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Hermès Inaugurates Leather Goods Workshop in France
The French luxury goods firm is struggling to keep pace with soaring demand for its handbags.
The newly unveiled Hermès leather goods

The newly unveiled Hermès leather goods workshop in Saint-Vincent-de-Paul, France.
François Coquerel/Courtesy of Hermès

SAINT-VINCENT-DE-PAUL, France — Hermès has a message for customers unhappy about having to wait for its highly coveted handbags: it’s going as fast as it can.

The French luxury house on Friday inaugurated its 19th leather goods workshop in France as it continues to expand production capacity to keep pace with seemingly boundless demand for models ranging from the classic Birkin to newer releases like the 24/24.

Its first production site in the department of Gironde in southwest France employs 200 people, of which 50 have moved from other workshops nationwide to share their knowhow, as part of the company’s ongoing training program for the artisans who produce its bags by hand exclusively in France.

The site will eventually house 280 people, and is part of an ongoing expansion program with three additional units already in the pipeline, said Guillaume de Seynes, managing director of Hermès.

“We continue to see very strong demand. That’s why we continue to invest,” he told WWD in an interview on the eve of the inauguration.

Demand for leather goods and saddlery, which account for half of the company’s revenues, has been soaring despite the coronavirus pandemic, which temporarily halted production sites last year and shuttered stores worldwide.

In the first half of 2021, the division’s sales were up 62.9 percent at constant exchange rates versus 2020, and rose 24.9 percent versus 2019, considered a more reliable benchmark due to the disruptions that skewed last year’s figures.

In the last 10 years, Hermès has opened on average one new production site a year, hiring between 400 and 500 people annually for its leather goods production activities alone, said de Seynes. It employs more than 5,600 artisans in France, including more than 4,000 workers specialized in saddlery and leather goods.

The company has 90 people dedicated to training new recruits, and this week unveiled the creation of an in-house apprenticeship training center that will issue a state-endorsed national diploma in leatherworking.

Inside the newly unveiled Hermès' Maroquinerie de Guyenne in Saint-Vincent-de-Paul, France.

Inside the newly unveiled Hermès’ Maroquinerie de Guyenne in Saint-Vincent-de-Paul, France.
François Coquerel/Courtesy of Hermès

Despite this, Hermès can’t keep up with demand, resulting in famously long waiting lists, and recent reports of several lone disgruntled customers in China protesting in front of stores where they were unable to secure a handbag.
In particular, Chinese customers have complained about having to spend money on smaller items in the hope of being allowed to buy more in-demand products, a practice known as “peihuo.”

“This is not a company-endorsed policy,” said de Seynes. “What is true is that most markets have to manage scarcity. That means managing waiting lists, and sometimes managing disappointment and long wait times.”

Nonetheless, Hermès does not plan to accelerate its manufacturing expansion, saying it is growing as fast as it can, considering the 15 months it takes to train new hires, and an industrywide shortage of skilled workers.

“It’s very frustrating for us not to be able to satisfy everybody. At the same time, we’re not doing it to create an artificial market. We’re doing it because we’re not going to lower our quality standards, which are based on an artisanal production model that is growing as fast as it can,” said de Seynes.

“It’s not about investing in machines, in production chains, and pushing a button. We are making a statement about the care we put into the quality of the object,” he added.

Hermès store buyers from each region submit their handbag requests, with products allocated according to the strengths of the various geographic areas. “It’s not a lucky draw,” said de Seynes.

“Some markets want to bet more heavily on novelties, because we introduce two or three new models with each collection, while others are less into that approach — that’s the freedom of our buyers. It’s a bit of a balancing act, but the process is quite well established internally,” he added.

Each bag is produced by a single artisan and requires between 15 and 20 hours of work, meaning they can only churn out two to three bags a week. As a result, no two products are alike, noted Axel Dumas, chief executive officer of Hermès.

“It’s always our ambition to create something unique. No two of our stores are the same, no two of our leather goods workshops are alike, and all artisans are different,” he said in a speech on Friday to the staff of the workshop, who dressed in green for the occasion.

