Second story, my recent Faubourg adventure...
Oscar winning HORROR experience.
I am not a known customer there, although I have randomly bought a few very nice bags over the years...including some very rare (and expensive) ones.
Here am and I very happy to be in Paris again, I head to Faubourg in the hope of getting a Croc Kelly. A bag I really want...and quite fits my customer habits.
As soon as I enter the store a very nice male SA makes eye contact with me which alreday is nice. I make my request to him. He says he will take me to the right dept, and ask me to "queue here please , only three people and it will be your turn". OOPS.... is this a luxury store or Water and Power office ?
Fortunately my turn comes. I repeat my request to the impassible young lady that is in charge of getting requests, and she say " Oh, no less ? A croc Kelly ? Please come with me. "....and she takes me to a little leather chair and asks me to wait here ..."someone will come" I think she is rude but worse is coming... And I wait.
After almost 15 minutes, come a very young girl, with NO EXPRESSION on her face, and she points her chin at me like " may I help you" but with no sound..I don't say a word. I am waiting for at least a plain Hello, but nothing comes . She points her chin at me again with no sound. My own daughter would behave that way, she would get corrected immediately.
Finally I say : "Good afternoon, I am here to purchase a Crocodile Kelly"
Still with no expression on her face she gives a little piece of paper and her pen and asks me to write down my name . Not even a please ... I am totally speechless...and almost breathless.
I simply can't believe Hermes is taking care of their clients in such a way.
I think to myself that I can't buy anything from this store even if she gets back with my dream Croc Kelly...
But of course she comes back after 10 minutes with her no expressive face and no bag . Sorry we haven't received any today. I feel kind of relieved. I would have hated spending even a dime in that store.
But the sneaky no expression faced girl can't help and add, actually we have no Kelly, no Birkin today. And of course I can't help but answer : Not interested in any Birkin, only a Crocodile Kelly.
I leave with a smile but not a word,
and head to the RTW dpt, which is upstairs, a good 200 square meters of desert display, where two desperate SAs try to satisfy any of my needs, write down references and colors for me, bring coffee and sparkling water with a smile, and needless to say know how to say Hello, Good afternoon, May I help you, and Thank you for visiting. Curiously, They do not use their chin to make contact with you.
This is
horrifying. I could not even edit your post. It is worth repeating. Interestingly, I don't believe that your scenario is mutually exclusive from this:
...
And this newer clientele perhaps has different needs and is attracted to Hermes for VERY different reasons compared to the "older" customer base.
And for better or worse, I fear Hermes is responding to meet the needs of this newer demographics who, in my personal opinion, aren't so big on quality but are more keen to be seen as "wearing Hermes, THE expensive luxury brand."
I mean even on this forum, having been here since 2006, I've seen the dynamics change. Whereas before there was much ooh-ing and aah-ing over the "intangibles"....the beauty of even the most minute things like the stitching, the soft texture of the various leathers, the symmetry of scales or follicles, there were more of those discussion before.
Now there's more threads about "what is the hottest and newest H colour that I should look for??" "Should I buy this? Is this hard to get? Will this have a high resale value?"
In general, I'm sensing less interest today on the H heritage & history, the old world feel and "stealth wealth-ness" of Hermes. It's now more about THE BRAND.
If anyone wants to open more threads about design, construction, craftsmanship, and leather quality, I'd be happy to read them.
Reading the Paris trip for Birkin thread amongst others makes me imagine the global flagship store - of what should be a venerable, civilised, design house, being not dissimilar to a zoo: people throwing tantrums and shedding tears (it's a bag!); queuing like cattle; spoken with mute derision when finally attended to.
Once upon a time it was about having the Best Produced Bag in the world. It seems in the process of making the Prettiest Candy Colour in the Largest Quantity to fulfil Market Demand, that doesn't really consider Heritage or Tradition, something went awry.
There's a link to a Forbes article in the Hermes in Print thread, where a Dumas discussed a story. I think that's the one. In it, he noted that in 2007, when the price of gold skyrocketed, they actually thought about adding less gold to the hardware. Presumably to save money (because they make so little, obviously) or retain/increase margin. When a senior craftsman (how many if these are left in their dozen new production facilities?) said that it would patina differently, they refused to change the formulation. That was apparently a good bit of company PR within the article.
The concerning thing here is not that they retained the formulation, but that they would even
consider changing the production process
at all to offset increasing cost inputs. If they can do it to the hardware then it's not a long bow to draw that nothing about the production is sacred. Isn't that why we accept extortionate price increases? Because we think that they're conserving the integrity of their craftsmanship and
not cutting corners? If this is a public documented case by a major shareholder and 6th generation family member, then imagine the other areas in production that have had their methodology 'adjusted' to account for 'greater efficiency, productivity, or profit'? Its therefore not out of the question to conclude these Skunk Bags may be a byproduct of this. The negative outcome just wasn't anticipated before they hit the shelves.
Maybe I'm catastrophising.
ETA: quote is from Alex Dumas accessible here:
http://www.wmagazine.com/fashion/2014/08/axel-dumas-hermes-ceo/
"The final tab? Not important, Dumas says, adding, “We never make any decision based on cost.” He recalls that in 2007, when the price of gold skyrocketed, some considered reducing the percentage of gold in the handbag closures. Then a senior craftsman told Dumas that in five years the cheaper clasps might not have the same patina as the classic ones. “That was it—we kept things the same,” Dumas says."
I originally saw it in post #1429 here thank you
jula http://forum.purseblog.com/hermes/hermes-in-print-38218-96.html