I would possibly kill for zabears bag...sorry, I may have missed it but does it have an official name?
Official Bottega Veneta Pre-Fall and Fall 2017 Thread - post pics & discuss here!
- Thread starter SaskiaS
- Start date
May I know where can I find the catalog and price? Sorry if this is very obvious but I can't seem to figure this out.
Thanks it is fabulous! The salesperson didn't call it by name- just said it was "the new pre-fall" bag. I will look on the tags and see if it says.
Ooo thanks for confirming - I love steel new
i hope they are bringing it in to my country!
It was $3570. [emoji51] it was quite pricey especially considering that the small Roma which has a lot more detail is the same cost. But I just couldn't resist this bag! Super happy with my purchase in spite of the $$.[emoji4]
Here are photos of the Pre-fall 2017 limited edition shoulder bag that was revealed on the "Off to ban island" thread. It comes in Nero and Glicine.
Okay, well let's post some pictures, shall we? 
BOTTEGA VENETA PRE-FALL 2017 COLLECTION
MILAN, NOVEMBER 21, 2016
by NICOLE PHELPS
Tomas Maier celebrated his 15th anniversary at Bottega Venetasimultaneously with the brand’s 50th in Milan in September. It was one of the season’s most moving moments, with Maier leading a clapping, teary-eyed parade of his design studio members around the perimeter of the Accademia di Brera, a Spring collection that showcased his classy, unflashy sense of luxury (evening dresses in cotton!), and Lauren Hutton sporting a reproduction of the BV clutch she carried in American Gigolo. About two months later, Maier was in New York yesterday shooting the label’s Pre-Fall lookbook; fashion slows down for no man, not even one who just checked off a pair of major milestones.
The warehouse in Long Island City where the shoot was taking place had nothing on the historic Accademia, but Maier’s new collection comes with persuasions of its own. Take, for starters, a series of 1940s-inflected dresses in muted pastels, pieced together from a patchwork of delicate prints, or featuring embroideries like beaded starbursts at the nipped waist and nailhead studs tracing the shadow of the neckline. Each one was an understated delight. Among the fluid, floor-length evening numbers in viscose jersey, the star was a graceful black dress with encrustations of Art Deco crystals at the shoulders. That black dress and a navy smoking jacket and skirt aside, the big takeaway here was color. A double-face cashmere coat reversed from burnt orange to brilliant ochre, zesty hues that were reproduced on jacquard outerwear and knits alike, and used for sharp leather tailoring. Arrayed neatly on racks, each look was accompanied by a bag and a complementary, but not necessarily matching, shoe. The impression was one of experimentation and play, the rigors of the collection schedule notwithstanding. Woven intrecciato shoulder bags with metal chain embroideries were new standouts.
article courtesy: vogue.com
*photos courtesy of: vogue.com
BOTTEGA VENETA PRE-FALL 2017 COLLECTION
MILAN, NOVEMBER 21, 2016
by NICOLE PHELPS
Tomas Maier celebrated his 15th anniversary at Bottega Venetasimultaneously with the brand’s 50th in Milan in September. It was one of the season’s most moving moments, with Maier leading a clapping, teary-eyed parade of his design studio members around the perimeter of the Accademia di Brera, a Spring collection that showcased his classy, unflashy sense of luxury (evening dresses in cotton!), and Lauren Hutton sporting a reproduction of the BV clutch she carried in American Gigolo. About two months later, Maier was in New York yesterday shooting the label’s Pre-Fall lookbook; fashion slows down for no man, not even one who just checked off a pair of major milestones.
The warehouse in Long Island City where the shoot was taking place had nothing on the historic Accademia, but Maier’s new collection comes with persuasions of its own. Take, for starters, a series of 1940s-inflected dresses in muted pastels, pieced together from a patchwork of delicate prints, or featuring embroideries like beaded starbursts at the nipped waist and nailhead studs tracing the shadow of the neckline. Each one was an understated delight. Among the fluid, floor-length evening numbers in viscose jersey, the star was a graceful black dress with encrustations of Art Deco crystals at the shoulders. That black dress and a navy smoking jacket and skirt aside, the big takeaway here was color. A double-face cashmere coat reversed from burnt orange to brilliant ochre, zesty hues that were reproduced on jacquard outerwear and knits alike, and used for sharp leather tailoring. Arrayed neatly on racks, each look was accompanied by a bag and a complementary, but not necessarily matching, shoe. The impression was one of experimentation and play, the rigors of the collection schedule notwithstanding. Woven intrecciato shoulder bags with metal chain embroideries were new standouts.
article courtesy: vogue.com
*photos courtesy of: vogue.com