Dumas recalled this caused some hiccups when Hermès first started producing straps for the Apple Watch. “Not one of them made it through quality control,” he said. “They told us, ‘They’re all different.’ And we had to explain to them that this was normal, since they were handstitched, and everyone stitches differently.”
Artisans at the Hermès leather goods workshop in Saint-Vincent-de-Paul, France.
Artisans at the Hermès leather goods workshop in Saint-Vincent-de-Paul, France.
Courtesy of Hermès

The Maroquinerie de Guyenne building in Saint-Vincent-de-Paul, some 30 minutes north of Bordeaux, is set on a 13.8-acre site previously used to store backfill. The wood and concrete structure was designed by architect Patrick Arotcharen, known for his environmentally conscious approach.

The eight workshops, specialized in producing Kelly and 24/24 bags, take advantage of natural northern light to allow the artisans to execute their precise gestures, which include cutting large leather hides, saddle stitching and assembling bags, all to a steady beat of hammers.

Over the last 15 years, Hermès has acquired a number of tanneries to ensure the quality of its leather supply. “The tannery division works closely with cattle breeders, especially in France, to find ways to improve the hides either by supplying vaccines, or sharing best practices. It’s a permanent challenge,” said de Seynes.

Still, despite its splashy announcement earlier this year that it was launching a bag combining leather and canvas with mycelium, a lab-grown mushroom-derived material, Hermès is not ready to turn its back on leather yet.

“We have an in-house team looking at a number of leads in terms of other new materials, but it’s important to emphasize that these materials must meet our quality requirements in terms of appearance, regularity, resistance and quality over time,” said de Seynes.

“While [mycelium] appears rather promising, we remain very cautious about when we will really be able to produce some bags using this material,” he added. “We don’t want them to fall apart after three years.”

While Hermès has offered canvas and leather bags since the 1930s, leather has the advantage of being easier to repair. “Leather for us is an absolutely essential and magnificent material because it’s flexible, resistant and lasting, and it’s a subproduct [of the food industry],” de Seynes explained.

That includes exotic leather, despite an ongoing campaign by animal rights group PETA, which staged events in front of Hermès stores in New York, Paris and London on Wednesday following the release of new video footage documenting practices in crocodile farms in Australia.

De Seynes declined to comment on the protests, but reiterated that Hermès adheres to the highest industry standards for both its own farms and its suppliers. “We have them audited,” he said. “As much as possible, we avoid animal suffering during the different farming processes.”

The company has launched a diagnosis of its biodiversity footprint, and also has a number of scientific partnerships regarding the sustainability of its production of ostrich leather, crocodile leather and silk, and its water footprint.

It planted more than 100 trees to re-green the Guyenne site. Solar panels supply more than 40 percent of its electricity, supplemented by LED lighting, and the building also has a rainwater recovery system.

Hermès plans to open a site in Louviers, in the Normandy region, next year, to be followed by a workshop in the Ardennes in 2023 and a second site in Auvergne the following year.

Still, don’t expect to be able to buy a Birkin or Kelly bag online anytime soon. “It’s not on the cards in the short or medium term,” said de Seynes.

 
Hermès Inaugurates Leather Goods Workshop in France
The French luxury goods firm is struggling to keep pace with soaring demand for its handbags.
The newly unveiled Hermès leather goods

The newly unveiled Hermès leather goods workshop in Saint-Vincent-de-Paul, France.
François Coquerel/Courtesy of Hermès

SAINT-VINCENT-DE-PAUL, France — Hermès has a message for customers unhappy about having to wait for its highly coveted handbags: it’s going as fast as it can.

The French luxury house on Friday inaugurated its 19th leather goods workshop in France as it continues to expand production capacity to keep pace with seemingly boundless demand for models ranging from the classic Birkin to newer releases like the 24/24.

Its first production site in the department of Gironde in southwest France employs 200 people, of which 50 have moved from other workshops nationwide to share their knowhow, as part of the company’s ongoing training program for the artisans who produce its bags by hand exclusively in France.

The site will eventually house 280 people, and is part of an ongoing expansion program with three additional units already in the pipeline, said Guillaume de Seynes, managing director of Hermès.

“We continue to see very strong demand. That’s why we continue to invest,” he told WWD in an interview on the eve of the inauguration.

Demand for leather goods and saddlery, which account for half of the company’s revenues, has been soaring despite the coronavirus pandemic, which temporarily halted production sites last year and shuttered stores worldwide.

In the first half of 2021, the division’s sales were up 62.9 percent at constant exchange rates versus 2020, and rose 24.9 percent versus 2019, considered a more reliable benchmark due to the disruptions that skewed last year’s figures.

