Michael Fassbender

TPF may earn a commission from merchant affiliate
links, including eBay, Amazon, and others

Zoe is dating tennis player Boris Becker's son Noah. There were pics of them on Just Jared only this past Friday.

I've seen those. Doesn't negate my speculation. Zoe doesn't seem like the type to be exclusive. Her bouncing between Michael and the Gossip Girl kid kind of proved that.
 
It's been a Fassypalooza. I'm spoiled. My Ginger Shark is looking good. I don't care who he's with as long as it's not some crazy famewhore.

I hated that beard in real life but in the MacBeth poster he looks incredible.

Sarah Paulson:

Michael Fassbender is a man. He just looks at you, and you want to take your clothes off. Let me just say this — once he kissed me on the mouth to say hello, and I almost fainted

I hate to always reduce him to my sexual plaything but the man just does something to me. :hbeat:
 
For those of you who are genuinely interested in movies go to tumblr at the indicated link




http://almost-kael.com/post/86303721579/im-still-here-bryan-singers-x-men-days-of-future


I am still Here: Bryan's Singer X-men.




REVIEW - Every single superheroes movie that comes out nowadays has flaws; especially Marvel’s. They can annoy me or let me down, but none of them bore me as the X-Men do.

There’s no denying that X-Men: Days of Future Past looked crazy exciting however, the final result doesn’t allow me to say that a miracle happened: Bryan Singer's new X-Men is as boring as the previous ones. Spoilers
When X-Men: First Class came out in 2011, years after the awful X-Men 3 directed by Brett Ratner, it gave the franchise some panache. Although I did think Matthew Vaughn's film dragged on for too long, I recognized that it had a lot of, well, class. The mise en scène, the settings, the general atmosphere were classy, matching the high-level sophistication of the main actors (Michael Fassbender, James McAvoy and Kevin Bacon). It sure was a nice change from the indelicate style of Brett Ratner.
The announcement that Bryan Singer -who directed X-Men 1 and 2- would be at the commands of Days of Future Past pleased a lot of people, for reasons that escaped me (I guess it’s automatic to cheer when the first director of a saga comes back to it), until I saw the trailer. I should have known better…
Starting off after the events of X-Men: First Class (it’s the least we can say), Days of Future Past's plot was undeniably engaging. Wolverine (Hugh Jackman) is sent back to the 70’s to prevent Mystique (Jennifer Lawrence) from being captured after killing Bolivar Task (Peter Dinklage), a scientist who created robots (the Sentinels) which can spot mutants. If Wolverine can’t save her, then the followers of Task will give the Sentinels her ability of changing appearances, allowing them to adapt to every mutant attacks which will lead to their extinction.
In short, Days of Future Past promised to be hella dramatic. Not only because the mutants we came to know through all the X-Men movies (Ellen Page, Shawn Ashmore, Halle Berry…) were this time truly facing imminent obliteration, but also because saving soldat Mystique implied for Magneto (Fassbender), Professor Xavier (James McCavoy) and Mystique to kiss and make up. Wolverine basically travels back in time to patch them up together, which won’t be easy: Xavier is a junkie mess with abandonment issues; Magneto is in jail for something he didn’t do and Mystique’s crusade against Task is fueled by rage and revenge.
Bryan Singer really had a lot to play with and orchestrate, action-wise and characters-wise. Unfortunately, by the end of the movie, I couldn’t help but feel that he had nothing to do with the good aspects of Days of Future Past (for which the actors are responsible), and everything to do with its soporific pace.
I’ll start on the bad stuff with the budget-look of Days of Future Past. If First Class hadn’t happened maybe I wouldn’t have noticed it that much but it did. I know X-Men is a comics, and I’m usually not one to ***** about the fake, plastic aspect of superheroes movie. Nevertheless, I feel Bryan Singer’s idea of the X-Men just doesn’t fit with the natural elegance of the film’s cast.
Indeed, it seems to me that Ian McKellen, Patrick Stewart, Lawrence, Jackman but most particularly Fassbender and McCavoy didn’t need Singer to do a great job. I don’t dare to imagine what the movie would have been without the excellent actors it features (special bravo to new-comer Evan Peters). Bryan Singer is the weakest link of Days of Future Past, his directing having failed to create the tension the plot deserved. Singer didn’t exploit to the maximum the drama between Mystique, Magneto and Xavier, always somehow breaking the arising tension. If I didn’t completely fall asleep it was thanks to the charisma of Fassbender and McAvoy and how well they respond to each other.
They brought real intensity -although briefly because of Singer’s editing and mise en scène- to an uneventful movie. Days of Future Past is not boring because the disappointing action scenes but because of Bryan Singer’s try-hard attempt to be “in” again, to prove that he and his vision of X-Men aren’t a thing of the past.
The fact that he gave himself a small part in the film of a guy shooting the battle between Magneto and the Beast (Nicholas Hoult) speaks volume: Bryan Singer is a part of the X-Men's history and he wants us to not forget it. Maybe I would have seen you Bryan if you had been at the service of your film and of your actors, instead of yours.
Photo credit: DR



