Happily, katekluet.
The cultural importance of the FLANEUR in Paris was cemented in Baudelaire's The Painter of Modern Life. It rose as a cultural figure as Paris was being transformed, and the flaneur not only immersed himself in it via walking but also critically/passionately observing it. Here are a couple of quotes:
Crowd is his element. For the perfect flaneur, for the passionate spectator, it is an immense joy to set up house in the heart of the multitude, amid the ebb and flow of movement, in the midst of the fugitive and the infinite. . . . To be at the center of the world, and yet remain hidden from the world."
&
The meaning of genius: One who is hurrying, searching, with active imagination in the act of being a flaneur. He is looking for that quality which you must allow me to call modernity. He makes it his business to extract from fashion whatever element it may contain of poetry within history, to distil the eternal from the transitory.
One of the cultural tidbits is that the flaneur was considered exclusively male. The creation of the female "flaneuse" has been part of the 20th century avant-garde in France, though I should note that they do this tongue-in-cheek.
Baudelaire's work and the importance of the flaneur figure for him was picked up and extended in the 1930s/40s in the great works of Walter Benjamin, specifically his ARCADES PROJECT and his Baudelaire essays and books. At this point, the flaneur was the ideal figure or "ur-form" of the modern intellectual. From Susan Buck-Morss's great work on Benjamin: "The flaneur's object of inquiry is modernity itself. Unlike the academic who reflects in his room, he walks the streets and studies the crowd."
He, the flaneur, is the bohemian artist/intellectual/thinker, the one who throws off unnecessary social trappings and dives passionately into the world.
NOW I understand the meaning behind the scarf with seven views of Paris. I want!!!