Vintage crocodile handbag

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Another try!!

So, I must say, I respectfully disagree! Firstly, if the bag I purchase turns out to be mouldy or diseased, I'll just toss it out. It's not that hard to tell when a thing is rotten. That said, many, many women through the ages have cared for their most expensive bags assiduously, and a great number remain in great shape after many decades. Hermès bags from the 50s and 60s regularly fetch 5 figures at auction, and my research suggests that there's no reason a well cared-for crocodile bag has to fall apart over time. It is actually a durable leather.

Secondly, in the 1950s and continuing deep into the 60s, any woman with an ounce of self-respect had a crocodile purse. They are actually very common. (The site Vintagedancer.com has some really interesting articles on how handbag material trends evolved through these decades, and how common exotic leathers used to be.) But then the bags went out of style for the ensuing several decades (for example, my mother the hippy wouldn't have been caught dead with a crocodile purse -- so "square"!), meaning loads of gorgeously-made bags fell by the wayside. And while there has always been an elite minority continuing to preserve and treasure the most famous name bags - Hermès, Chanel, etc., many other great houses have been all but lost to oblivion. In the 1940s, 50s, and 60s there were numerous smaller but no less illustrious houses that made bags of the same extremely high quality, with boutique addresses at the Place Vendôme and other such locations, which were simply forgotten when the changes in fashion drove them out of business. I consider myself lucky to live in Paris, where it's not uncommon to come across vintage bags by the premiere artisans of the era -- if you can learn how to recognize them.

Lastly, I think for those of us who are vintage enthusiasts, a bag with many decades of history possesses an aura that is worth far more than any 'guarantee' I might get from buying new! I'll take a gamey smell of old leather over the sanitized odour of plastic any day! (And yes, I'll keep an eye out for rot ;))

Right now I'm just in the process of learning about what makes a crocodile bag a truly well made article -- and the only way to do that is to gain some experience with real bags. And learn from everyone here, too!
 
Another try!!

So, I must say, I respectfully disagree! Firstly, if the bag I purchase turns out to be mouldy or diseased, I'll just toss it out. It's not that hard to tell when a thing is rotten. That said, many, many women through the ages have cared for their most expensive bags assiduously, and a great number remain in great shape after many decades. Hermès bags from the 50s and 60s regularly fetch 5 figures at auction, and my research suggests that there's no reason a well cared-for crocodile bag has to fall apart over time. It is actually a durable leather.

Secondly, in the 1950s and continuing deep into the 60s, any woman with an ounce of self-respect had a crocodile purse. They are actually very common. (The site Vintagedancer.com has some really interesting articles on how handbag material trends evolved through these decades, and how common exotic leathers used to be.) But then the bags went out of style for the ensuing several decades (for example, my mother the hippy wouldn't have been caught dead with a crocodile purse -- so "square"!), meaning loads of gorgeously-made bags fell by the wayside. And while there has always been an elite minority continuing to preserve and treasure the most famous name bags - Hermès, Chanel, etc., many other great houses have been all but lost to oblivion. In the 1940s, 50s, and 60s there were numerous smaller but no less illustrious houses that made bags of the same extremely high quality, with boutique addresses at the Place Vendôme and other such locations, which were simply forgotten when the changes in fashion drove them out of business. I consider myself lucky to live in Paris, where it's not uncommon to come across vintage bags by the premiere artisans of the era -- if you can learn how to recognize them.

Lastly, I think for those of us who are vintage enthusiasts, a bag with many decades of history possesses an aura that is worth far more than any 'guarantee' I might get from buying new! I'll take a gamey smell of old leather over the sanitized odour of plastic any day! (And yes, I'll keep an eye out for rot ;))

Right now I'm just in the process of learning about what makes a crocodile bag a truly well made article -- and the only way to do that is to gain some experience with real bags. And learn from everyone here, too!

Well, as someone who has always carried exotics, if you love them like that , I say go for it then!❤️❤️❤️❤️❤️
 
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Another try!!

So, I must say, I respectfully disagree! Firstly, if the bag I purchase turns out to be mouldy or diseased, I'll just toss it out. It's not that hard to tell when a thing is rotten. That said, many, many women through the ages have cared for their most expensive bags assiduously, and a great number remain in great shape after many decades. Hermès bags from the 50s and 60s regularly fetch 5 figures at auction, and my research suggests that there's no reason a well cared-for crocodile bag has to fall apart over time. It is actually a durable leather.

Secondly, in the 1950s and continuing deep into the 60s, any woman with an ounce of self-respect had a crocodile purse. They are actually very common. (The site Vintagedancer.com has some really interesting articles on how handbag material trends evolved through these decades, and how common exotic leathers used to be.) But then the bags went out of style for the ensuing several decades (for example, my mother the hippy wouldn't have been caught dead with a crocodile purse -- so "square"!), meaning loads of gorgeously-made bags fell by the wayside. And while there has always been an elite minority continuing to preserve and treasure the most famous name bags - Hermès, Chanel, etc., many other great houses have been all but lost to oblivion. In the 1940s, 50s, and 60s there were numerous smaller but no less illustrious houses that made bags of the same extremely high quality, with boutique addresses at the Place Vendôme and other such locations, which were simply forgotten when the changes in fashion drove them out of business. I consider myself lucky to live in Paris, where it's not uncommon to come across vintage bags by the premiere artisans of the era -- if you can learn how to recognize them.