 
For neophytes who are trying to have film and movie appreciation: I have been blessed to be acquainted with Mr. Brian Linehan interviews ; whom made a career out of his love of movies. There are two prominent notables, the art of conversation and discussion of the craft. It is purely art for art sake. There was no ****ing gossip, stalking nor madness. It was a lesson in "how to be a proper fan". I discovered these treasures after he died. It would have been interesting to have his take on Mr. Fassbender; although "Sharp Magazine" provided a wonderful piece of Michael's work without the fuss and nonsense.


I have included a sample of his work.


https://www.youtube.com/watch?v=4cqcbDZqQX4
 
For neophytes who are trying to have film and movie appreciation: I have been blessed to be acquainted with Mr. Brian Linehan interviews ; whom made a career out of his love of movies. There are two prominent notables, the art of conversation and discussion of the craft. It is purely art for art sake. There was no ****ing gossip, stalking nor madness. It was a lesson in "how to be a proper fan". I discovered these treasures after he died. It would have been interesting to have his take on Mr. Fassbender; although "Sharp Magazine" provided a wonderful piece of Michael's work without the fuss and nonsense.


I have included a sample of his work.


https://www.youtube.com/watch?v=4cqcbDZqQX4
 
In his own words - I hope he is not limited by fame or fan-girl madness










MICHAEL FASSBENDER: WHAT I'VE LEARNED | ESQUIRE MAGAZINE

31.media.tumblr.com/5ec6b60ae9792372a7e0edccabebe5ba/tumblr_inline_n5w3pdIPU01r4gc4k.jpg

In The X-Men: Days of Future Past, the Irish-German actor plays the younger self of Sir Ian McKellen’s Magneto. Here we grab a quick chat with Michael Fassbender to find out some of his life lessons
It was tough playing the young Sir Ian McKellen. I had to spend some time studying his voice. I just wish we’d had some scenes together. Maybe we will in the next one.
My super power would be flying. If I can move metal around too then great, but flying would be the best.
It was pretty hectic during filming. Nicolas [Hoult] and James [McAvoy] went out and bought BB guns for everyone, so for five or six weeks there was a war going on. One day I was hemmed in in my trailer like Ned Kelly, with James trying to come in through the sky light. Nick got me in the neck through a crack in the door. Eventually they took away the guns because Josh Helman had too many injuries on his face.
The best age to be? 33.
The process for me is always the same. You try to tell a story, you try to do justice to the character. The only difference is you move more slowly making the blockbusters. With smaller films the money is tight. I like the pressure of working fast.
My most challenging role? Shame. That was pretty full on.
If you’re going to do a job, do it properly. And treat others as you’d like to be treated yourself. That’s the best pieces of advice I’ve ever had. The usual stuff.
I relax by going karting. I’m rubbish at it, but I enjoy it. That’s the main thing isn’t it?
In my fantasy world I’d be a Formula 1 driver in the early 80s. That would be pretty cool. But in reality if I wasn’t an actor, I’d probably be working behind a bar.
Jesus Christ. That’s the man I’d like to take for a drink.
My approach to style? Always dress well [laughs]. I’m a jeans and t-shirt guy. And I do like a good tracksuit. Comfort is high on the list.
The best thing about fame is getting to work with the best people in the business, and doing blockbusters so I can help fun smaller films that wouldn’t get made.
The worst bit? I used to love to people watch. That’s getting harder to do now.
 
Another review.......


