My mum was all about keeping the chill off the tummy (SE Asian here!).Recently at an art event I heard the comment that most historians are failed art critics (and that most art critics are failed artists). I am in the former group, completely dedicated to history but actually always thinking about art. And the scarves (mostly just 90’s) are for me opportunities to both wear art and support emerging artists.
I have autism and sometimes find it hard to leave the house. Left to my own devices, I could spend an hour each day twiddling my scarf into a bow... neatly avoiding going anywhere. So this year my failsafe has become 90 + Mors ring in one particular arrangement, and it works brilliantly. It is a uniform that gets me out the door and a means by which I communicate myself to the world. I also wear my scarves more which is good, not just from the perspective of cost per wear, but because the relationship I have with colour is the thing on which I base my understanding of the world. In my way of thinking, the way by which we arrange and make categories of colour, adopting or rejecting harmonies, is representative of the dialogue between self and other, repeated across cultures.
And on a practical note, scarves keep my neck warm. So important in SE Asian culture - did you know? - to always keep the cold (and wind) off the back of your neck!
And I wear scarves because I woke up one day and realized that I had all these lovely scarves in the cupboard collected as art, and I really should be wearing my art. DH thinks it's very funny