Aaron Tveit

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Boy Wonder

By Eric Hegedus
June 2, 2013

In February, Aaron Tveit found himself on stage at the Academy Awards — alongside Hugh Jackman, Anne Hathaway and Russell Crowe — basking in the acclaim for “Les Miserables.” Tveit played the young revolutionary Enjolras.

This week Tveit, 29, debuts in his first regular series role as a fresh-faced federal agent tackling his first undercover assignment in the USA Network drama “Graceland.”

“You know, I booked ‘Les Mis’ and ‘Graceland’ a couple days apart, and that was insane,” says Tveit, with an aw-shucks affability. “Life is very, very great. I have no complaints.”

On “Graceland,” Tveit stars as Mike Warren, an FBI special agent assigned to live and work with other federal agents in a Southern California beachfront mansion nicknamed Graceland that was seized by the government. The series is based on a real-life undercover communal residence that operated from 1992-2001; its nickname was given by a former owner, a drug lord who was obsessed with Elvis Presley.

The show depicts six agents from the FBI, DEA and US Customs living under the same roof, where they work both individually and collabortively on cases, then decompress by surfing or hanging out by a fire pit on the beach.

Their caseload is invented, but other details — such as the “house rules” stipulating no guns on the first floor or visitors on the second floor, where they sleep and have a communications center — are based on guidelines in place for the real house, says creator and executive producer Jeff Eastin.

The easy-on-the-eyes ensemble cast also includes Daniel Sunjata (“Rescue Me”) as Warren’s mentor, FBI Special Agent Paul Briggs.

Casting the role of Warren was a matter of finding an actor with the right mix of strength and innocence.

“Somebody who has the confidence of a kid who just wandered out of Quantico at the top of his class, but has this kind of charming boyish quality that I wanted — that was tough to find in a really attractive package, which obviously Aaron is,” Eastin says. “He really was so, so what I’d written.”

Born in Middletown, NY, Tveit’s talent became evident at an early age. He learned to play the violin in kindergarten. He took up the French horn and joined the choir in fourth grade. By high school, he was juggling play rehearsals and practice for soccer, basketball and golf.

“I’d go to school at 7:30 in the morning and wouldn’t get home until 9 or 10 at night,” he says.

Tveit interrupted study for a degree in theater at Ithaca College to join the national tour of “Rent”; he went back for one semester before joining Broadway’s “Hairspray,” as Link Larkin. He never returned to college, but his stage work, including a starring role as jet-setting con man Frank Abagnale Jr. in the 2011 musical “Catch Me If You Can,” earned him academic credit and he finished required course work on line.

“My first graduation date was 2005, and I eventually graduated in 2012. So, yeah, I was on the 11-year plan,” he says, with a laugh.

Cast in the film version of “Les Miserables” in 2011, he says co-star Jackman diminished any butterflies he had about doing the movie.

“I went to see Hugh’s one-man show on Broadway after I’d gotten it. In the middle of the show, in front of the whole audience, he congratulated me,” he says. “That’s the kind of gracious and amazing person he is. Someone like him leading the company really put my nerves at ease.”

Although Tveit doesn’t sing in “Graceland,” he still gives his voice a workout. Between takes on the Fort Lauderdale, Fla., set, Tveit often bursts into song, to the amusement of cast and crew, with samples of R&B tunes (like the racy 2000 hit “Thong Song” by Sisqó) and tween-pop fare like “Give Your Heart a Break” by Demi Lovato.

“I kinda don’t know I’m doing it at times,” he says. “People have said it’s very funny how random it is. Anything could come out of my mouth.”

On hiatus last month, he also performed his first solo cabaret act during a sold-out, six-day run at the New York club 54 Below. A professed Taylor Swift fan, he did a cheeky rendition of her hit “We Are Never, Ever Getting Back Together” that left fans — female and male, young and much older — swaying, clapping and laughing along.

That kind of reception boosts his popularity, but Tveit, who has a girlfriend and has lived in Astoria for six years, takes this thing called fame in stride.

In March, when web site BuzzFeed posted a swooning photo pictorial of the six-foot actor smiling, dancing and, yes, shirtless — titled “The 42 Most Seductively Charming Aaron Tveit Moments Of All Time” — he wasn’t fazed.