The link: http://reviewsundertheinfluence.com/2014/05/20/x-men-days-of-future-past-review/

X-Men: Days of Future Past – Review

Posted on May 20, 2014 by mwhi

In 2000 Bryan Singer directed X-Men, and launched a successful superhero series. X2 saw Singer revisit that world, and the lovable mutants he had dragged onto the big screen (also Halle Berry) again caused quite a stir. Then Singer took a step away from the world and everything took a tumble worse than having your entire body injected with adamantium – enter X-Men: The Last Stand. A film whose mutant power is being terrible.
In 2011, as an apology to fans of cinema and fans of not being punched in the face by a terrible film, X-Men: First Class re-launched the universe and – while it completely messed up the canon of pretty much every character – I loved it. And now we’re back. Back with papa Singer, back with the X-men, back to the Days of Future Past.
Days of Future Past works as a sequel to both First Class AND The Last Stand by functioning in several strands of time. Set in a dystopian future (which in the original comic was actually 2013. lol) where mutants are hunted and exterminated by über-weapon-soldier-robots: the Sentinels. Kitty Pryde (Ellen Page) sends the consciousness of Wolverine (Hugh Jackman) back in time in order to prevent a chain of events leading to this very bleak future of Shawn Ashmore’s patchy beard.
So Wolverine travels back to 1973 where he must confront a drunk Professor Xavier (James McAvoy) and a ******* sexual beast of a Magneto (Michael Fassbender) and they all attempt to convince Academy-Award Winner Mystique (Jennifer Lawrence) that she shouldn’t assassinate the scientist and creator of the Sentinels, Bolivar Trask (Peter Dinklage). While Wolverine attempts to re-write history, the old gang of surviving mutants still exist in the future, holding fort before an onslaught of Sentinels crashes down and ruins their awesome Cape Convention.


As a massive X-Men fan (the original 90s cartoon series is still something I hold dear) I didn’t love this film and here’s why: In a film devoted to the idea that one man can be sent back in time to prevent a devastating future, it becomes abundantly clear that Days of Future Past is Singer’s attempt to go back in time to re-write The Last Stand out of public consciousness. This would be fine, but it isn’t anything new or interesting, he’s just relying on his old tricks plus heavy-handed injections of schlock and exposition. And Halle Berry’s garbage, garbage haircut.
This isn’t a case of a bad story – it’s just not a very good script. There’s so much elbow digging and self-aware winks to the audience. The films of the X-Men have never been incredibly subtle, but this seems to go above-and-beyond with hideously unnecessary digs. “You can control metal? My mom knew a guy that could do that…” CRINGE. Spoken by Quicksilver (you thought Halle Berry looked stupid? Who the hell styled Evan Peters?) to his father, this is all telling instead of showing, and that’s insulting to an audience. It’s not a good script. The film also boasts more cameos than a farewell to Barbara Walters, which again, is more a wink-wink-nudge-nudge to the audience of how LUCKY we are to see these actors reunited. But are we? What does it serve if in the end the mains are left filling in the gaps between heavy exposition and jabs at fans with half-hearted monologues and frowning (so much frowning).


I also feel like the weighting of the story just seems off. There’s a genocide, there’s the Vietnam War, but forget all those because the focus falls almost entirely on the minor relationships of the characters. Even when everything comes to a head, it isn’t the chaos of trying to stop the Mystique that causes Wolverine to stumble; it’s seeing Josh Helman’s handsome, handsome face. First Class uses the Cold War as a backdrop for rising tension. Days of Future Past uses the Vietnam War, and to a lesser extent the future war against the Mutants, for lazy allegory and cute retro army outfits.
Did I mention Josh Helman is very handsome?
I guess I was underwhelmed because I had invested so much into First Class, the sleeker story, the new approach to the aesthetic and rebuilding characters –Days of Future Past just feels like regression. Sure it was nice to have the old gang reunited and Hugh Jackman’s bare ***, there’s something so familiar and overdone here that it became more of a labor to watch than a labor of love.
I’d also like to argue that it’s time to put Wolverine away now. Put him away. X-Men should have been called “Wolverine & The X-Men“, X2 should have been called “2 Wolv 2 erine“, The Last Stand? More like Wolverin3. X-Men Origins: Wolverine? More like Wolverine Wolverine: Wolverine. That recent movie The Wolverine? WELL I THINK I’VE MADE MY POINT. There are a kajillion bazillion (some Brazillian!) mutants. Please stop making Wolverine the lead in every X-Men film. PLEASE. WE GET IT. HE GETS PUNCHED IN THE FACE AND THEN SLOWLY TURNS BACK, REVEALING HIS HEALING CHEEK TO A STUNNED ASSAILANT. WE GET IT.
When you break up with a mutant, he becomes your ex-man. Some might just be better left in the past.
Not so much Mutant and Proud as meh-taints and blahhhd. Been there, done that.
 
