I'm waiting for Abloh and Ghesquiere to leave. I know they are meant to appeal to the younger generation buttttt I'm 24 and so over them.
Abloh has a done a good job pushing for color. However, just because he uses pops of bright color or makes color combos, it doesn't mean it's an actual good color composition. The men's fall collection with the rainbows... It reminds me of some Lisa Frank sparkly rainbow tape I used to beg my mom to get me when I was 5. You can incorporate color in ways that don't enter the realm of kitsch. He does have some nice pieces though, like that white triangle keepall which isn't actually being produced. I still can't believe he put out a $900 colored pencil roll. Those pencils better be Caran D'Ache.
As for Ghesquiere... I know some people appreciate his reinterpretations of past LV pieces, but I don't particularly enjoy them. He alters one or two things and then charges a premium for what they are (based on combo of size and materials). I think his designs actually lack innovation. Good for him that LV already owns the previous bags and that bag designs can't be copyrighted, because what he does isn't actually too far of a change from the pieces that inspired him. I did a very hard eye roll when Ghesquiere and Koons collabed, because of course they would. Koons made a career off of appropriating others' works and only changing one or two things. Don't get me wrong, Ghesquiere has a good eye for design, but I'd like to see more pieces that are 100% new and his, and maybe only 1 or 2 bags a year or every other year that are reinventions. Market them as "vault" or "capsule" pieces and make them truly limited.