Here some more excerpts and pictures from another interesting NY Times Fashion & Style article on Michelle's role in fashion:
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http://www.nytimes.com/2009/01/08/fashion/08michelle.html?scp=5&sq=michelle+*****&st=nyt
U.S. Fashion’s One-Woman Bailout?
By
GUY TREBAY
Published: January 7, 2009
Yet Mrs. ***** did something bolder on the campaign trail and, in a sense, less expected. With flashcard clarity, she signaled an interest both in looking stylish and also in advancing the cause of American fashion and those who design and make it. She wore off-the-rack stuff from J. Crew and, at times controversially, designs by fashion darlings like Isabel Toledo, Thakoon Panichgul and
Narciso Rodriguez. She brought to the campaign a sophisticated approach to high-low dressing, a determination to adapt designers’ work to suit herself — adding jewelry or sweaters or wearing flat shoes with sheaths or even altering dressmaking details — as well as a forthright conviction that it is the woman who should wear the clothes and not the other way around.
Insignificant as this may seem in the larger scheme of things, it is less so when one considers the distressing state in which American fashion has found itself lately, with both chain and department stores shutting their doors, consumers confidence at its lowest level in decades and manufacturers struggling to remain afloat in what, as May Chen, the international vice president of the union group Unite Here, explained, “has always been a very credit-sensitive industry.”
Hamish Bowles, the Vogue editor who was curator of “
Jacqueline Kennedy: The White House Years,” a 2001 show of Kennedy’s style at the
Metropolitan Museum of Art, said of Mrs. *****, “My perception is that she’s already had an extremely potent effect” on the business.
“Just looking at the designers she’s been drawn to, you can see she’s shown astute sartorial judgment,” Mr. Bowles said. What she has also made clear in her choices, he added, is “that thoughtful and intelligent American designers are perfectly capable of creating clothes that have an impact on the world stage.”
The key word in that statement is “American,” a fact not lost on the retailers burdened in recent years by the weakened purchasing power of the dollar in Europe, where most designer fashion originates, and by the decision American consumers seem to have made to shop in their closets as they wait out the recession.
“There is something timely about celebrating American fashion and American designers,” said Stephanie Solomon, the fashion director of Bloomingdale’s, although that “something” may be largely a function of the $5,000 price tag on a typical imported dress from Lanvin.
“Mrs. ***** is, first of all, very elegant and has wonderful taste,” Ms. Solomon said. “But she also recognizes the value of beautiful dresses and not big prices. She dresses like taste doesn’t necessarily have to do with brand or status, but with what looks well on your body and makes you look glamorous, bottom line.” And that, she added, is “very refreshing and appropriate for this period.”