Actually, I wasn't sure if I should take it there and then because was in a
very red mood mood that day but for 2 years I've been thinking of a predominantly all-red scarf. I've counted 12 colours/shades on this cw so there is a lot of interest. We had tea in the courtyard with the new crockery design. You can see I was carrying and wearing red.
I can't think of any reason not to like this design if you love Shakespeare and the theatre (even the ballet) apart from some may find it quite busy in multiple colours, but there are so many beautiful variations so just look for the one (or two) that suit you best. I've been in 2 productions as Titania and than as an understudy for Puck but I am including my favourite production below. The plot is busy and complicated with many layers and shades of light and dark, hilarity and real undercurrents of 'darkness' too. Let's not forget the lovers are lost, fretfully tired and fearful of their otherworldly surroundings. Kemp's film is from the 1980s but I saw it at Saddlers Wells in the 1990s which made me want to run away and join Kemp's company:
https://archive.org/details/AMidsummerNightsDream_127
For anyone doubting this season's offerings generally, my advice is to go and
try before you dismiss. I waltzed in at 12:00 and left at just before 20:00 and the store didn't have half the stock in yet. No harm in skipping one or two seasons anyway, please bear in mind everyone has different taste. I bought the pink Baobab 90 too, which can be easily rocked casually or worn boldly with an artistic flourish.
We ( me and a scarf collector extraordinaire) conveyed our reservations about this whole colour family thing. Colours should be chosen to suit each and every design IMO.