Should you go see X-Men Days of Future Past?

May 21, 2014 · by Sarah · in It's Strawberry Blonde.

When I was 10 years old I arrived home to find a curious package sticking out of my letter box. The clunky battered brown item contained an X-Men video tape that I would watch over and over and over again. Entertainment.ie’s Mike Sheridan gave me a blast from the past when he pointed out that the franchise was now 14 years old, but it was nothing compared to the wonderful nostalgia that Bryan Singer’s latest X-Men adventure offers up.
From opening sequence to closing crescendo, X-Men Days of Future Past proves that, in the words of Charles Xavier himself (albeit paraphrased) just because a franchise strays off the path, it doesn’t mean it can’t right itself.
Those who walked out of X-Men: The Last Stand feeling cheated will understand where he’s coming from.
DOFP sees the X-Men battling for survival in a post-apocalyptic future, where robot Sentinels reign supreme. The terrifying robots aim to eradicate every mutant and they’re doing a pretty good job. So, Professor X and the crew decide to send Logan (that’s Wolverine, obvs) back in time to stop Mystique from setting off a rather unfortunate series of events.
If you’ve read the comic you’ll get the picture.
Now we all know I wouldn’t ever class myself as a ‘film critic’ because I prefer to talk about movies in rather simple terms and there’s very little I can say about Days of Future Past that
doesn’t involve spoiling the film but I’ll attempt to contain the fangirlish joy and explain why it’s worth paying in to see.
We kick off with a fierce X-citing (sorry) battle between some familiar and not-so familiar mutants and the seriously scary sentinels.
There’s no doubt but that these creations are seriously scary and what they do next will have cinema-goers glued to their seats. Who doesn’t love a villain who could possibly give you nightmares eh? Try not to think about this while you’re watching: It won’t help.
Peter Dinklage’s determined Bolivar Trask just doesn’t compare to his creations and, to be honest, seems to serve as little more than a plot device. That said, the actor is a welcome addition to the cast and certainly makes his presence felt when he is on screen.
Speaking of welcome additions, it’s an absolute joy to see old friends Patrick Stewart and Ian McKellen together again.
LadzXMenHaving spent much of First Class (and indeed Days of Future Past) with Fassbender’s young bloodthirsty Magneto, it’s rather nice to see Sir Ian bring the villain’s tormented side back to the big screen.
That doesn’t mean Fassbender’s Erik isn’t fantastic though. He’s ditched the Kerry lilt this time around (boo-urns) and certainly channels McKellen from beginning to end but seems to have put his own, rather wonderful, stamp on the magnetic villain.
Speaking of Magneto, we definitely need to talk about Evan Peter’s Quicksilver who definitely x-ceeded (can’t help myself) expectations.They said he’d be terrible. They mocked him all over the internet. And then he went and stole the show in the film’s most enjoyable scene.I’m not even slightly joking: The entire cinema applauded.
instaMajor props to the writers for a wonderful yet subtle nod to his rather amusing parentage too.
Terrific time shifts, James McAvoy joy, and a cutesy performance from Nicholas Hoult warrant honourable mentions, as does Jennifer Lawrence’s transformation into the Mystique we know and love.
I couldn’t help but wonder if JLaw would quite simply be too JLaw for the role but Rebecca Romijn’s gloriously twisted character is in safe hands. Even if I still prefer her original incarnation.
So, is X-Men Days of Future Past worth a trip to the cinema? Well, if you haven’t figured out the answer to that question yet, let me spell it out for you: Y-E-S.
It may lag a little in the middle and some scenes could probably have been dumped on the cutting room floor but the final five to ten minutes more than make up for that minor indiscretion.


Link:http://itsstrawberryblonde.wordpress.com/2014/05/21/should-you-go-see-x-men-days-of-future-past/
 
Top