In the last 10 years, Hermès has opened on average one new production site a year, hiring between 400 and 500 people annually for its leather goods production activities alone, said de Seynes. It employs more than 5,600 artisans in France, including more than 4,000 workers specialized in saddlery and leather goods.

The company has 90 people dedicated to training new recruits, and this week unveiled the creation of an in-house apprenticeship training center that will issue a state-endorsed national diploma in leatherworking.

Inside the newly unveiled Hermès' Maroquinerie de Guyenne in Saint-Vincent-de-Paul, France.' Maroquinerie de Guyenne in Saint-Vincent-de-Paul, France.

Inside the newly unveiled Hermès’ Maroquinerie de Guyenne in Saint-Vincent-de-Paul, France.
François Coquerel/Courtesy of Hermès

Despite this, Hermès can’t keep up with demand, resulting in famously long waiting lists, and recent reports of several lone disgruntled customers in China protesting in front of stores where they were unable to secure a handbag.
In particular, Chinese customers have complained about having to spend money on smaller items in the hope of being allowed to buy more in-demand products, a practice known as “peihuo.”

“This is not a company-endorsed policy,” said de Seynes. “What is true is that most markets have to manage scarcity. That means managing waiting lists, and sometimes managing disappointment and long wait times.”

Nonetheless, Hermès does not plan to accelerate its manufacturing expansion, saying it is growing as fast as it can, considering the 15 months it takes to train new hires, and an industrywide shortage of skilled workers.

“It’s very frustrating for us not to be able to satisfy everybody. At the same time, we’re not doing it to create an artificial market. We’re doing it because we’re not going to lower our quality standards, which are based on an artisanal production model that is growing as fast as it can,” said de Seynes.

“It’s not about investing in machines, in production chains, and pushing a button. We are making a statement about the care we put into the quality of the object,” he added.

Hermès store buyers from each region submit their handbag requests, with products allocated according to the strengths of the various geographic areas. “It’s not a lucky draw,” said de Seynes.

“Some markets want to bet more heavily on novelties, because we introduce two or three new models with each collection, while others are less into that approach — that’s the freedom of our buyers. It’s a bit of a balancing act, but the process is quite well established internally,” he added.

Each bag is produced by a single artisan and requires between 15 and 20 hours of work, meaning they can only churn out two to three bags a week. As a result, no two products are alike, noted Axel Dumas, chief executive officer of Hermès.

“It’s always our ambition to create something unique. No two of our stores are the same, no two of our leather goods workshops are alike, and all artisans are different,” he said in a speech on Friday to the staff of the workshop, who dressed in green for the occasion.

Dumas recalled this caused some hiccups when Hermès first started producing straps for the Apple Watch. “Not one of them made it through quality control,” he said. “They told us, ‘They’re all different.’ And we had to explain to them that this was normal, since they were handstitched, and everyone stitches differently.”
Artisans at the Hermès leather goods workshop in Saint-Vincent-de-Paul, France.
Artisans at the Hermès leather goods workshop in Saint-Vincent-de-Paul, France.
Courtesy of Hermès

The Maroquinerie de Guyenne building in Saint-Vincent-de-Paul, some 30 minutes north of Bordeaux, is set on a 13.8-acre site previously used to store backfill. The wood and concrete structure was designed by architect Patrick Arotcharen, known for his environmentally conscious approach.

The eight workshops, specialized in producing Kelly and 24/24 bags, take advantage of natural northern light to allow the artisans to execute their precise gestures, which include cutting large leather hides, saddle stitching and assembling bags, all to a steady beat of hammers.

Over the last 15 years, Hermès has acquired a number of tanneries to ensure the quality of its leather supply. “The tannery division works closely with cattle breeders, especially in France, to find ways to improve the hides either by supplying vaccines, or sharing best practices. It’s a permanent challenge,” said de Seynes.

Still, despite its splashy announcement earlier this year that it was launching a bag combining leather and canvas with mycelium, a lab-grown mushroom-derived material, Hermès is not ready to turn its back on leather yet.

“We have an in-house team looking at a number of leads in terms of other new materials, but it’s important to emphasize that these materials must meet our quality requirements in terms of appearance, regularity, resistance and quality over time,” said de Seynes.

“While [mycelium] appears rather promising, we remain very cautious about when we will really be able to produce some bags using this material,” he added. “We don’t want them to fall apart after three years.”

