I just came from a meeting with my peers, all but two of whom are over 60, and all but one of whom dressed like the image shared by
@foxgal. It’s the uniform for the fashion-disinterested middle to upper middle class American woman who doesn’t live in a major urban environment. Appropriate without being fussy, and reasonably comfortable.
I don’t know where I got the quote, but someone wrote “Trends are uniforms for the young.” And while I think that may be a little harsh, how we dress reflects where we fit or aspire to fit in our community
Over the last two weeks, I’ve read Sajid’s article about “Trend Cycles getting Shorter” and the accompanying hyperlinks. And “Empresses of Seventh Avenue” by Nancy MacDonell (brilliant book, btw, focused on the development of New York fashion) And the GemFlix lecture “How to Wear It: Vintage Jewelry Style” by Christine Cheng. And someone recently recommended David Kibbe’s 2025 book, (the Power of Style) so I’m about a chapter into that.
In Cheng’s lecture, she used Mikey Madison as one example - on the press tours for “Anora”, she deliberately dressed in a very elegant vintage-inspired wardrobe to contrast with her character. She was demonstrating that she was nothing like her brash, contemporary heroine, and so her performance was due to excellent acting.
And of course, Sajid’s discussion of “starter packs”, Heidi Boys and Performative Males reminded me of the Punks and Grunge of my own misspent youth. When Vulture did an article ten years ago about “where have all the Hipsters gone,” the quote I still remember was “You either died a punk, or you lived long enough to be rockabilly.” Community members levels of responsibility and interdependence changes over time. Likewise, small groups identities are commercialized for the trend cycle, which means that as they are consumable, anti-consumption group’s members distance themselves from their former aesthetic.
“Empresses” took a chapter to talk about about Louis XIV and Empress Eugenie, and how prior to the Fall of Paris, Americans copied French styles - directly, in many cases, as Chanel, and Delong, and Scarpielli would license gowns to be copied by American garment factories - and the huge number of gowns that weren’t licensed but were copied. Two of the things that stuck with me from that book that I think are relevant. 1) French fashion as an industry was created by Jean-Baptiste Colbert (XIV’s minister of finance) to increase taxation and to both engage women in commerce (women weren’t allowed in the older guild system, but could make “casual” mantuas under the new system - and paid taxes on what they made,) 2) families would lose influence in the court of Napoleon III if a woman’s gown was considered out of mode, which leads me to the conclusion that 3) the origins of trends are fear of not belonging.
Forgive me for rambling, but I have a Lot of Thoughts.
The “Jersey knit and cropped pants” women have found clothes that align with the values of their group, and are no less stylish than the head-to-toe trendy young adult.
Trends are in some ways, anti-style, because they are submerging the individual identity into the group identity