Ndop was created by the Anamorphée duo basing their design on the Ndop ceremonial textiles produced by the Bamileke people of the Central African region of Cameroon. The process that the Bamileke women use to create these textiles is an interesting one. They begin with a basic fabric of strip-woven cotton upon which the artisans stitch resist designs in raffia thread. The cloth is then dyed with indigo coloring after which the raffia stitches get unpicked to reveal geometric patterns of white resist against the dark blue background. The striking linear, abstract patterns follow traditional tribal styles and pictorial symbols.
Below, some pics of the scarf followed by Bamileke Ndop cloth.
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Les Fêtes du Roy Soleil was designed by Michel Duchène as a tribute to the rich cultural heritage of the French monarchy, specifically the magnificent reign of Louis XIV. The illustration presents various elaborately dressed courtiers and performers at the royal pageants, galas and spectacles which took place at the Court of Versailles.
The elaborate court ceremonies were not only diversions and entertainment but also an opportunity to showcase the glory and power of the king and were created by the greatest artists of the age as well as by artisans dedicated to creating these productions. Fanciful theatrical stage settings are the backdrop for richly costumed processions, equestrian tournaments, theatre performances, church ceremonies and spectacular firework displays.
I own three CWs of this magnificent design. Following some scarf pics, a collage of period engravings of these courtly events as well as a modern artistic rendition of Louis and his court during a pageant. Top left is a period illustration of a carousel performed by the Sun King in front of the Tuileries in 1662.
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Tresors du Nil, or Treasures of the Nile was designed by Joachim Metz inspired by the art, jewelry, murals and objects found in the excavated palaces and funereal chambers of Egypt’s Nile Valley.
Following pics of the scarf, a collage of a few pieces that appear pictured on the scarf. Beginning at the upper left and moving clockwise: the funereal mask of King Tutankhamun, a bejeweled winged scarab pectoral and the Eye of Horus pendant from King Tut’s tomb; a Goddess Maat mural from Queen Nefertari’s tomb and a pair of earrings belonging to Queen Twoset.
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Finally, Tapis Persans by Pierre Marie takes inspiration from traditional Persian carpets and textiles. The Hermès catalog states, “The history of Persian carpets dates back thousands of years, beginning with the nomadic peoples of the steppes of central Asia… The oldest surviving example – the celebrated Pazryk carpet from the Altai mountains (4th century BCE) – is an eloquent testament to its creators’ aesthetic sensibility… Persian rugs became enormously popular in Europe from the 13th century onwards. They were used to cover tables and chests, and as wall hangings… This carré presents a particularly fine example, inspired by a prayer rug from northern India… Artist Pierre-Marie has taken inspiration from rugs like these, and the superb Indian archives at the Museum of Textile Printing in Mulhouse, France.”
Below, after pics of the scarf, a collage of pictures showing details of prayer rugs from Northern India.
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