Scarves ........The Hermès Fall/Winter 2019 Scarves...........

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Good evening ladies and gents. So I went into the Boutique today knowing exactly what I would leave with (and I was right!)
plenty of new felines in my closet as of today.

I know both have been featured quite heavily already but there can never be enough potentially enabling mod shots, can there? :angel:
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Always love your photos. Congrats!

Beautiful! Sadly the boutique didn’t have this one today.

Jungle Love Rainbow CW17
So many wonderful scarves! Congrats!
 
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90 SILK
BRIDES DE GALA SHADOW (REISSUE) BY HUGO GRYGKAR
REF: H003415S

01 crème/noir/rose fluo
H003415S 01.jpg
H003415S 01(1).jpg

02 gris bleute/noir/gold
H003415S 02.jpg
H003415S 02(1).jpg

03 bleu gitane/vert sapin/amande
H003415S 03.jpg
H003415S 03(1).jpg

04 soleil/orange/jaune
H003415S 04.jpg
H003415S 04(1).jpg

10 blanc/rouge/rose vif
H003415S 10.jpg
H003415S 10(1).jpg

12 rouge/bordeaux/gris
H003415S 12.jpg
h003415S 12(1).jpg

The story behind
Multiple contours form a colorful halo of light around the Brides de gala design, creating a sense of depth and revealing its expressive power. Enveloped in this shadow of color, the motif appears to radiate energy. Its reputation remains as strong as ever, having been endlessly reborn and reinvented since its creation by Hugo Grygkar in 1957. When it comes to this icon of the house of Hermès, anything goes! No matter how wild the imagination that transforms it, Brides de gala retains the originality and intensity that make it unique and instantly recognizable.
 
90 SILK
BRIDES DE GALA SHADOW (REISSUE) BY HUGO GRYGKAR
REF: H003415S

01 crème/noir/rose fluo
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02 gris bleute/noir/gold
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03 bleu gitane/vert sapin/amande
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04 soleil/orange/jaune
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10 blanc/rouge/rose vif
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12 rouge/bordeaux/gris
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The story behind
Multiple contours form a colorful halo of light around the Brides de gala design, creating a sense of depth and revealing its expressive power. Enveloped in this shadow of color, the motif appears to radiate energy. Its reputation remains as strong as ever, having been endlessly reborn and reinvented since its creation by Hugo Grygkar in 1957. When it comes to this icon of the house of Hermès, anything goes! No matter how wild the imagination that transforms it, Brides de gala retains the originality and intensity that make it unique and instantly recognizable.
90 SILK
BRIDES DE GALA SHADOW (REISSUE) BY HUGO GRYGKAR
REF: H003415S

13 rose pale/blanc/multicolore
H003415S 13.jpg
H003415S 13(1).jpg

15 bleu ciel/rose vif/bleu jean
H003415S 15.jpg
H003415S 15(1).jpg

16 beige/ebene/jaune citron
H003415S 16.jpg

The story behind
Multiple contours form a colorful halo of light around the Brides de gala design, creating a sense of depth and revealing its expressive power. Enveloped in this shadow of color, the motif appears to radiate energy. Its reputation remains as strong as ever, having been endlessly reborn and reinvented since its creation by Hugo Grygkar in 1957. When it comes to this icon of the house of Hermès, anything goes! No matter how wild the imagination that transforms it, Brides de gala retains the originality and intensity that make it unique and instantly recognizable.
 
Thanks Lady Cupid for posting all these pictures and the cws all together!
By the way, is the new, going by the model it looks new?
https://www.hermes.com/fr/fr/product/gavroche-45-les-tigreaux-H892491Sv09/
gavroche-45-les-tigreaux--892491S%2009-flat-1-300-0-320-320_b.jpg
 
A few more thoughts from my boutique visit. No new 70s yet. They had quite a few CWs of the new alice Shirley men’s scarf. Only 2 CWs of Mt Zebra. The orange one, and the blue/gold one. Which had too much orangey gold yellow for me.

here is the cosmographia in the blue gold CW. Depending on which diagonal you fold, one way is mostly dark, the other has more light blues.

