Dear friends, since there’s been so much talk and interesting discussions about Acte III, I thought that some may be interested on some notes I posted on my Instagram account. I have an IG account where I post about my accessories, flowers and such. On Sunday, I posted a few still pics of Acte III and yesterday I posted some modeling pics. I copy below first the text that I wrote on Sunday and following, the text that I wrote yesterday. I hope this is not off-topic or distressfully boring. Only posting prompted by so many discussions about the scarf on this forum:
My first Hermès scarf of the Autumn/Winter 2018 season is a delightful homage to the genius, whimsy and fantasy of William Shakespeare. Édouard Baribeaud takes his inspiration directly from A Midsummer Night’s Dream to create his enchanting illustration for Acte III, Scene 1, La Clairière. The Hermès catalog states: “Written in the late 16th century, this enchanting comedy of errors draws its humour from the confusion caused by falling in love. In a magical forest, young lovers, a theatrical troupe, fairies and elves cross paths and commingle in endless plot twists. In the moonlight, Titania, queen of the fairies, her eyelids impregnated with a love potion, falls madly in love with Bottom, an actor metamorphosed into an ass. In this illustration of the scene, Édouard Baribeaud pays homage to Baroque theatre, Indian miniatures and early cinema.” As a lover of Elizabethan theater, one-time production designer of the play and Titania re-enactor, I had to have this scarf. The composition’s central image is of a bemused theatrical moon illuminating the staged fairy forest where a sleeping actor lies and a Fairy Queen who has metaphorically “lost her head” rushes in. The illustration’s naive style, colorful yet sophisticated palette and tribal vibe create a complex, varied, yet harmonious tableaux. The dormant Bottom, crouching tiger and lush tropical foliage remind me of Rousseau’s The Sleeping Gypsy, while the spotlighted moon gives a nod to George Méliè’s 1902 seminal film, A Trip to the Moon. The floating Titania with flowered gown resembles Botticelli’s Primavera, while the lush and painterly clouds are similar to the swirly storms of 18th century Indian miniature paintings. The naive playfulness and moonlit magical landscape, reminiscent of Maurice Sendak’s Where the Wild Things Are, transports us to a place where illusion and magic reign. @edbaribeaud enchanting vision masterfully transmits the mystery, wit and mayhem of Shakespeare’s play. But, since this is a carré, the most important thing is how it ties, and Acte III ties like a dream.. like a dream that I’ll be delighted to wear this midsummer and beyond. Please scroll left to see some delightful details.
Yesterday I posted some closeups and info about my new Hermès carré, Acte III, Scene I, La Clarière which is part of the new Autumn/Winter 2018 collection. This glorious design by artist Édouard Baribeaud @edbaribeaud is whimsical, lush and elegant. Never mind that it’s based on one of the most renowned of Shakespeare’s plays and that alone makes it so special, but it ties beautifully and it is delightfully versatile mainly due to its quite different four corners and profusion of different textures and patterns. There is the ethnic vibe of the striped and dotted blankets, and the lush foliage of the trees, leafy vines, ferns and tiny flowers. Then there are the multiple wooden scenic drops with delightful patterns resembling foliage, Indian textiles and geometric tiles. Even Titania, Bottom, the lion and the moon are designs painted on the stage drops and curtains. And there is that glorious corner with the swirling clouds and fiery thunderbolts. The juxtaposition of all of these design elements create beautiful symmetries when tied. It is both fun and dramatic and this I love. Please scroll left to see some knots. Heads up to @mira.y.c for the tutorial on the bow knot on the fourth pic.