“Yeah, somebody sent me that; I had no idea what it was. I clicked on it, got to about the first two things and immediately closed it,” he says, laughing. “If anybody tells you they wouldn’t be flattered, they’re lying. It only means, on a base level, people are responding positively to the work that I’m doing. So for that, I’m utterly grateful.”

GRACELAND; Thursday, 10 p.m., USA

Source: NYPost
 
‘Graceland’ Star Aaron Tveit Is TV’s Next Big Heartthrob
by Kevin Fallon Jun 3, 2013

He can sing. He can dance. He’s an incredibly talented actor. And he has that jawline. Let us introduce you to ‘Graceland’ star Aaron Tveit, guaranteed to be your new obsession.

We’re at lunch, and Aaron Tveit, star of the upcoming USA drama Graceland, is giggling nervously.

I had just brought up a post—a series of photos, really—published on BuzzFeed while Tveit’s breakout film Les Misérables, in which he played the passionate revolutionary Enjolaras, was at the height of its theatrical run. The post was called “The 42 Most Seductively Charming Aaron Tveit Moments of All Time.”

“A friend of mine sent me that link,” he says, laughing. “I clicked and scrolled down to two of them and then was like, ‘Oh no,’ and closed it immediately. I didn’t look at the rest of them.”

Over the past few years, especially since he donned the dashing red coat and curly wig in Les Miz, mainstream sites have been catching on to Tveit—and his good looks. HelloGiggles called him the Crush of the Week. StarCrush named him its Daily Swoon. There’s even a Pinterest board called “Aaron Tveit with some slightly less attractive men.”

The 29-year-old actor, who is already a god in the theater community, nervously calls the compliments “hugely flattering,” and is, as BuzzFeed says, “seductively charming” in the way he deflects the attention. That he’s adopted such a winning attitude about all the attention bodes well for him, as he’s about to get a whole lot more of it.

Graceland is Tveit’s first starring TV role, and his biggest screen credit to date—he’s previously guest-starred as Trip van der Bilt on Gossip Girl and played Peter Orlovsky in Howl. On the new show, he plays FBI rookie agent Mike Warren, who’s assigned a room in a Malibu beach house, which really existed, called Graceland, where agents lived in between staging undercover operations. The solving-crimes-in-the-sunshine look of Graceland is right on brand with USA’s other hit procedural dramas, White Collar, Suits, and Burn Notice. And just as those shows did with Matt Bomer, Patrick J. Adams, and Jeffrey Donovan, Graceland will earn Tveit notices as TV’s next big heartthrob.

The icing on the cake, however, is that Graceland shows off his impressive acting chops, not just his abs.

Tveit’s been fighting the pretty-boy actor stereotype for years—he was once even up for the role of a Disney prince, Prince Eric, in the Broadway production of The Little Mermaid. He was cast right out of college in the national tour of Rent as Roger before heading to Broadway in the swoon-inducing boyfriend roles Link in Hairspray and Fiyero in Wicked. He proved to be more than just the pretty boy who can sing, however, when he was cast in the 2009 production of Pulitzer Prize–winning musical Next to Normal, playing the son of a woman grappling with bipolar disorder. The role required darkness, a little maliciousness, and brooding anger in equal parts to the character’s boyishness.

“It was a complex, dark role,” Tveit says. “I didn’t get the notices because I was pretty. I wasn’t the leading man. I wasn’t a love interest. It wasn’t for those things. It was for my acting and singing abilities. It put me in a different arena.”

The raves for his performance in the show did all that. Still, Tveit needed to get to almost 30—his birthday is in October—to finally break out the way many people predicted he would have for years now. Multiple times he’s ventured down that Star Is Born path that should have led straight to Hollywood, only to encounter unexpected and disappointing detours.

After he opened Next to Normal on Broadway in April 2009, the buzz was that he might not just get nominated for a Tony, he’d win it. When the nominations were announced, however, each principal member of the cast was nominated but him.

‘I worked really hard to push the bounds of what I’m castable as. Now the timing is just right.’