While Hermès has offered canvas and leather bags since the 1930s, leather has the advantage of being easier to repair. “Leather for us is an absolutely essential and magnificent material because it’s flexible, resistant and lasting, and it’s a subproduct [of the food industry],” de Seynes explained.

That includes exotic leather, despite an ongoing campaign by animal rights group PETA, which staged events in front of Hermès stores in New York, Paris and London on Wednesday following the release of new video footage documenting practices in crocodile farms in Australia.

De Seynes declined to comment on the protests, but reiterated that Hermès adheres to the highest industry standards for both its own farms and its suppliers. “We have them audited,” he said. “As much as possible, we avoid animal suffering during the different farming processes.”

The company has launched a diagnosis of its biodiversity footprint, and also has a number of scientific partnerships regarding the sustainability of its production of ostrich leather, crocodile leather and silk, and its water footprint.

It planted more than 100 trees to re-green the Guyenne site. Solar panels supply more than 40 percent of its electricity, supplemented by LED lighting, and the building also has a rainwater recovery system.

Hermès plans to open a site in Louviers, in the Normandy region, next year, to be followed by a workshop in the Ardennes in 2023 and a second site in Auvergne the following year.

Still, don’t expect to be able to buy a Birkin or Kelly bag online anytime soon. “It’s not on the cards in the short or medium term,” said de Seynes.


Thanks for sharing this article. This reminds me the reasons why I should treasure my H handbag collection. :flowers::heart::smile:
 
Les Mains Hermès Is Here! The Definitive Name in Luxury Launches the Definitive Line of Nail Polish
By Celia Ellenberg
October 15, 2021
Herms Nail Polish Is Here The Definitive Name in Luxury Launches Its Latest Beauty Collection

Courtesy of Hermés
The name Hermès has long been associated with the highest level of craftsmanship and quality you can buy—whether you’re in the market for a horse saddle or a handbag. So when the brand entered the beauty category two years ago for the first time in its 184-year history, debuting the chicest Pierre Hardy-designed lipstick bullets that ever were or will be (in Game of Thrones parlance), makeup lovers the world over effectively freaked out. There was a similar reaction when Rose Hermès, a collection of exceptional lip enhancers and blushes, debuted earlier this year. And when word got out a few months ago that the French luxury house was readying a nail collection, there was a collective anticipation unrivaled by any other launch in recent memory. Les Mains Hermès—a collection of lacquers, as well as care products and accessories—launches today, and here is the verdict you knew was coming: it’s even better than imagined.
Courtesy of Herms

Courtesy of Hermès
Nail polish is nail polish, you might be thinking. Not in this case: This nail polish, which the brand refers to as “enamel”—an homage to the professional technique that requires years of training—is made from at least 71% ingredients of natural origin and features a surprisingly easy-to-wield brush for a precise application. Available in 24 shades, a nod to the atelier’s Paris address on Faubourg Saint-Honore, each color packs a high concentration of ultra-fine pigments designed to go on smooth—and stay on. (The two coats of Rouge Amazone—a warm-toned, near-perfect brick red—that I applied on Monday remain unaltered and chip-free five full days later.) Hermès classic orange, the bright and inimitable color of its signature boxes, has also been reimagined in polish form, and simply named Orange Bôite; an unlikely ochre (Jaune Impérial) and a rich chocolatey brown (Brun Bistre) are also instant classics.

Courtesy of Herms

Courtesy of Hermès
Image may contain Tool and Brush

Courtesy of Hermès
But it just might be the accessories that pop off on TikTok, that latter-day metric of commercial success. In addition to an impossibly chic Nail Enamel Carousel—three stacked trays made of terre battue-colored Tadelakt calfskin, and held together with an adjustable harness (this is what I want for the holidays; literally, just this)—the launch also includes a set of twelve nail files made from poplar wood sourced from sustainably managed forests. One of the house’s smallest objets, the double-sided tools are packed in a perfectly dimensioned orange box, and their miniature size is ideal for on-the-go use, which means there will be plenty of opportunities to casually brandish them in public.
 
