Aaron Tveit

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Aaron singing The Star Spangled Banner at the opening event of the Broadway softball league. May 12, 2011. This is how it's done . No need for show off vocal gymnasts.

 
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Screenshot from the upcoming TV series Graceland

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Blackbook Magazine interview with Aaron from March 9, 2011

Aaron Tveit of 'Catch Me If You Can' Takes Us Around Soho



From a table inside Manhattan’s Jane restaurant, Aaron Tveit—part Disney prince, part Abercrombie & Fitch model—throws on his Ray-Ban Wayfarers and starts singing. “I wear my sunglasses at night, so I can, so I can,” he croons to the venue’s waitstaff and a few early birds. Song comes easily and often to Tveit, and lucky for all of us, he’s got a golden set of pipes. A true triple threat, the 27-year-old, New York-based actor has already successfully crossed over from Broadway (Next to Normal, Rent) to television (Ugly Betty) and film (Ghost Town), and back to the Great White Way, where his turn as the notorious Frank Abagnale in the Broadway debut of Catch Me If You Can will probably make him a star.

“I am there so much for work that I try to escape as much as possible,” Tveit says of New York’s Theater District while trudging through the snow-covered streets of Soho en route to his next favorite hang. When he’s not shuttling between Astoria, Queens—where he lives with a roommate—and Times Square, Tveit ventures downtown to catch his breath. Still, he’s not complaining about his busy schedule. “There’s nothing like being on the stage,” he says. “It’s different every time, and the immediate response from the audience is like nothing else.” It’s been over a year since Tveit was last seen on Broadway, but this month he’ll take the stage for the first previews of Catch Me If You Can, reprising a role he’s been perfecting for the past five years.

Over a pint of Stella Artois at his preferred Gramercy bar, Plug Uglies, Tveit reveals that, three years ago, he was asked to do a screen test for the role of Finn on TV’s Glee (a part that eventually went to Cory Monteith). He removed himself from contention, however, opting instead to follow his passion for the theater and continue working in Next to Normal and Catch Me If You Can. “I think that show’s great and I’m glad it’s gone on to be a huge success,” he says, “but it wasn’t right for me at the time.”

Between playing Gossip Girl’s congressional candidate Trip van der Bilt (which had him making clandestine moves on Blake Lively’s Serena), nerd-hunk playwright Zachary Boule on Ugly Betty, and Allen Ginsberg’s lover Peter Orlovsky in Howl, Tveit has locked lips with some of Hollywood’s hottest stars. “Everyone asked me at the Howl opening about kissing James Franco, but in that department, Blake definitely takes the cake,” he says, donning a crinkled smile that could make just about anyone blush.

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Source: Blackbook Magazine
 
Thanks for the great links, FreeSpirit. He was excellent in Les Mis and it's nice to find out more about him. He sure looks different without the "hair." Love to see him on Broadway some day.
 
Thanks for the great links, FreeSpirit. He was excellent in Les Mis and it's nice to find out more about him. He sure looks different without the "hair." Love to see him on Broadway some day.

No problem. I have some older interviews with him to post too, but there will be more new stuff coming with the ramp up to his new series Graceland which starts in June. Until then...

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Source: tardisunderthestairs
 
Singing "Bohemian Rhapsody" at Joe's Pub, NYC, October, 2008.

Hang in there, at 1.30min it gets good. This is a really good live version.

 
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Aaron Tveit: From Broadway To "Les Mis" To "Graceland"

Whether you know him for his work on Broadway (Catch Me If You Can, Next To Normal), film (Enjolras in Les Miserables) or television (recurring as Tripp on Gossip Girl), Aaron Tveit has been turning heads for quite some time now.

One thing he hasn’t done before – been a series regular on television. That changes this summer when Tveit headlines the new USA crime drama Graceland. As Undercover FBI agent Mike Warren, Tveit will join a Southern California safe house (dubbed ‘Graceland’ for its safety and sanctuary for the undercover agents) where hunky Daniel Sunjata (also a stage vet for his work as a gay baseball player in Take Me Out) plays veteran agent Briggs who teaches Mike the ropes.