Two years later, he made his leading-man debut in the musical adaptation of the Leonardo DiCaprio film Catch Me If You Can, a splashy, $13 million production from the creative team of Hairspray that was expected to run for years and catapult Tveit’s career into the Broadway stratosphere. Yet after receiving mixed reviews, the show ran for less than five months. Once again, Tveit was snubbed for the Tony.

Before all that, as the most passionate of Broadway fans and Gleeks know, Tveit was up for the role of Finn on Glee, which he knew would be a hit and make him a star if he signed on. But he turned it down to stay with the productions of Next to Normal and Catch Me If You Can, both of which he had already committed to.

“It did look like I was on that plane,” Tveit says. “You debut in a new show, you get great notices, you get nominated for a Tony, you move on to star in another hit show, and then you’re there—it seemed like I was going to be on that trajectory. But I think it’s done more for me personally and professionally, the fact that I didn’t.”

Tveit was only 24 when he was snubbed of the Tony nod for Next to Normal, a sting eased slightly by the chorus of outrage and confusion in the theater community and among critics. But his manager reminded him then that the day after the Tony Awards, he was flying to Seattle to start rehearsing the out-of-town tryouts for a coveted leading role—Broadway favorites Gavin Creel and Matthew Morrison reportedly auditioned—in Catch Me If You Can.

“He said, ‘You know people think that the Tony nom is job security,’” Tveit remembers. “‘But you’re about to leave for a job. You’re working.’ I learned at a young age that being an actor, and an actor that wants to have a long career, those things do not a career make.” Still, it would have been nice to have gotten that nod: “I mean yeah, that would’ve been amazing.”

Chalk it up to the “everything happens for a reason” philosophy. Tveit could easily be stuck playing a two-dimensional teenager in a TV musical series or a vapid pretty boy in a high-school soap opera now instead of a challenging, complex character on a gritty cable drama.

“My character goes through some really tough stuff of what these rookies encounter early on in their career,” he says of Graceland. “It really goes down in the dredges of the undercover work and the terrible, terrible things that happen.” In other words, this is not Glee. “Characters like this and shows like this are just more interesting, and I’m more interested in the more serious, darker things,” he says. “I worked really hard to push the bounds of what I’m castable as. Now the timing is just right.”

So people will drool at handsome photos of him in BuzzFeed posts. But they’ll also be hooked by genuinely impressive acting chops in an addicting TV show.

In May, Tveit performed six solo shows at the Broadway nightclub 54 Below, adding two of them after selling out his first four faster than any performer in the club’s history. He sang showtunes and standards, sure. He also crooned a surprise—and impossibly adorable—version of Taylor Swift’s “We Are Never Ever Getting Back Together” that stopped the show and instantly went viral, popping up on entertainment gossip sites like Perez Hilton and Just Jared, not to mention countless Broadway blogs.

“I went to my music director and I was like, ‘This could either be great or the worst thing ever,’” Tveit says with a laugh, as if such a thing would not be Internet gold. (Suffice it to say, the overwhelming ruling fell on the side of great.) Talented, yes—immensely so. But Aaron Tveit really is just so seductively charming.

Source: The Daily Beast
 
Aaron Tveit Will Be Received -By DAWN KAY - Interview Magazine

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Aaron Tveit isn't just a triple threat; he's an enigma. At 29, he's occupied a wider variety of roles on stage and on screen than actors 20 years his senior. Despite his boyish good looks, Tveit has walked a fine line; balancing the steady pace of a working career with projects slightly left of center. On stage, Tveit has treated theatergoers to fancy footwork and a boisterous voice in critically acclaimed productions of Catch Me If You Can, Next to Normal, Wicked, Hairspray, and RENT.

Off stage, Tveit is most prominently known as high-society New York political hopeful Trip van der Bilt on Gossip Girl or, most recently, as the common man's revolutionary leader, Enjolras, in last year's Academy Award-winning Les Misérables. But peppered in a résumé of well-known titles are a handful of exercises in indulgence—Sebastian Gutierrez's A Girl Walks Into A Bar and Rob Epstein and Jeffrey Friedman's Howl. So what's next? Tveit tells us about his new role as an undercover agent sent in to investigate his own boss in the new series Graceland and why he's been singing a lot of Taylor Swift lately.