1F8B1E9D-138B-4BAC-8E7F-65369FEDF596.jpeg 75059FC9-C27A-43F3-86B8-E163D543FB5D.jpeg

Maison carres in the blue Cw. Didn’t buy because not sure if too similar to my Samourais CSGM.in this pic I am wearing with white tee and navy cardigan. Hmm, I may yet buy this one, LOL!
523CB63D-3B6B-4EE2-B11D-37B0E7A3BC73.jpeg
 
90 WASH SILK
KACHINAS (REISSUE) BY KERMIT OLIVER
REF: H071823S

04 orange/corail/gris
H071823S 04.jpg
H071823S 04(1).jpg
H071823S 04(2).jpg

08 blue jeans / bright pink / mauve
H071823S 08.jpg
H071823S 08(1).jpg
H071823S 08(2).jpg

10 crème/rose vif/multicolore
H071823S 10.jpg
H071823S 10(1).jpg
H071823S 10(2).jpg

11
H071823S 11.jpg
H071823S 11(1).jpg


The story behind
Kachinas are ceremonial dolls given to Hopi children, Pueblo Indians residing in the southwestern part of the United States. The Hopi live peacefully, as their name implies – Hopituh Shi-nu-mu means “The Peaceful People” – , and in harmony with spirits. Ancestors, clouds, gods of fire or rain, mischievous or benevolent spirits are personified in religious ceremonies involving boys from the age of six, during their initiation. A link between the real and invisible worlds, these brightly colored wooden dolls charged with symbolism are given to children to familiarize them with their ancestral beliefs and rituals.
 
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90 WASH SILK
KACHINAS (REISSUE) BY KERMIT OLIVER
REF: H071823S

04 orange/corail/gris
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08 blue jeans / bright pink / mauve
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10 crème/rose vif/multicolore
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11
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The story behind
Kachinas are ceremonial dolls given to Hopi children, Pueblo Indians residing in the southwestern part of the United States. The Hopi live peacefully, as their name implies – Hopituh Shi-nu-mu means “The Peaceful People” – , and in harmony with spirits. Ancestors, clouds, gods of fire or rain, mischievous or benevolent spirits are personified in religious ceremonies involving boys from the age of six, during their initiation. A link between the real and invisible worlds, these brightly colored wooden dolls charged with symbolism are given to children to familiarize them with their ancestral beliefs and rituals.
90 WASH SILK
KACHINAS (REISSUE) BY KERMIT OLIVER
REF: H071823S

12 crème/noir/ocre
H071823S 12.jpg
H071823S 12(1).jpg
H071823S 12(2).jpg
13 marine/jaune/vert
H071823S 13.jpg H071823S 13(1).jpg H071823S 13(2).jpg

14
H071823S 14.jpg H071823S 14(1).jpg H071823S 14(2).jpg

16 rose/bleu/corailrose/bleu/corail
H071823S 16.jpg
H071823S 16(2).jpg

The story behind
Kachinas are ceremonial dolls given to Hopi children, Pueblo Indians residing in the southwestern part of the United States. The Hopi live peacefully, as their name implies – Hopituh Shi-nu-mu means “The Peaceful People” – , and in harmony with spirits. Ancestors, clouds, gods of fire or rain, mischievous or benevolent spirits are personified in religious ceremonies involving boys from the age of six, during their initiation. A link between the real and invisible worlds, these brightly colored wooden dolls charged with symbolism are given to children to familiarize them with their ancestral beliefs and rituals.
 
90 WASH SILK
KACHINAS (REISSUE) BY KERMIT OLIVER
REF: H071823S

12 crème/noir/ocre
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13 marine/jaune/vert
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14
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16 rose/bleu/corail
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The story behind
Kachinas are ceremonial dolls given to Hopi children, Pueblo Indians residing in the southwestern part of the United States. The Hopi live peacefully, as their name implies – Hopituh Shi-nu-mu means “The Peaceful People” – , and in harmony with spirits. Ancestors, clouds, gods of fire or rain, mischievous or benevolent spirits are personified in religious ceremonies involving boys from the age of six, during their initiation. A link between the real and invisible worlds, these brightly colored wooden dolls charged with symbolism are given to children to familiarize them with their ancestral beliefs and rituals.
90 WASH SILK
KACHINAS (REISSUE) BY KERMIT OLIVER
REF: H071823S

19 rouge/corail/vert argile
H071823S 19.jpg H071823S 19(1).jpg H071823S 19(2).jpg

The story behind
Kachinas are ceremonial dolls given to Hopi children, Pueblo Indians residing in the southwestern part of the United States. The Hopi live peacefully, as their name implies – Hopituh Shi-nu-mu means “The Peaceful People” – , and in harmony with spirits. Ancestors, clouds, gods of fire or rain, mischievous or benevolent spirits are personified in religious ceremonies involving boys from the age of six, during their initiation. A link between the real and invisible worlds, these brightly colored wooden dolls charged with symbolism are given to children to familiarize them with their ancestral beliefs and rituals.
 
