So she WAS at the London premiere of WOE...
such a weird relationship...because I'm sorry but missing his 40th birthday?!?!?!
I mean, call me traditional, conservative, or whatever, but I can't imagine anybody being cool with that.
Anyways, here she is at the premiere.
View attachment 3491761
Yes, this was mentioned a few pages ago.
I always feel like they should say "Justin Theroux's eyebrows have joined..."

Plus the media media might pay more attention to the set because of possible Aniston sightings.
Here's another little article on Mute:
Duncan Jones’ ‘Mute’ casts Justin Theroux, gets Netflix release
By
Emily Rome @EmilyNRome | Wednesday, Oct 12, 2016 1:43 PM
Duncan Jones has been working on
Mute for 12 years, and now its release is just about 12 months away (maybe less than!).
It feels like we’ve been waiting forever for
Mute — for me, ever since I raced to Google Jones’ in-the-works projects immediately after seeing his incredible feature directorial debut,
Moon, at my hometown’s indie theater in 2009. In the interim, Jones released time loop movie
Source Code and this year’s
Warcraft, but
Mute has been waiting on the back burner all the while.
Now
Mute has a
Netflix release and an ambitious schedule: the streaming platform announced today that it’s distributing the film with a 2017 release date, and production in Berlin starts today. It’ll likely get a limited theatrical release simultaneous to hitting the streaming platform, similar to last year’s
Beasts of No Nation. This news comes after Alexander Skarsgård spilled on the Netflix deal late last month.
Also announced today:
The Leftovers and
Girl on the Train actor
Justin Theroux is joining
Mute’s cast.
Jones has said the film “owes something to
Blade Runner,” and the visual influence is evident in the concept art that’s long been online (below). My one concern is that
Mute will hit theaters too close to a spiritual-cousin
Blade Runner sequel (that movie opens next October). But the story is certainly different enough, and though the thought-provoking sci-fi of
Moon was influenced by movies like
Blade Runner and
2001: A Space Odyssey, Jones himself is a unique and exciting enough voice that
Mute should be a film set apart next year. (Interestingly, it looks like
Mute will be set three years
before Blade Runner: 2049, a title that presumably refers to when it takes place.)
Mostly, I’m looking forward to seeing what kind of performances Mute delivers. Jones pulled an Oscar-worthy performance (two Oscar-worthy performances, actually) out of Sam Rockwell for Moon, and with Mute, he’s again giving his lead actor a compelling challenge — this time, it appears, Skarsgård will have to carry the film without the luxury of speech.
With a script co-written by Jones and Michael Robert Johnson (
Sherlock Holmes),
Mute follows Leo, a mute bartender (Skarsgård) in 2052 Berlin searching for a missing person who was his one reason to be in the city in the first place. The Netflix press release today calls Theroux and
Paul Rudd’s characters “two rogue villains” who Leo finds himself “dueling” with, while a release last year from the film’s two production companies described them as “an odd pair of American surgeons who seem to be the only recurring clue” to this missing woman Leo’s searching for, “and Leo can’t tell if they can help, or who he should fear most.”
Clint Mansell, who wrote
Moon’s haunting score, is on board to compose
Mute’s music. This spring, he told me of the project: “One of the things of having a long gestation period is you got a lot of time to explore things. You never quite know until you start putting music to footage whether it’s going to work or not. But it’s great to have time to explore it. It’s a real rare gift.”
Soon, Mansell will finally have some
Mute footage to work with.
http://www.hitfix.com/the-dartboard/duncan-jones-mute-casts-justin-theroux-gets-netflix-release