DAWN KAY: Let's start with your newest project, Graceland. It premieres on the USA Network on June 6, but the pilot was made available in advance for a limited period of time via on-demand. Can you tell me about your experience with this project thus far?

AARON TVEIT: It was great! We shot the pilot last spring and then we shot the rest of the 11 episodes from October to March. We finished at the beginning of March, and it really was a wonderful experience. When I first read the script, I was really drawn to the character of Mike [Warren], who I play. I just thought that he was a really smart guy. He had a kind of a winning attitude towards everything, in that he was a very hard worker and always tried his best. This is my first series regular role on a television show. I've done a lot of guest star work, and the guys that I've played haven't been the greatest guys, [laughs] so it was really nice to read a script where there was this guy who had good intentions, a good moral structure, and who was always going about things in the right way.

And I think that that [moral dilemma] does play into the first season. As it goes on, Mike gets deeper and deeper into his undercover work and further into all of the stuff that happens in the house until his idea of what is right and wrong gets pushed past what he was thinking he'd be okay with. That conflict was a lot of fun to play with.

KAY: Did you do any preparation that was specific to this role? Particularly in relation to Mike's budding career as an FBI agent?

TVEIT: I did read a lot. There were a couple books that were suggested about undercover agents for us in preparation for the pilot. I was really interested in the fact that in pilot they speak about my character as someone who has just graduated top of his class at the FBI academy. That brought up a lot of questions for me: What does that actually mean? What does someone who has just graduated at the top of his class, what does he tangibly have to be good at? Smart at? I learned a lot about the FBI and how it's structured. After 9/11, the amount of applicants the FBI received increased exponentially. Whereas you used to require a college degree, and it was a small group of people who were just out of college, after 9/11, it changed. Most applicants that get in now have at least one Master's degree, so it's really the crème de la crème of the academic world that then goes into this FBI academy and into law enforcement.

KAY: Oh, interesting...

TVEIT: So to say that Mike was top of his class; you know he's got to be a brilliant guy. And not only is he great at the physical skills that an FBI agent requires, but the mental aspect, the psychological component behind it. That kind of stuff was good for me to understand. I also read a couple books by former FBI agents that were fascinating. I was really interested in the psychology of what makes these people tick, because I had also read that a lot of these FBI agents burn out because they can't deal with the day-to-day pressure. I was really looking to see what it took for these people to be amazing at compartmentalizing their lives, being okay with seeing some not-so-great things as long as their eyes were focused on the longer term, and getting out of bed in the morning and looking at themselves in the mirror. So that was a lot of the reading I did. And then over the course of a few weeks, as we got into the season, we met with local law enforcement and they showed us how to handle the guns, how to shoot them, how to clear houses with a real SWAT team. We tried to be as realistic as possible—I mean, hopefully it's a realistic take on the lives of undercover agents—so it was the little things like how to hold a gun, how the gun should look when it fires so that you look like you know what you're doing. The cops that we talked to told us that when they watch cop shows they can tell, immediately, when people have no idea what they're doing just by the way that they're holding the weapon.

KAY: You've spent a lot of your career on stage and in theater. A live performance is essentially fleeting, whereas a film or television production allows you the opportunity to do multiple takes and have them edited with precision—does that affect the way you approach the material? Does one come more naturally to you than the other?

TVEIT: You know, I started working in theater, but I've been doing a lot of TV and film stuff over the last five or six years, and at first, when I started working on camera and taking on-camera class, it did seem like it was a totally different bustle, in a way. Especially when you're just starting out on camera, it can be very intimidating in the fact that it can be a very technical medium. I've been really lucky to work in theater, on film and on television over the last three years, at the same time, and I've found that it all basically comes from the same place. I do the same amount of preparation and work for everything, and then it's really just about the execution of how much you show and how much you hold back while you're doing it. There's a great quote in Michael Caine's acting book: He said the art of excellent stage acting is showing the audience all of your mechanics, and the art of acting on film is about hiding the mechanics.

KAY: Of the roles you've played to date, which was the most difficult to get?

