Just because a play like this, or a performance, such as Mary Louise Parker’s role in How I Learned to Drive, is reviewed positively doe NOT mean the playwright, the author, the actors, or the media reviewers, ‘support’ pedophilia, or that the topic itself has been normalized. I cannot fathom how the fact that the unsympathetic character being a former victim of child rape normalizes pedophilia. In fact, if one saw the performances or actually read the reviews, it would be clear that this is not normal or mainstream.
Similarly, Leopoldstadt doesn’t promote antisemitic, nazi behavior (and the enlightened and assimilated Jews, including Mahler, Freud. Klimt, etc. weren’t responsible for the woes of the Christian society around them). (The analogy doesn’t quite fit, but I think it’s germane to the point)
There is an enormous difference between a piece that makes people think about a difficult topic and its effect on survivors, and one such as the subject of this thread, where the ad itself promotes disturbing exploitative images of children that hve no relationship to the fashion subject matter.
ETA: I am not in support of pedophilia; I am horrified by the exploitation of children; and, I am disgusted by the balenciaga ad. (I own no balenciaga, but I do own chanel, my logic being that the Werthheimers succeeded in regaining control, and they found it good business to forgive her and support her for the remainder of her life) . I can still argue that traditional incarceration fails to rehabilitate, and I can still accept that pedophiles are often adult victims of pedophila without being supportive of the act of pedophilia. (i don’t think it can be as clearly argued that racists or neo nazis were abused and groomed as children in quite the same way).
I am also disgusted at the way some posts conflate this ad with media that they clearly deride as more woke or liberal, or generalize to suggest that this ad is somehow indicative of the manipulated and gullible public or society.