undulating, almost liquid form. Each is drawn in an infinite line, passing imperceptibly from horse to frame, frame to horse. But from another perspective – a bird’s-eye view – we see a horizontal motif: a landscape, in which the horse forms the relief map of hills surrounded by water. Its outlines are contour lines, like Oriental rice fields arranged in terraces, or as if carved into the hillside over time by the receding water. It is an equine landscape.
This horse is not a creature but a construction: it is designed and assembled. Its head is shown in profile, like a Renaissance portrait. Composed of a series of cut-out panels, it presents a complex, curvaceous, undulating, almost liquid form. Each is drawn in an infinite line, passing imperceptibly from horse to frame, frame to horse. But from another perspective – a bird’s-eye view – we see a horizontal motif: a landscape, in which the horse forms the relief map of hills surrounded by water. Its outlines are contour lines, like Oriental rice fields arranged in terraces, or as if carved into the hillside over time by the receding water. It is an equine landscape.
Attachments
Last edited by a moderator:
140 CSGM
PEGASE PAYSAGE BY CHRISTIAN RENONCIAT
REF: H243334S
11
12
The story behind
This horse is not a creature but a construction: it is designed and assembled. Its head is shown in profile, like a Renaissance portrait. Composed of a series of cut-out panels, it presents a complex, curvaceous, undulating, almost liquid form. Each is drawn in an infinite line, passing imperceptibly from horse to frame, frame to horse. But from another perspective – a bird’s-eye view – we see a horizontal motif: a landscape, in which the horse forms the relief map of hills surrounded by water. Its outlines are contour lines, like Oriental rice fields arranged in terraces, or as if carved into the hillside over time by the receding water. It is an equine landscape.
This horse is not a creature but a construction: it is designed and assembled. Its head is shown in profile, like a Renaissance portrait. Composed of a series of cut-out panels, it presents a complex, curvaceous, undulating, almost liquid form. Each is drawn in an infinite line, passing imperceptibly from horse to frame, frame to horse. But from another perspective – a bird’s-eye view – we see a horizontal motif: a landscape, in which the horse forms the relief map of hills surrounded by water. Its outlines are contour lines, like Oriental rice fields arranged in terraces, or as if carved into the hillside over time by the receding water. It is an equine landscape.
140 CSGM
LE JARDIN DE LEILA AU BLOC (REISSUE) BY FRANCOIS HOUTIN
REF: H243418S
01
07
12
13 blanc/bleu jean/vert
15
17
LE JARDIN DE LEILA AU BLOC (REISSUE) BY FRANCOIS HOUTIN
REF: H243418S
01
07
12
13 blanc/bleu jean/vert
15
17
The story behind
Gardens inhabit the imagination of landscape gardener, engraver and illustrator François Houtin for whom the plant world is an endless source of inspiration. Some years ago he composed a dreamy personal interpretation of Leïla Menchari’s Mediterranean garden. Menchari discovered this garden in her native Tunisia at the age of 10 and it has inspired decades of creations since. She describes “creepers hugging enormous trees”, “vegetation inhabited by the rustle of bamboo in the breeze”, “the surrealism of this nature” and “the image of paradise”. A few seasons back this scarf was decorated with embroidery, stamps of multicolored flowers, blooming corollas and ornamental foliage. These colorful motifs are reproduced here through the magic of block printing.
Gardens inhabit the imagination of landscape gardener, engraver and illustrator François Houtin for whom the plant world is an endless source of inspiration. Some years ago he composed a dreamy personal interpretation of Leïla Menchari’s Mediterranean garden. Menchari discovered this garden in her native Tunisia at the age of 10 and it has inspired decades of creations since. She describes “creepers hugging enormous trees”, “vegetation inhabited by the rustle of bamboo in the breeze”, “the surrealism of this nature” and “the image of paradise”. A few seasons back this scarf was decorated with embroidery, stamps of multicolored flowers, blooming corollas and ornamental foliage. These colorful motifs are reproduced here through the magic of block printing.
Last edited:
140 CSGM
FOUETS ET BADINES BANDANA (REISSUE) BY VIRGINIE JAMIN
REF: H243420S
01 marine/blanc/noir
02 rouge/blanc/noir
04 bleu orage/blanc/noir
05 bleu orage/blanc/noir
07 noir/naturel/noir
08 naturel/noir/naturel
FOUETS ET BADINES BANDANA (REISSUE) BY VIRGINIE JAMIN
REF: H243420S
01 marine/blanc/noir
02 rouge/blanc/noir
04 bleu orage/blanc/noir
05 bleu orage/blanc/noir
07 noir/naturel/noir
08 naturel/noir/naturel
The story behind
Nineteenth-century whips and switches share the space in this orderly yet easy composition. Whip-handles are embellished with straps, globes and dog or horse heads aligned in a strict diagonal of finely carved ivory and wood. Braided leather straps intertwine in lively swirls across the surface. Virginie Jamin is one of the designers who likes to draw inspiration from the Émile Hermès collection. Inspired by an early 19th century trade catalog, her rich talent brought this design to life. The scarf is reinvented here as a two-tone bandana with a border of diamonds, polka dots and stars.
Nineteenth-century whips and switches share the space in this orderly yet easy composition. Whip-handles are embellished with straps, globes and dog or horse heads aligned in a strict diagonal of finely carved ivory and wood. Braided leather straps intertwine in lively swirls across the surface. Virginie Jamin is one of the designers who likes to draw inspiration from the Émile Hermès collection. Inspired by an early 19th century trade catalog, her rich talent brought this design to life. The scarf is reinvented here as a two-tone bandana with a border of diamonds, polka dots and stars.
I’m in love with this shawl even though I have one from the original issue!!