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Firstly, not shabby at all! I tried to copy your styling, imitation being the sincerest form of flattery, but tbh the result wasn’t post-worthy so I’ll practice some more before posting hereI’m new to the scarf world so here’s my shabby scarf of the day: Brides de Gala Shadow with the mors scarf ring
This is stunning! What is this?
Here they are as you wish
I love this CW more than other colors![]()
Xcs, great intro and oerfect for Thanksgiving week. I love your Mustangs and Tsitkas silks. Two that haven’t yet made it to my collection.
For me, this week holds bittersweet memories. My father was an avid supporter and promoter of Native American tribes in our region and oromoted many Friendship Dances and gatherings when we kids were growing up. When he passed away while I was in college he had amassed quite a collection of Navajo and other tribal artifacts that we kids then divided up amongst ourselves. None of my sibs wanted the wear or keep the silver and turqouise pieces, so they eventually were bestowed upon me. Every Thanksgiving holiday I bring or wear one or two pieces with One of KOs silks. I especially am fond of Kachinas, Pani la Shar, Les Danses des Indiens and the Texas turkey silk. I’m posting archival photos while I take new ones this week if I can get a moment to do so. I’m so proud to have KO in my collection. I never want to release his designs. They evoke such strong memories for me.
Pani la Shar madras
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Pani Twill with Silver and Turquoise Concho belt
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Kachinas 140 summer silk
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Les Danses des Indiens
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Texas 70 silk
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I hope so. I think Ugo's designs have more structural interest, depth, texture, perspective, what is it?
And I love how you rock this CW. Sigh.
very interesting!Great question although I may be in hot water here. By colourist I mean that I think in colour. Colour for me occupies the role music plays in many people's lives. I am retired (although still active) and more and more I find myself immersed in that aspect of reality that is real but without form. I have pretty much given up on value judgements around stuff being expensive, or conversations around whether things are 'worth' or 'not worth it'. For me participating in the colour-event of being dressed and out there in the world is an artistic event; not unlike a ballet, it's a technicolour response to the event of living.
But there is 100% no difference between me and ya'll reading this: this is what everyone does, every day. We reach for a colour combination that makes us feel optimistic, happy, calm, refined etc. and in putting it on telegraph these feelings (and hopes) to the world. It's not complicated or good or bad, it just is. I'm just aware of it so I call my approach that of a colourist. Also I'm basically tone deaf so I am kind of compensating!
Pivoines really stands out against a black top. It is a beautiful cw that I overlooked. I really need to give it another look! Great inspiration.Some things are constants and some change in our scarf journey. A constant for me has been that when I like a design, I get it in multiples... my first was Kachinas and Flamingo Party and then Samourais.
Something that greatly influenced my choice of CWs was seeing everyone’s wonderful posts here. I usually have a first impulse about my fav CW of a design, but then somebody’s modelings pics will offer me a different perspective.
One of my most recent purchases is the caramel Pivoines. I was happy with the blue and pink and then I saw @lanit wear this one and had to have it
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A constant for me has been my admiration for Kermit Oliver’s designs, so adding the Pani carré wash is no surprise. I wanted one of his designs in this format and was debating between this one and a Kachinas. Modeling by @cherryblossum influenced me.
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My latest H purchase is this Cosmographia. I still love the blues and dense designs like Samourais
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And here I am with dear @Joannadyne with Cosmographia in the bag and wearing a new format to me: giant silk Tapis Persans
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Tried the new giant silk format in another brand and loved it, so agreed to purchase my friend’s Tapis Persans. I am ready for more.
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Hey, what’s wrong with this picture?
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Finally, I tried a CSGM... I swear I had such guilty feelings after purchase that I kept it in the box for over two weeks. But, even though I will hardly use it in my hot and humid climate, I decided it’s too pretty to return, plus it was a bargain in perfect condition. I fell in love with this one as worn by lovely @Pautinka, so here is purple Zenobie
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Not entirely sure if it’s cheaper than therapy but as long as one is self-aware then yes indeed they are great therapyThat was a great theme, scarfmistresses. I really enjoyed reading about everyone's journey, whether long or short. Scarves teach us so much about ourselves, and I think it's cheaper than therapy. So, all good!
Great post!Great question although I may be in hot water here. By colourist I mean that I think in colour. Colour for me occupies the role music plays in many people's lives. I am retired (although still active) and more and more I find myself immersed in that aspect of reality that is real but without form. I have pretty much given up on value judgements around stuff being expensive, or conversations around whether things are 'worth' or 'not worth it'. For me participating in the colour-event of being dressed and out there in the world is an artistic event; not unlike a ballet, it's a technicolour response to the event of living.
But there is 100% no difference between me and ya'll reading this: this is what everyone does, every day. We reach for a colour combination that makes us feel optimistic, happy, calm, refined etc. and in putting it on telegraph these feelings (and hopes) to the world. It's not complicated or good or bad, it just is. I'm just aware of it so I call my approach that of a colourist. Also I'm basically tone deaf so I am kind of compensating!
