Scarves Autumn/Winter 2020 scarves

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These threads are archived as part of our reference library, therefore please only post scarves on this thread from the season in the title.

If you are not sure, please do a search or ask in the ID this scarf thread before you post.
:drinks:

Try also not to keep posting stock photos once listed but offer your own photos to help others make their choices. Thank you :flowers:
 
Yes, they have used a previous model too. Same pose, same expression, same pirate headscarf (I am the only one that likes the headscarf I think).

Love the expression on the pale pink 'dog scarf'. Happy is fine. "I hate this job/scarf/photographer" or "OMG SSsssoooooo Bored" not so much.

How bizarre to show Dachshunds and call them Bassets

Anyone feel drawn to the La Legende de la Foret scarf? I would love to see 06. Tag me if you see it and review please (and of course if you buy). H is such a long way a way at the moment.
I am absolutely drawn to La Legende de la Foret scarf, I can't wait to try it in person, I am drawn to CW 08 (blue) and 12 (black multi). Will post if I ever get a chance to try scarves again...
 
SILK GIANT TRIANGLE
MINI BRIDES DE GALA BY HUGO GRYGKAR
REF:H572037S

02
giant-triangle--572037S 02-flat-1-300-0-2048-2048.jpggiant-triangle--572037S 02-worn-7-300-0-2048-2048.jpg

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giant-triangle--572037S 03-flat-1-300-0-2048-2048.jpggiant-triangle--572037S 03-worn-7-300-0-2048-2048.jpg

10giant-triangle--572037S 10-flat-1-300-0-2048-2048.jpggiant-triangle--572037S 10-worn-7-300-0-2048-2048.jpg

13
giant-triangle--572037S 13-flat-1-300-0-2048-2048.jpggiant-triangle--572037S 13-worn-7-300-0-2048-2048.jpg

16
giant-triangle--572037S 16-flat-1-300-0-2048-2048.jpg

giant-triangle--572037S 16-worn-7-300-0-2048-2048.jpg


The story behind
One of Hermes's most emblematic designs. In 1957, Robert Dumas worked with Hugo Grygkar. He lays two sumptuous bridles face to face on the floor, and the choice is clear: the composition is perfect with unequaled simplicity, the scarf is present. On the right, two mermaids rise from a cornucopia, brandishing the imperial crown. This piece, retained in the Émile Hermès collection, is one of the harnesses made for the Emperor of Mexico, Maximilian of Austria. On the left, on the blinker, the coat of arms of the Counts of Ferronnays whose collection features many beautiful harness pieces from the 18th century. Here, the design is endlessly contrasted in a miniature version.
 
90cm
Exposition Universelle by Jan Batjlik
REF: H003536S


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exposition-universelle-scarf-90--003536S 01-flat.jpgexposition-universelle-scarf-90--003536S 01-worn.jpg
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exposition-universelle-scarf-90--003536S 02.jpgexposition-universelle-scarf-90--003536S 02-worn.jpg
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exposition-universelle-scarf-90--003536S 03-flat.jpgexposition-universelle-scarf-90--003536S 03-worn.jpg
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exposition-universelle-scarf-90--003536S 04-flat.jpgexposition-universelle-scarf-90--003536S 04-worn.jpg
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11
exposition-universelle-scarf-90--003536S 11.jpg

exposition-universelle-scarf-90--003536S 11-worn.jpg
The story behind
Jan Bajtlik invites us to a universal exhibition full of surprises. Absurd humor and nods to history punctuate this multicolored map in which dinosaurs frolic under a cloche and penguins dance underwater. A Tower of Babel transformed into a spiral slide stands near a Trojan horse housing a spa, while four drones hold the Great Pyramid upside down. The designer finds inspiration in the great world fairs of the 19th century to recreate a fantasy park in which innovation, combined with gigantism, is represented in all its forms: pragmatic, poetic and entirely far-fetched.
 
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90cm
Exposition Universelle by Jan Batjlik
REF: H003536S


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The story behind
Jan Bajtlik invites us to a universal exhibition full of surprises. Absurd humor and nods to history punctuate this multicolored map in which dinosaurs frolic under a cloche and penguins dance underwater. A Tower of Babel transformed into a spiral slide stands near a Trojan horse housing a spa, while four drones hold the Great Pyramid upside down. The designer finds inspiration in the great world fairs of the 19th century to recreate a fantasy park in which innovation, combined with gigantism, is represented in all its forms: pragmatic, poetic and entirely far-fetched.

View attachment 4776828
90cm
Exposition Universelle by Jan Batjlik
REF: H003536S


12
exposition-universelle-scarf-90--003536S 12.jpgexposition-universelle-scarf-90--003536S 12-worn.jpg
14
exposition-universelle-scarf-90--003536S 14-flat.jpgexposition-universelle-scarf-90--003536S 14-worn.jpg

The story behind
Jan Bajtlik invites us to a universal exhibition full of surprises. Absurd humor and nods to history punctuate this multicolored map in which dinosaurs frolic under a cloche and penguins dance underwater. A Tower of Babel transformed into a spiral slide stands near a Trojan horse housing a spa, while four drones hold the Great Pyramid upside down. The designer finds inspiration in the great world fairs of the 19th century to recreate a fantasy park in which innovation, combined with gigantism, is represented in all its forms: pragmatic, poetic and entirely far-fetched.
 
SILK GIANT TRIANGLE
MINI BRIDES DE GALA BY HUGO GRYGKAR
REF:H572037S

02
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The story behind

One of Hermes's most emblematic designs. In 1957, Robert Dumas worked with Hugo Grygkar. He lays two sumptuous bridles face to face on the floor, and the choice is clear: the composition is perfect with unequaled simplicity, the scarf is present. On the right, two mermaids rise from a cornucopia, brandishing the imperial crown. This piece, retained in the Émile Hermès collection, is one of the harnesses made for the Emperor of Mexico, Maximilian of Austria. On the left, on the blinker, the coat of arms of the Counts of Ferronnays whose collection features many beautiful harness pieces from the 18th century. Here, the design is endlessly contrasted in a miniature version.


I know this design was reissued SOOOOO many times, probably too many.
Still, I reckon that it is an elegant pattern. Very chic.
 
Has anyone got the “Story Behind” for the Amazones scarf? I would really love to see it! TIA

The story behind
The Franco-German artist Édouard Baribeaud likes to combine mythical events with present moments. Here, a young woman half-concealed by a screen appears almost like an extension of its painted procession of amazons. In this composite interior, where antique mosaics feature alongside modern furniture, she seems to be preparing for a dinner or celebration. The scene abounds with contemporary and symbolic elements, such as a vinyl record that conveys the party atmosphere. Displayed in medallions around the edges of the design are emblems such as the owl, an allegory of wisdom, and the pomegranate, the fruit symbolic of fertility and knowledge.
 
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