I think Alessandro Michele at Gucci was even more jarring post Frida.As a Bottega Veneta lover from Tomas Maier era that worry-line is real!

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I think Alessandro Michele at Gucci was even more jarring post Frida.As a Bottega Veneta lover from Tomas Maier era that worry-line is real!
I see what you mean however can’t all that be done by a design team? Like how LV will have bags released by both NG/VA and a design team. Or perhaps a designer who has their own line and can just oversee a couple of annual special releases at Delvaux? I obviously have nowhere near as much fashion knowledge as most of you here but I assumed the leather was always chosen by the artisans who decide what makes the cut and what is not good enough. I’m the opposite, I think the people working at Delvaux have too much respect for the history of the house and it’s craftsmanship to let the quality slip to something it cannot stand behind; which is ironic as I’m not a particularly optimistic person! On a completely separate note, has the Madame model been rested for now? I much preferred the older model with the all leather strap but haven’t seen the chain strap version in some time now.Couldn’t disagree with you more about the need for an artistic director at a handbag company.
To me a director is essential to guide the overall vision of the firm, decide colours and leathers, design special collections, etc. This is what sets high-end, luxury companies apart in addition to the impeccable craftsmanship of the artisans, and outstanding customer service. A company like Delvaux with several iconic models (Tempête, Brillant, Madame) presents even more of a challenge to keep the vision fresh while respecting the DNA of the firm.
Up until Christine Zeller left, Delvaux produced 2 collections/year, each with a different theme and colourways, plus special editions released for the holidays. This kept the products interesting and clients coming back for more.
I’m keeping an open mind about Delvaux; fingers crossed that the brand will remain recognizable and that quality won’t suffer. Cynical me sees a dumbing down of the designs, a decrease in quality, and a slew of new brand ambassadors. Time will tell.
I believe I do understand your logic and suggestions about a design team and maybe using various designers. Certainly, this can work well for many companies.I see what you mean however can’t all that be done by a design team? Like how LV will have bags released by both NG/VA and a design team. Or perhaps a designer who has their own line and can just oversee a couple of annual special releases at Delvaux? I obviously have nowhere near as much fashion knowledge as most of you here but I assumed the leather was always chosen by the artisans who decide what makes the cut and what is not good enough. I’m the opposite, I think the people working at Delvaux have too much respect for the history of the house and it’s craftsmanship to let the quality slip to something it cannot stand behind; which is ironic as I’m not a particularly optimistic person! On a completely separate note, has the Madame model been rested for now? I much preferred the older model with the all leather strap but haven’t seen the chain strap version in some time now.
That was a dark dayWhen Maier left BV, I had to take to my bed for a week!![]()
A snowball of expensive costumesI think Alessandro Michele at Gucci was even more jarring post Frida.Especially the clothes…
Considering Delvaux is up for sale and Richmont seems interested… the future could change a lot!I see what you mean however can’t all that be done by a design team? Like how LV will have bags released by both NG/VA and a design team. Or perhaps a designer who has their own line and can just oversee a couple of annual special releases at Delvaux? I obviously have nowhere near as much fashion knowledge as most of you here but I assumed the leather was always chosen by the artisans who decide what makes the cut and what is not good enough. I’m the opposite, I think the people working at Delvaux have too much respect for the history of the house and it’s craftsmanship to let the quality slip to something it cannot stand behind; which is ironic as I’m not a particularly optimistic person! On a completely separate note, has the Madame model been rested for now? I much preferred the older model with the all leather strap but haven’t seen the chain strap version in some time now.
As the old saying goes, a camel is a horse designed by a committee. IMO top luxury firms need a full-time creative director to lead the show. It is part of the prestige of a brand to have “a name” at the helm, rather than a bunch of anonymous team members. And no, the artisans don’t choose the leathers, but the head of the atelier is consulted by the artistic director to determine what is feasible.I see what you mean however can’t all that be done by a design team? Like how LV will have bags released by both NG/VA and a design team. Or perhaps a designer who has their own line and can just oversee a couple of annual special releases at Delvaux? I obviously have nowhere near as much fashion knowledge as most of you here but I assumed the leather was always chosen by the artisans who decide what makes the cut and what is not good enough. I’m the opposite, I think the people working at Delvaux have too much respect for the history of the house and it’s craftsmanship to let the quality slip to something it cannot stand behind; which is ironic as I’m not a particularly optimistic person! On a completely separate note, has the Madame model been rested for now? I much preferred the older model with the all leather strap but haven’t seen the chain strap version in some time now.
Sigh.Considering Delvaux is up for sale and Richmont seems interested… the future could change a lot!
To be fair they would be buying it to be their leather goods flagship product so they would have an incentive to nurture the brand rather than to bleed it. But only time will tell!Sigh.
I don’t really see the synergy with Richemont’s watch and jewellery brands, but who knows?To be fair they would be buying it to be their leather goods flagship product so they would have an incentive to nurture the brand rather than to bleed it. But only time will tell!
Hi, could you compare So Cool and Pin? Which one is easier to wear, which one do you like better? Anything to consider if you are deciding between them? TIAWent to London for the first time in aaaages and had a blast in the boutique checking out some bags. As always service was impeccable and personal so we ended up getting the new SoCool PM in tan. Beautiful leather as expected, so soft to touch and smells amazing, I’m always so impressed with the quality of craftmanship, every detail is just perfect. Oh and I got myself a little cardholder. I really wanted to buy the men’s north/south tote in khaki and black but unfortunately the whole
Magritte thing doesn’t resonate with me so the wait continues for the brand to come out with something I can get on board with. I also heard that a new designer has been appointed and will be releasing a new line for SS22!View attachment 5116736
So Cool and Pin come in different sizes and different leathers. For example the regular So Cool is a large tote, while the mini Pin is a tiny bucket bag. Some models can be carried cross-body, some are shoulder only or hand-held only. You’d have to be a bit more specific in your criteria to get a good comparison. Good luck in your decision-making!Hi, could you compare So Cool and Pin? Which one is easier to wear, which one do you like better? Anything to consider if you are deciding between them? TIA
Thanks!So Cool and Pin come in different sizes and different leathers. For example the regular So Cool is a large tote, while the mini Pin is a tiny bucket bag. Some models can be carried cross-body, some are shoulder only or hand-held only. You’d have to be a bit more specific in your criteria to get a good comparison. Good luck in your decision-making!