TVEIT: Catch Me If You Can was a very hard one. Looking back, I wouldn't change anything about it. I did a national tour of Hairspray in 2005, and I then moved to New York and started in the Broadway company there; so I did that for about a year and a half, playing Link Larkin, which is kind of a young Elvis-type crooner —you know, wonderful show! The same creative team that did Catch Me If You Can did Hairspray—same writers, same directors, etc. You'd think going into something like that you'd have a leg up, but I first auditioned for Catch Me If You Can the summer I went out on tour, which was 2005. I constantly auditioned for it over the next three years and kept not getting it before I finally got it. I had a huge period of growth over that time, and I got it when I was ready and, again, I wouldn't change anything about it but there was also a certain element that—I knew all the people so well, and they thought of me in one way. I think that, not only did I have to grow to be ready for it, but also I had to shatter their idea of me in order to get that part.

KAY: Is there a role you haven't been able to play yet, that you'd like to do?

TVEIT: I'd love to play Billy Bigelow in Carousel. I think I'm still a little young for it, but that's the one role on stage that hopefully I can play one day.

KAY: You did the film adaptation of Les Misérables, which in and of itself was a heavy weight to bear. Of that entire experience, from rehearsals to the mass acclaim it received, what left a lasting impression on you?

TVEIT: It was an experience for me that was so incredible from start to finish, culminating with our performance on the Oscars. It was such an amazing final bow on the experience. That was the first time that we had all sung that song together. Because we shot it in pieces, we actually never sung it together. And it was a really close cast. The thing about that [project] was that everyone came to it from so many different experiences, with musicals or not doing musicals... But everyone came together with such common ground and left everything else at the door and poured their heart and soul into it. So that's one of the biggest things I remember, especially with not being one of the "movie stars" in the movie, was for me to go in and not feel like I was the odd man out. And the collaboration that everyone not only allowed but also told us that they wanted. Tom Hooper was just so open to all of our ideas.
 
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Continutation of : Aaron Tveit Will Be Received -By DAWN KAY - Interview Magazine

KAY: I want to circle back to the project you've just finished working on in New York—this concert series at 54 Below. How exactly was this conceptualized?

TVEIT: I've wanted to do a concert like this for a long time. It's the first time I've ever done it. When I was first putting it together, frankly, I thought for the first time a great introduction would be just to sing songs that meant something to me. It's a very intimate venue—about 115 seats—so it's very small and lends itself to a very intimate setting where you can really talk and you can really connect with the audience. Music has been a very big part of my life since I was very young, so it's really like a journey through music of different songs that have meant different things at different points of my life and why. It's me sharing a lot of things that I love. I'm really happy with it, because I don't feel like there's anything in the whole concert that I'm singing simply to make sound. I think that if you just want to sound good or something, that can really come off as inauthentic, so I'm really happy with where everything landed. It's been a great experience. I've done four [shows] and I have two left this weekend. It's been wonderful. As much as I love shooting Graceland, I miss singing, so it's been nice to come off Graceland and have the time to really put myself into something and feel like I'm scratching my singing itch a little bit.

KAY: Which came first for you? Singing or acting?

TVEIT: I've always sung. I started at a very young age, and I did a couple plays in high school, but I wasn't a theater kid growing up, so it wasn't something I was all about when I was younger. At the same time, looking back now, I've always been an avid television watcher and a big movie buff. I watched so many movies when I was a kid, and I'd watch them over and over. Even though I didn't know that this was where I was going to end up, a lot of what I experienced was influencing, subconsciously, where I would end up later on. I started acting through musical theater, and as I went on, I started taking more and more on-camera and straight acting classes to hopefully expand into the on-camera work.

KAY: Do you think singing is something you would ever do on its own as a career aside from theater?

TVEIT: When I was younger, I guess I thought that was a possibility? I don't know. I'm open to it in a way... They're making an album of this show that I am doing, a live album. I don't know. I don't write music, or I never have before—so I'm open to it, but that's not something that I'm actively pursuing. I definitely love to sing, and I definitely want to continue doing theater, but I also really love acting—as much as I love singing. That's what it has come to in the last couple years. It would be hard for me to do, to have the energy needed to pursue a separate singing career. Who knows what could happen in the future, but I just think it would be hard to designate enough energy to it.