Lastly, I think for those of us who are vintage enthusiasts, a bag with many decades of history possesses an aura that is worth far more than any 'guarantee' I might get from buying new! I'll take a gamey smell of old leather over the sanitized odour of plastic any day! (And yes, I'll keep an eye out for rot ;))

Right now I'm just in the process of learning about what makes a crocodile bag a truly well made article -- and the only way to do that is to gain some experience with real bags. And learn from everyone here, too!

Just noticed you live in Paris!

I lived on the Bld St Michel when I was 20, working for Louis Feraud on Fau St Honore

Then lived in a studio my dad bought me between 2000 -2009 in the Palais Royal-I lived there 9 years and never used a metro ticket as everything was on my doorstep!

I’d bought a carnet, which I dished out to my parents when they visited.

I still have some tickets!

I lived a deux pas de Place Vendome and even interviewed at Chaumet as I have a degree in high jewellery, specialising in coloured diamonds(that’s why I had to buy a copy Birkin lol)❤️❤️❤️❤️
 
Just noticed you live in Paris!

I lived on the Bld St Michel when I was 20, working for Louis Feraud on Fau St Honore

Then lived in a studio my dad bought me between 2000 -2009 in the Palais Royal-I lived there 9 years and never used a metro ticket as everything was on my doorstep!

I’d bought a carnet, which I dished out to my parents when they visited.

I still have some tickets!

I lived a deux pas de Place Vendome and even interviewed at Chaumet as I have a degree in high jewellery, specialising in coloured diamonds(that’s why I had to buy a copy Birkin lol)❤❤❤❤
Oooooohh amazing!! You’ve had my dream life! So fantastic! Palais Royal is bar none the best location in Paris, couldn’t agree more. And I can’t believe you worked for Féraud! (maybe you can explain a mystery to me I’ve always wondered about - why are the loveliest vintage pieces from Féraud always marked “made in Germany” when it’s a French brand? I know a lot of Dior jewelry was also made in Germany… just something I’ve always wondered about!)

I gather you’re no longer in Paris… where did life take you next? It all sounds wonderfully glamorous!!
 
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Oooooohh amazing!! You’ve had my dream life! So fantastic! Palais Royal is bar none the best location in Paris, couldn’t agree more. And I can’t believe you worked for Féraud! (maybe you can explain a mystery to me I’ve always wondered about - why are the loveliest vintage pieces from Féraud always marked “made in Germany” when it’s a French brand? I know a lot of Dior jewelry was also made in Germany… just something I’ve always wondered about!)

I gather you’re no longer in Paris… where did life take you next? It all sounds wonderfully glamorous!!
Before I found the studio I rented on rue St Honore for 3 months, but it’d been my life dream to live in the Palais Royal-the fountain , the arcades, the licorice stands, the spectacular Xmas trees.

Unfortunately it wasn’t all a dream.
I was/am Very ill, spent a lot of time in the Pitie-Salpitriere(where Princess Diana died- I have a fabric rose left for her at the Pont de l’Alma-unfortunately I didn’t photograph it before replacing it with live flowers-I’d met Diana in London and have a great affinity with her, I was Also England’s Rose-my flower would be priceless -), I nearly lost my life several times and my family were flown over many times to say goodbye-I even stopped breathing in ICU, but fought back.

My father Never breaks his promises to me.

He told me the Palais Royal home to myself and Siamese cats would never be sold in my lifetime .

But that one he did-my mother was on the verge of a breakdown as every time the phone rang she thought it was the hospital again..

In 2009 they came and scooped up myself with Silver and Mojique, the bubble burst and they sold the studio for a huge profit which funded an extension to their house in England for me to live in(prior to being ill I’d just been headhunted for a senior consultant position in diamonds in Geneva but became ill and end up being chairlifted onto a plane to Paris instead)

My cats grew old, I lost Silver in 2016, his brother 364 days later aged 17( they were related to my first Siamese, Cecchetti , who lived just short of 18- I’d have died for him, he was the child I couldn’t have).

My health deteriorated with my grief , I’d been in hospital in the U.K. as well, I suddenly decided I needed 4 cats, moved out without thinking about it with Bianca, then got Tammy then Baryshnikov , looking for no.4…

Obviously haven’t worked since(I still have both my Feraud card and my Bond St jewellers cards), I’m bedridden a lot, I had an operation in April.

I’m tiny as started as a professional ballerina having turned down both Cambridge and Surrey universities , also am a qualified chartered management accountant , but for the last 16 weeks have suffered severe migraine and lost 10lb approx and need a brain mri as my aunt suffered migraine and died in 2012 of a brain tumour…

My head is exploding now, I’ll answer your other questions later btw Feraud couture of course made in Paris by petits mains ….

Hope that wasn’t too boring

Yes, it was a dream, I Was happy there

Happy, but very ill…


A tout a l’heurexxx❤️❤️❤️❤️
 
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