I finally get it ... I kept looking for a basic design of FOUETS ET BADINES EN PATCH, like in 90cm or 140 cm ....
there is a typo in there ... F et B PATCH losange is not based on the F et B PATCH design, should have said F et B PATCH is based on the basic F et B
Too funny, I read it literally ... assumed they used an editor lol
 

Attachments

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90 WASH SILK
PEGASE PAYSAGE BY CHRISTIAN RENONCIAT
REF: H073334S

03 orange/soleil/rose
H073334S 03.jpg H073334S 03(1).jpg H073334S 03(2).jpg

04 rouge/bordeaux/crème
H073334S 04.jpg H073334S 04(1).jpg H073334S 04(2).jpg

07 creme/bleu/jaune
H073334S 07.jpg H073334S 07(1).jpg H073334S 07(3).jpg

08 marine/bleu moyen/ardoise
H073334S 08.jpg H073334S 08(1).jpg H073334S 08(2).jpg


The story behind
This horse is not a creature but a construction: it is designed and assembled. Its head is shown in profile, like a Renaissance portrait. Composed of a series of cut-out panels, it presents a complex, curvaceous, undulating, almost liquid form. Each is drawn in an infinite line, passing imperceptibly from horse to frame, frame to horse. But from another perspective – a bird’s-eye view – we see a horizontal motif: a landscape, in which the horse forms the relief map of hills surrounded by water. Its outlines are contour lines, like Oriental rice fields arranged in terraces, or as if carved into the hillside over time by the receding water. It is an equine landscape.
 
90 WASH SILK
PEGASE PAYSAGE BY CHRISTIAN RENONCIAT
REF: H073334S

03 orange/soleil/rose
View attachment 4478820 View attachment 4478818 View attachment 4478819

04 rouge/bordeaux/crème
View attachment 4478823 View attachment 4478821 View attachment 4478822

07 creme/bleu/jaune
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08 marine/bleu moyen/ardoise
View attachment 4478829 View attachment 4478827 View attachment 4478828


The story behind
This horse is not a creature but a construction: it is designed and assembled. Its head is shown in profile, like a Renaissance portrait. Composed of a series of cut-out panels, it presents a complex, curvaceous, undulating, almost liquid form. Each is drawn in an infinite line, passing imperceptibly from horse to frame, frame to horse. But from another perspective – a bird’s-eye view – we see a horizontal motif: a landscape, in which the horse forms the relief map of hills surrounded by water. Its outlines are contour lines, like Oriental rice fields arranged in terraces, or as if carved into the hillside over time by the receding water. It is an equine landscape.
90 WASH SILK
PEGASE PAYSAGE BY CHRISTIAN RENONCIAT
REF: H073334S

11
H073334S 11.jpg H073334S 11(1).jpg H073334S 11(2).jpg

13
H073334S 13.jpg H073334S 13(1).jpg H073334S 13(2).jpg

15 crème/vert/multicolore
H073334S 15.jpg H073334S 15(1).jpg H073334S 15(2).jpg

The story behind
This horse is not a creature but a construction: it is designed and assembled. Its head is shown in profile, like a Renaissance portrait. Composed of a series of cut-out panels, it presents a complex, curvaceous, undulating, almost liquid form. Each is drawn in an infinite line, passing imperceptibly from horse to frame, frame to horse. But from another perspective – a bird’s-eye view – we see a horizontal motif: a landscape, in which the horse forms the relief map of hills surrounded by water. Its outlines are contour lines, like Oriental rice fields arranged in terraces, or as if carved into the hillside over time by the receding water. It is an equine landscape.
 
90 WASH SILK
KACHINAS (REISSUE) BY KERMIT OLIVER
REF: H071823S

19 rouge/corail/vert argile
View attachment 4478808 View attachment 4478806 View attachment 4478807

The story behind
Kachinas are ceremonial dolls given to Hopi children, Pueblo Indians residing in the southwestern part of the United States. The Hopi live peacefully, as their name implies – Hopituh Shi-nu-mu means “The Peaceful People” – , and in harmony with spirits. Ancestors, clouds, gods of fire or rain, mischievous or benevolent spirits are personified in religious ceremonies involving boys from the age of six, during their initiation. A link between the real and invisible worlds, these brightly colored wooden dolls charged with symbolism are given to children to familiarize them with their ancestral beliefs and rituals.
So are the wash kachinas the exact coulorways of an original issue? Or just similar? TIA!!:flowers:
 
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