Thanks, ladies.
I'm constantly seeing the
LOT trailer now on YouTube - it's the only advertisement they play for me now. It's like the trailer equivalent of
It Follows.
From The Library:
CinePremiere.com.mx has a behind-the-scenes look at the filming of
The Legend of Tarzan plus a few new promo pics of Alex:
From
Cine Premiere’s June 2016 issue:
Insider Set Visit: THE LEGEND OF TARZAN
The unexpected return to the jungle
It's a sunny morning in Hertfordshire, England, and I am in Warner Bros. Leavesden studios where a group of journalists will meet with the most popular of all time wild man. We walk by very large tents that serve as warehouses and departments of different areas: art, costumes and makeup. When I least realize, what began as a film studio, looks more like a broken time machine : all around us there are more than 300 people, all dressed in the style of the late 19th century, or the characterization of imposing tribal warriors. In front of us there is a huge line of men and women in a Victorian court waiting to eat fish and chips served to them from a food truck. On the other hand, a man of an African tribe is taking a selfie while your friends retouch their makeup. If you look further you can see Samuel L. Jackson wearing what looks like a robe and a turban (which,by the way, they are not part of your wardrobe on tape) grabbing a cupcake. Among a mix so eclectic, it causes a feeling of both fascination and discomfort, not to be dressed for the occasion. A penalty of Tarzan only membership -now played byAlexander Skarsgård.
Henry Cavill, Tom Hardy and Charlie Hunnam were considered to play Tarzan.
"This is a story of a man who grew up in the jungle, but when we meet him, he has already been in London a decade. He is a Lord and
plans to stay for always in London."
-Alexander Skarsgård
I could not be more wrong, for the man because he is more comfortable than ever. In
The Legend of Tarzan (directed by David Yates), the protagonist has left his loincloths in the past, and traded them in for the best London fashions. Now his name is John Clayton III and he is perfectly acclimated to a civilized life. "This is a story of a man who grew up in the jungle, but when we meet him, he has already been in London a decade. He is a Lord and plans to stay for always in London. Everything changes when George Washington Williams (Jackson) arrives with a very compelling argument to return to the Congo,” reveals the actor. As expected, this powerful reason is no more than a deception of the captain, León Rom (Christoph Waltz), to carry out a destructive plan. And although in the film we will see John get reacquainted with Tarzan, his wild side, today on the set we see none of that. Nobody walks on all fours or hangs from lianas. In the scene we watch, Clayton has just received news of his inevitable journey and is not very happy about it. A row of carriages and horses parade in front of a block of urban houses. From my location, visibility is low and not enough to hear what happens, but I clearly see the protagonist and Washington have a very brief conversation. The scene cuts ahead of time a couple of times due to problems of coordination of movement, and as our time on the set is finished, we fail to see the final shot. However, we have seen enough to know that what awaits us is an interesting trip, both by what the return to the past visually offers and the internal fight between animal instinct and social rigidity (ie. between John Clayton and Tarzan).
Sources: Digital scans via SG Gallery for The Library, The Library's transcription, Translation via Google/Babelfish + a lot of clean-up by The Library
This translation is still rather dodgy. If anyone has any recommendations for improvement, please drop The Library a line on tumblr or Facebook.
