Historical?? Hmm, I have one low-hanging fruit, er, scarf. I recently acquired a very flattened Napoleon. It’s got some new life now with slightly plumper hems, and I love the jacquard bees in this design. I don’t have a flat shot of this right now but will take one when it’s light and post it...
In researching its themes, I came across this excellent and very specific write up on napoleon.org:
https://www.napoleon.org/en/history-of-the-two-empires/objects/the-napoleon-scarf-by-hermes/
The
Napoléon scarf, the first edition of which appeared in 1963, was designed by Philippe Ledoux, and is an intriguing combination of imperial symbolism and Napoleonic legend. Mounted on a background of golden bees, the design brings together all of the typical elements: two French flags and their imperial eagles, besides which hang the First Consul dresscoat (left) and Napoleon's
chasseurs à cheval uniform (right). Further down the design, the First Consul and Coronation swords can be seen, as well as the Grand Collier of the Légion d'honneur, two sabres from the Egyptian campaign and, most importantly, the mythical hat. Five lockets, inspired by some of the most famous paintings depicting the period, evoke the great moments of the Emperor's life: top-left, the crossing of the St. Bernard pass (David); top-right, the presentation of honorary sabres at Marengo (Gros); bottom-left, Napoleon injured at Ratisbon (Gautherot); bottom-right, the Battle of Wagram (Horace Vernet). At the centre is a depiction of the arrival at the coronation ceremony in Notre-Dame on 2 December, 1804 (taken from an engraving in the
Livre du Sacre). Plotting a course halfway between glorification and legend, the
Napoleon scarf is the perfect embodiment of Hermès' exploration and exploitation of the imperial iconographic canon.
Karine Huguenaud (tr. H.D.W.)
January 2010