byMiMi said:Oooh! I have a few vintage Balenciaga's, my favorite is a speedy/doctor style 'butterfly logo' (I like to call it that, since it looks like a butterfly!) bag.... and then another that my grandma gave me that is a pretty crescent shape.
I also have one of those Loehmanns bags, and my take is - the 'bb' line is a bridge line that Balenciaga experimented with (when they still called the motorcycle style 'balenciaga le dix'), and the Loehmanns Balenciaga's are a less expensive version of the original motorcycle, I think it came out when or a year or two before the original motorcycle le dix style came out. I don't have the strap to mine, do you have the strap to yours? If you do, a photo would be a great way to add another element to form a conclusion on if it is authentic. Also, it has the smooth metal zipper and the plastic black interior zipper that was on earlier bbags. I would love if anyone had some real information or articles regarding the Loehmanns/Balenciaga controversy!
Puig? The one who produced perfumes?These Balenciaga bags are from the time when Balenciaga, along with many other French brands (Pierre Cardin or Paco Rabanne come to mind) had gone on the licensing route. Basically, they licencesed the use of the brand and the logo to other companies and kept very little control on the product. In Spain, Puig for example held many of these licenses. The goods (bags, wallets, scarves and other accessories) were very common in the day, of reasonably good but not premium quality, certainly not focused on original design and typically sold in department stores and airports. When they started the operation to relaunch the brand they had to first buy back the licenses, and they would not manage to buy all them back at once. This was the situation when Ghesquiere was hired and the first Moto bags launched. The Lohemanns situation was interesting from a legal point of view because they were entitled to use the Balenciaga brand, but Balenciaga argued they could not use Ghesquiere’s design.
I find it interesting that Gvasilia, in typical tongue-in-cheek manner, is now bringing back the licensed logo of the two Bs, which Ghesquiere never used.
These Balenciaga bags are from the time when Balenciaga, along with many other French brands (Pierre Cardin or Paco Rabanne come to mind) had gone on the licensing route. Basically, they licencesed the use of the brand and the logo to other companies and kept very little control on the product. In Spain, Puig for example held many of these licenses. The goods (bags, wallets, scarves and other accessories) were very common in the day, of reasonably good but not premium quality, certainly not focused on original design and typically sold in department stores and airports. When they started the operation to relaunch the brand they had to first buy back the licenses, and they would not manage to buy all them back at once. This was the situation when Ghesquiere was hired and the first Moto bags launched. The Lohemanns situation was interesting from a legal point of view because they were entitled to use the Balenciaga brand, but Balenciaga argued they could not use Ghesquiere’s design.
I find it interesting that Gvasilia, in typical tongue-in-cheek manner, is now bringing back the licensed logo of the two Bs, which Ghesquiere never used.