Hermès Revenues Jump 31.5% in Q3 as Asia Remains Strong
The French luxury brand reported a "remarkable" performance in Greater China.
October 21, 2021, 3:18am
Backstage at Hermès RTW Spring 2022

Backstage at Hermès RTW Spring 2022 Delphine Achard/WWD

PARIS — Hermès International said revenues jumped 31.5 percent year-on-year in the third quarter, helped by a “remarkable” performance in Greater China.
The French luxury firm posted revenues of 2.37 billion euros in the three months to Sept. 30, up 40.3 percent at constant exchange rates compared with 2019, considered a more reliable benchmark due to the disruption caused by the coronavirus pandemic last year.
This represented an increase of 31.2 percent versus 2020, beating a consensus of analyst estimates, which had called for a 23.8 percent rise in like-for-like sales. The better-than-expected growth rates confirmed Hermès as one of the top-performing luxury brands this year, despite a resurgence in coronavirus cases in Asia over the summer.

“This report confirms our understanding that the strongest are getting stronger,” Luca Solca, analyst at Bernstein, said in a research note. Earlier this week, Kering reported that sales rose 12.2 percent at constant exchange rates compared with 2020, while sector leader LVMH Moët Hennessy Louis Vuitton was up 20 percent year-over-year.

“The performance of the third quarter reflects an atypical year, during which we continue our strategic investments and accelerate job creations,” Axel Dumas, executive chairman of Hermès, said in a statement.

“In a world that remains unstable, the balance between our 16 métiers and between our locations around the world, allows us to move forward with optimism and caution, while continuing to create beautiful, high quality, sustainable objects,” he added.

The group said that despite a high comparison base in the fourth quarter, it is approaching the end of the year with “confidence.”

However, in a conference call with analysts, it cautioned that that its second-half operating profit margin should be much lower than the 40.7 percent recorded in the first six months of the year, due to foreign exchange headwinds, higher employee costs and a lower contribution from leather goods, Barclays reported.
The Hermès store in Shenzhen, China.

The Hermès store in Shenzhen, China. Courtesy of Hermès

Activity in the third quarter was sustained in Asia, up 23.4 percent at constant exchange rates thanks to the strong performance in Greater China and other countries in the region, despite new restrictions in Australia, Thailand and Malaysia, the company said.

Sales accelerated in the Americas, which posted a 48.4 percent jump in revenues, while France recorded a 46.7 percent increase. The rest of Europe, meanwhile, was up 36.4 percent.

The key leather goods and saddlery division saw organic sales rise 22.2 percent during the period, driven by sustained demand and significant deliveries during the quarter. Hermès opened a new leather goods workshop near Bordeaux in September, and several other production sites are in the works.

Ready-to-wear and accessories were up 39.4 percent; watches, 53.7 percent, and silk and textiles, 49.2 percent. Other sectors, a division that includes jewelry and homewares, recorded a 47.5 percent increase in comparable sales, and the perfume and beauty division was up 32.5 percent, with the launch of beauty in China in July.

Hermès continued to expand its retail network with openings and extensions, and reported an increase in online sales worldwide. In the last month alone, it has reopened its store at the Istinye Park mall in Istanbul, and unveiled new boutiques at the Aventura Mall in Florida and in Shenzhen, China.

Wholesale activities remained penalized particularly by the absence of international travelers, which has heavily impacted travel retail.
 

Tracking the Evolution of Hermès
Hermès’ timeless positioning has helped sales bounce back ‘as if the pandemic never happened.’ That doesn’t mean change isn’t afoot at the iconic French luxury house.

October 22, 2021
Each year, Hermès sets a creative theme for its design studios, with the aim of sparking conversation and providing some unified direction among its myriad propositions, ranging from entry-level scarves to high-end handbags and custom yacht upholstery for the happy few. This year’s theme, the Odyssey, is about “confronting the world’s uncertainties without losing our identity,” chief executive Axel Dumas said in a July presentation.
It’s an apt metaphor for the French brand to adopt as it navigates the post-Covid fashion market: On the one hand, Hermès’ ultra-classic, stable positioning at the top of luxury’s pyramid has made it one the sector’s largest and most resilient players, with sales bouncing back quickly from coronavirus lows as consumers flocked to its range of timeless, status-conveying items. On the other hand, despite its aura of staid permanence, Hermès’ recent statements suggest a faster pace of change at the company, including adding new product categories and ramping up initiatives linked to sustainability, technology and omni-channel retail to meet the demands of the market.
Sales in the first nine months of this year rose 60 percent year-over-year, and by 43 percent compared to 2019′s pre-pandemic levels, Hermès said Thursday. With full-year sales expected by analysts to exceed €9 billion ($10.5 billion), the house is in striking distance of reclaiming its title as luxury’s third-biggest brand (behind Louis Vuitton and Chanel) from Gucci, which surpassed Hermès in 2017 but has rebounded more slowly from the pandemic.
The 2021 numbers look “as if the pandemic never happened, or even a bit better,” Bernstein analyst Luca Solca said. The brand “remains in a league of their own,” according to Citi analyst Thomas Chauvet.
That Hermès has come out ahead of the pack following the coronavirus crisis is no surprise: The brand has long been luxury’s most defensive player, insulated from market shocks by a deep well of client demand that exceeds supply for its prized Birkin and Kelly bags, despite the company ramping up production by opening new manufacturing sites each year. (The bags have an outsized financial impact for Hermès as fans of the brand are known to court salespeople by loading up on other items and tend to jump at any chance to finally acquire one of the bags — crisis or not.)
What’s perhaps more noteworthy is how much the brand is foregrounding new initiatives and innovations, challenging its reputation for playing it safe.