We caught up with Tveit at NBC’s recent TCA party and not only talked about Graceland but whether Tveit will be rushing back to the stage as soon as his hiatus begins.

AfterElton: Talk to me about stepping into this character, who is a newbie of this FBI world.

Aaron Tveit: My character, Mike, is a really smart guy. He’s coming out of Quantico, the FBI Academy. Top of his class, great practical scores but thrown into this house where I have to get my sea legs per se. But I think the best thing about it is if you notice in the pilot everyone talks about Mike but Mike doesn’t really say anything about himself. As things go on, not everything is as it seems with Mike. Everyone plays up that he’s book smart but I think Mike’s a little more smarter that that.

AE: From what I saw in the pilot, he seems like he keeps things close to the vest.
AT: That’s the thing I’ve been thinking a lot about. They say this guy graduated at the top of his class but to do that, the different kind of intelligence that he has to have psychologically…so it’s been fun to play with that as an actor and really sit back and observe other people before you necessarily jump in.

Tveit (right) and co-star Daniel Sunjata talk up Graceland at the TCAs.


AE: What is going to learn from Briggs but also what does he have to teach Briggs?
AT: I’m happy to hear you say that because I think that’s really…if the show is successful and we hopefully run for awhile I think that will be a big part of what the story we tell is. These guys, I think, are an adversary but also have a really common bond the fact that they’re both brilliant agents and really smart. If there’s a line in the sand between right and wrong I think they’re just on either side of it so I think it’s really interesting to see and hopefully we’re going to each learn a lot about each other and I hope that we can come together and then move forward together because I think it will be interesting to see how each of us is changed by the other person.

AE: You’re no stranger to TV, but this is a role you could end up playing for a long time.
AT: Yeah, this is my first series regular role in a show so I feel very blessed to have found such an amazing character and story and script my first time out. I feel really great about it.

AE: A lot of other TV actors who come from Broadway tend to rush back to the stage when they finish their season. Is that your plan?
AT: Yeah, I mean, I don’t know what will be as soon as we’re done whether it’s a play or a musical or if it’s a movie. I’m open to anything. I don’t have a direct plan but I definitely want to go back to the stage and I want to work on stage the rest of my life so I hope I’m going to be able to continue to do all three.

AE: How is it to take on a role where singing is not a part of it whatsoever?
AT: It’s a little different. I definitely don’t wake up in the morning and check if I have my voice, which I do every day when I’m in a musical. But I do approach it the same way with the background work that I do. I prepare the same for a musical that I do for this. The singing element is the only thing that’s different.

AE: The other thing with a TV audience in the world of Twitter and social media, people want to know about you and your life. Has that come up yet?
AT: A little bit. That’s something I faced that to a certain extent in New York doing theater, also. My personal life I’ve always really tried to keep personal. I’m not on social media myself so those are just decisions that I made already in the past to keep those things separate, so I’m going to try to continue to do that with this.

Tveit with co-star Eddie Redmayne in the film adaptation of Les Miserables



AE: Do you see social media as a good thing or…?
AT: I think it’s a good thing in that…obviously there are pros and cons. I think it’s great for the sharing of information. For instance, when things break now, my friends tell me they see it on Twitter before it’s even on CNN. I think it’s good for promotional purposes but as far as personal stuff, it’s people’s choices whether they want to use that and I choose not to do it myself.

AE: People are noticing you more for Les Miserables, but I saw you several years ago on Broadway in Next To Normal. I still think you were robbed of a Tony nomination!
AT: Oh, thank you! Thank you very much. I love that show, and it was such a wonderful experience so thank you.

AE: Where do you see yourself in the next 5-10 years. Is there a plan?
AT: I’d hope to be doing Graceland for awhile but I would like to just be able to continue to go back and forth between doing a movie, doing this show and getting back onstage.

Graceland premieres this summer on USA.

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