That's a good point. Maybe it's the chaotic feel (from those different scales) that makes me less interested in JB's designs. I have no problem with crumbling buildings or deconstructed statues!I think UG keeps a consistent scale (or 2 scales, maybe - one for buildings and one for horses/people) in his scarves. The JB scarves have every character at a different scale, which feels so chaotic. (I suspect that's why I like Sweet Dreams the best of his scarves - order!) On the other hand, I am not a fan that every building in an UG scarf is crumbling. I may have issues.
But of course both their scarves are very fun and joyful, so I enjoy seeing other people wearing them and pointing out cool details.
Mountain zebra cw13: marron, noir, blancThis is stunning! What is this?
All gorgeous, Cookie, but the Vinci fuscia/hot pink is spectacular.When I first started my slide, I stayed in the 90cm format - big square, lots of options. I added some of the wee gavs because 1) they’re adorable and 2) perfect in the muggy summer.
Clovis the Crocodile was my first, tied here with my favorite DUJa, and my newest BdGS
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I did not think I’d ever be able to manage 140cm of silk - I’d get swallowed up in it! What do you do with all that silk? Well - I sure figured that out quick...
My latest 3 moussies - Peuple du Vent Bandana, Brides de Gala en Finesse (the perfect format for this scarf IMHO), and Vinci, an in yer face hot pink changeant.
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I have so far manage to not get a CSGM. Fingers crossed...
Fabulous story!Inspired by Lanit's touching story, I thought I'd share a story of my own. My Mom was from Western Colorado. Her family were among the first settlers of the area.
First is a photo of me wearing my Kachinas CSGM in front of a Navajo Saddle Blanket from the 20s or 30s (at least according to my Grandmother) which I use as a wall hanging.
Second is a photo of my Great Grandmother. I don't know the year this was taken but I've always loved this photo. Probably taken on Grand Mesa. She was reputed to be an excellent horsewoman. Its too bad that the nose of the horse was cut off in the photo. Her name was Ruby Hutchison and she married my notorious and colorful Great Grandfather, Ben Lowe. (Much later she lost an arm in a farming accident but continued to run the ranch and raise 5 children as a widow, but I'm getting ahead of myself).
Ben Lowe had a been a cowboy, coming from the south before settling in the area. He was renowned in the area for his skill as a horseman and for being a great marksman. He had a cattle ranch but at least in his younger days he had a shady reputation - accused of being horse thief, cattle rustler etc. By all accounts though he was a charmer and well liked. The third photo is a picture of my Great Grandfather (he's in the middle) with his two best friends or "gang" depending upon your point of view.
He died in 1917 in a shoot out with Cash Sampson at the height of the Cattle-Sheep Wars in Western Colorado. The story could be a plot right of Hollywood Western, if it weren't so tragic. Cash Sampson had been a Brand Inspector which meant going after horse thieves and cattle rustlers. He then held the post of County Sheriff. He resigned as Sheriff shortly before events took place.
My understanding is that the Cattlemen in the area grazed their cattle on free range land - I think this was government owned land that anyone could graze their cattle on. Some other ranchers in the area started raising sheep and used the same free range land to graze their sheep. This really upset the Cattlemen because there was only so much land to go around and the land couldn't support the grazing of both cattle and sheep. Basically, from the Cattlemen's point of view, their ability to put food on the table and their very survival were threatened.
Tensions got really hot and a vigilante group known as the Night Riders started harassing the Sheepmen out on the range, shooting sheep and threatening them. They were not identified because they always pulled up their bandanas to cover their faces. Now Cash Sampson and my Great Grandfather, never got along, in fact they really detested each other. Probably because of my Great Grandfathers past shady history, Cash Sampson suspected my Great Grandfather of being the ringleader of the Night Riders. Also Cash Sampson was suspected (rightly or wrongly) by the Cattlemen of being sympathetic to the Sheepmen. Even though Cash Sampson, no longer held any official law enforcement position, it seems as though he continued to unofficially investigate the Night Riders.
One fateful day in Escalante Canyon, the two men met up at a ranch who, in the custom of the day, opened up his house to let people rest and water their horses and share food. Cash Sampson was there and Ben Lowe and his two boys were also there. There was no quarrel at the ranch, I guess both being on their best behavior as guests in another man's home. At some point, Ben Lowe and his two sons rode on and shortly thereafter Cash Sampson left and followed in their direction.
Its not entirely clear what happened, but Cash Sampson caught up to my Great Grandfather. My Great Grandfather said for his two boys to continue riding. Then there was the shoot out. The Inquest concluded that Cash Sampson shot first and that my Great Grandfather was shot in the back (which is viewed as a very cowardly act - however it is possible that my Grandfather was twisting around for one his "trick shots"). In any event, my Great Grandfather, before he died, managed to get a couple of shots off, killing Cash Sampson. The two boys who had gone on ahead, raced back on their horses hearing the shots. One stayed with his dying father and the other rode for help.
I think this incident put an end to the Cattle Sheep Wars and the true identities of the Night Riders were never revealed. I think its likely though that my Great Grandfather, if not a ringleader, was at least a participant.
I hope you found this story interesting. If you haven't been to Western Colorado, go see it, its beautiful part of the state, rich in history.