When I first started buying scarves as art, design elements like borders vs all-over patterns, graphic vs portrait, the importance of corners were all unknown to me. If it was pretty, I bought it. If I wore it, I didn't pay much attention to which part of the scarf was showing. It helped that I bought mainly floral and all-over designs (non-H). Then I started buying H and lurking in SOTD. What was this? A theme week for how to hide borders? People going ga-ga over contrast hems? Horse butts? Opened my mind right up to a wonderland, it did.
Speaking of minds, I'm still in two minds about whether this silken situational awareness is a good thing overall. I mean, a few months ago, I decided not to buy a scarf because I didn't like the colour of the contrast hem

- boggles the mind. And last month, I bought a scarf that I'd never ever considered for years, because a few scarfies here wore it and I realized that it ties beautifully despite it being a portrait of an extremely stern woman. Can you guess which design I bought?

I certainly never thought that being conscious of directional design would lead to seasickness

Silhouettes Navales vs Retour de Peche.
I find Retour easier to wear as the ships aren't upside down when I look down.
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Scarf wearing went from staid to fun. I made my upside-down avoidance a challenge to myself. If there was something in the scarf that I wanted to highlight and it was upside down in the usual ties and knots I use, then by Jove I'd find some other way to wear that scarf. The owl and polar bear on In The Canadian Wild weren't easy to get the rightside up, but I had fun getting the ties to work.
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