IMDb has the release date down as March 2016. Not sure how accurate that is.
If a movie is shown at festivals first, that goes as the initial release date. So for the US the release date is March, which is when SXSW is. It still has no US distributor.
It'll be interesting to see if the reviews there are any different from those at Berlin.
Having posted not as many reviews as I read (also partly as there weren't as many reviews as there were last year at Sundance for DOATG, at least it seems that way), they are mixed. Some really, really liked it, but I don't think anyone really hated it either.
I think after the almost overwhelming positive reviews of DOATG we've forgotten that even his indies before that didn't receive overwhelming positive reviews either. This one appears to be more mixed than Disconnect, et al, but his indies aren't for everyone's taste. He picks roles that interest him, and after that, what happens review-wise happens.
I'm still a bit surprised that I've not seen anything yet on a US distribution deal. The reviews were mixed, not bad, and it's not as if even overwhelmingly bad films at festivals haven't gotten distribution deals.
Halfway into the massive Berlin lineup, Variety critics (mostly) impressed so far with quality offerings from Jeff Nichols, Mia Hansen-Love and Andre Techine.
Peter Debruge
Chief International Film Critic @AskDebruge
Guy Lodge
Film Critic
@guylodge
PETER DEBRUGE: I’ve gotta say, Guy, of all the festivals we cover during the year, none inspires me to spend my time indoors quite like the Berlinale, even if the movies are typically every bit as cold, grey and depressing as the weather. While it’s too early to generalize about the massive lineup before us, I’m actually quite keen on my competition viewings so far, most notably Jeff Nichols’ old-school “
Midnight Special.” The Warner Bros. release was pushed back from its original November date, and Berlin was the one to benefit.
It’s not exactly an art film (more of a supernatural road movie, really), but it needs all the help it can get exposure-wise, since Michael Shannon isn’t quite the box office draw he deserves to be.
That, plus John Michael McDonagh’s wicked funny wrong-cops comedy “War on Everyone,” which premiered in Panorama, remind me of the kind of movies studios famously don’t make anymore — which may as well be the subject of the wildly uneven Coen brothers opening film, “Hail, Caesar!”
http://variety.com/2016/film/opinion/critics-dialogue-debruge-lodge-berlin-film-festival-1201706264/