Tradition and experimentation

Hermès is moving forward with the rollout of its nascent beauty unit, which debuted last year with a line of lipsticks packaged in eye-catching striped enamel tubes. The new division has since added the brand’s first-ever makeup, a range of $77 blushes announced with an influencer marketing campaign that triggered unboxing videos galore. (The campaign was a rare move for Hermès, which has typically avoided the practice of gifting products to influencers.) The new division launched in July in China and is now rolling out a line of nail polishes and hand creams ahead of the holiday season.
The company’s Perfume and Beauty unit still makes up less than 5 percent of sales. But beyond its financial impact, the division is giving the brand new topics to drive the marketing conversation and a chance to play at a lower price point than ever before ($200 neckties and $450 scarves had previously been the group’s entry-level items par excellence).

While the brand doesn’t sign endorsement deals with celebrities, recent efforts to push into the spotlight have paid off on the red carpet as well. The brand managed for the first time in recent memory to cozy up to a star and dress her for the Oscars, outfitting director Chloé Zhao in an Hermès gown as she won both Best Picture and Best Director for “Nomadland.”
And while other brands have dipped in and out of the wearable tech space with one-off partnerships that often felt forced, Hermès pursued the category further this year by launching new items with Apple, building on a partnership that goes back to the launch of the first Apple Watch in 2014. It designed leather cases for the California tech giant’s new line of “AirTag” geo-trackers, as well as revamping the design of its popular Apple Watch wristbands to fit a new-generation model being launched this month.
“When Hermès does something they usually don’t try to make a splash. They don’t come out and say: ‘We’re preparing for the next wave of young clients.’ But they are making changes,” Zuzanna Pusz, luxury analyst at UBS, said.
The brand is also spotlighting efforts related to sustainability, a subject where it typically tries to fly under the radar: In March, the brand — for which prestigious leather goods make up half the business — became the first major luxury name to experiment with mushroom-derived leather substitutes when it used a material called mycelium on a special edition of its Victoria duffel. And in September it opened the first dedicated store for its “Petit h” line of upcycled leather items made from remnant materials.
In its quarterly results presentations this year, the brand has started adding a list of favourable designations in various sustainability and corporate responsibility rankings. “It’s a sign they’ve understood investors care about this,” Bernstein’s Solca said.
Influencer marketing campaigns, red-carpet celebrity placements and touting sustainability wins might all sound like par for the course for a top luxury brand. But the moves each represent a shift for tradition-steeped Hermès.

Chloe Zhao poses in the press room at the Oscars on Sunday, April 25, wearing Hermès. Getty.

Chloe Zhao poses in the press room at the Oscars on Sunday, April 25, wearing Hermès. Getty.

Further evolution could be on its way.
While the brand doesn’t seem close to giving up controversial exotic skins, like Chanel, in a meeting with analysts Thursday the brand’s management said it was limiting production of items like top-priced crocodile-skin Kelly bags as it worked to increase its control of the supply chain for those materials down to the farm, citing ethical factors as well as a desire to boost quality.
The brand has also said it wants to update its approach to e-commerce. Hermès’ regional e-commerce sites have always been managed as their own stores, managing their own stocks independent of brick-and-mortar boutiques (and with little access to sought-after bags). The gap between the e-commerce and physical store assortment means younger shoppers can’t effectively indulge their proclivity to inform themselves about products and prices online before visiting stores. Now, CEO Axel Dumas is considering a more integrated approach. “It’s very important to think in terms of omni-channel — and let clients decide where they want to buy,” he said.
 
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