KAY: It seems like an option that would be well received. You've had an overwhelming response to the series of live shows, from what I can gather. Your fans essentially broke the venue's ticketing and e-newsletter system when pre-sale tickets were released, and the entire run sold out quickly. Has it been as easy to implement as you thought? Has the experience of the show met your expectations?

TVEIT: Yeah. I hoped it would be successful and I, of course, hoped that people would like it. At the end of the day, you kind of never know. That's always in the back of your mind; and I'm a little bit blown away by how well it's been received, but I put a lot of work into it, so I hoped that people would like it. I thought that people would, but really you never know at the end of the day how it is going to go over. I sing a cover of a Taylor Swift song in the show [laughs] and that was one thing... That was a very late addition to my set list, and I went back and fourth with my music director. I really had no idea going into the first night. I thought it could be a really good idea or I thought it could be, literally, the worst part of my show. I thought it could completely bomb and instead it's been on of the highlights of the shows every night and the response has been unbelievable. So that's been interesting...

KAY: Where exactly did this Taylor Swift inspiration come from?

TVEIT: Well, what I say in the show is that I've always been a huge fan of pop music. I listen to all kinds of music but I've always been a really big fan of Top 40 radio. If I'm in my car, that's what I listen to. It's not the only place I listen to it, but whenever I'm in the car, I listen to Top 40 radio, so it's a nod to that. It's a song that's on the radio right now. I sing a lot of stuff that's on the heavier side, the emotional side, so I thought it would be a nice variance from that stuff—a bit of a lighter moment!


AARON TVEIT STARS ON GRACELAND, WHICH PREMIERES THIS THURSDAY, JUNE 6, AT 10 PM EST ON USA.

Source: Interview Magazine
 
'Graceland' stars Aaron Tveit and Daniel Sunjata take the EW Pop Culture Personality Test --

The video for the interview is also on the site here

Aaron Tveit and Daniel Sunjata are unflinchingly serious as undercover FBI agents in the new series Graceland (premiering tonight on USA), but the Les Mis breakout and the Smash alum let loose for EW’s Pop Culture Personality Test. Watch below as they discuss life-changing fan letters, Friday Night Lights tearjerkers, and funky smells at a Cypress Hill concert.

Tveit and Sunjata got back to business to discuss Graceland‘s freshman season. In the series (which was inspired by a real California beach house shared by the FBI, DEA, and Customs agencies), Tveit plays Mike Warren, a Quantico hotshot assigned to live in a house with five other agents. “Mike has all the knowledge in the world but not tactical or field experience, so he comes in and has to figure out everything really quickly,” says Tveit. “Mike learning how to hang and learning the ropes is a big dynamic this season.”

mong the roommates is Mike’s de facto mentor Paul Briggs (Sunjata), who brings more calm confidence to the table — along with a boatload of secrets. “He’s trying to be zen,” says Sunjata, but “his spirituality is an outgrowth of his inner turmoil. He’s seeking peace through the lens of his chosen spiritual path. He’s a very conflicted, fun character to play.” (For the record, Sunjata promises details about Briggs’ past will start to roll out around episode 4.)
Though it seems like there couldn’t be much deception within such tight quarters, this is a show about professional liars. As such, “There’s this Russian doll effect,” adds Sunjata. “We’re actors who are playing undercover narcs who lie for a living and then actually have to keep secrets with each other as well. The layers and dimensions of the relationship between Briggs and Mike actually make for great TV. It’s very entertaining.”
Between a Point Break-esque mix of sun, sand, and sting ops, Sunjata says the show grapples with plenty of “moral ambiguity — the line between right and wrong and whether or not ends justify means. We go further and further into the exploration of that as the season progresses.” Tveit teases, “We have to not only let some crimes happen, we actually have to participate in them.” Sunjata completes the thought: “Swim with the sharks, you have to be one.”
It’s something Sunjata know about. In addition to learning how to handle weapons, both actors had to shred the surf for the role. “I’d actually never even held a surfboard, let alone try to stand on one, before we shot our surfing scenes for the show,” reveals Sunjata. “I was definitely the worst of the bunch. I literally did chum the water with my lunch, unfortunately. That’s the very embarrassing story of me on the surfboard — especially since I’m supposed to be an expert surfer on the show. Thank God for stuntmen.”

Source: EW
 
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